In 1975, Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork gathered together to consider several offers to reunite The Monkees. "We met up at my house, up in the Hollywood Hills," Micky told Monkees historian Andrew Sandoval in a previously published interview. "I think it was William Morris [agency] or something expressed an interest in putting the act back together. Everybody was very enthusiastic about it on the surface. You know, 'Oh great, great idea,' but when it got down to the nitty-gritty there were too many conflicting feelings and attitudes. Actually I remember it being really exciting. We all got together for the first time in quite a few years in the same room and there was a hell of a buzz."
Despite friendly discussions between the ex-Monkees during this time period, the group ultimately did not reform. "They wanted to do something different and new," said Jones of Nesmith and Tork to Steve Hoffman in September 1976. "They forgot the audience has been waiting out there for The Monkees to return." However, Micky and Davy were interested in teaming up once again and instead turned to Tommy Boyce and Bobby Hart.
Dolenz, Jones, Boyce & Hart was the idea of Christian DeWalden, a music publisher, producer, and friend of Bobby Hart. Boyce & Hart were responsible for writing and producing some of The Monkees' greatest hits ("Last Train to Clarksville," "Steppin' Stone," "Valleri"), and had a successful recording career of their own. The foursome created a new act and toured as The Great Golden Hits of The Monkees - The Guys Who Wrote 'Em and the Guys Who Sang 'Em. Their concert show combined Monkees classics, new material, and Boyce & Hart hits. "It was based on the idea of having the guys who wrote a lot of songs and the guys who sang them perform together," Davy explained in 1975. "So we talked about it and agreed and went into rehearsals for three weeks, and then we went to St. Louis and pulled 22,000 kids in two shows." The Dolenz, Jones, Boyce & Hart act would record and perform together through 1976.
This July, 7a Records will officially re-release the recorded legacy of Dolenz, Jones, Boyce & Hart. The UK-based label, headed by Glenn Gretlund, will deliver a 2-CD and 2-LP deluxe edition of the group's 1976 studio album originally issued by Capitol Records, along with Concert in Japan, taped in Tokyo that same year, which was ultimately released in that country in 1981 (and later on compact disc by the label Varese Sarabande in 1996).
Both albums are remastered from the original tapes. The CD edition will include a 40-page booklet with brand new liner notes and previously unseen photographs, while the LP edition will be housed in a gatefold sleeve on green, yellow, and black "quad" vinyl.
Various media outlets have reported on 7a's revival of the long out of print Dolenz, Jones, Boyce & Hart albums, the latest in a very busy year for the label:
Second Disc: I Remember the Feeling: 7a Records Reissues Studio and Live Albums from Dolenz, Jones, Boyce and Hart
Here's a sneak peak at the rear covers for the vinyl and compact disc editions:
Micky Dolenz Live!
Dolenz, Jones, Boyce & Hart returns
50th Anniversary Editions