The show opens with The Monkees being awakened by the Beatles song "Good Morning Good Morning," first heard on that group's seminal album, Sgt. Pepper's Lonely Hearts Club Band. When writing in the liner notes of his 2012 solo album Remember, Micky believed this was the first time The Beatles allowed their music to be utilized for an outside project.

The episode is about the evil Wizard Glick, played by Taylor, who is out to control people's minds through a hypnotic eye that is being broadcasted on television sets. "This is my attempt to address the manipulation of the American mind by the media," Micky relayed in a 2003 DVD commentary for the episode. "Hooray, The Monkees save the world from the evil machinations of the media...I guess it didn’t work, though, did it?" Singer/songwriter Tim Buckley, personally selected by Micky, was featured at the end of the show performing "Song to the Siren."

"The Frodis Caper" concluded with a final Monkees romp, featuring Bill and John Chadwick's anti-war song "Zor and Zam," which was heard in an early mono mix. "It was basically about two kings who gave a war and nobody came," Bill Chadwick told Andrew Sandoval. "We all had friends going off to Vietnam, and nobody was real happy about the way things were being handled. Guys were going over there and weren't getting any support. Basically the idea of, 'If you're not going to get support from your own country, why the hell should you go?'"

The website Ultimate Classic Rock is also taking a look back at "The Frodis Caper" today:

MTV played a pivotal role in the rebirth of The Monkees in 1986, just in time for the group's 20th Anniversary. On February 23 of that year, MTV aired a weekend marathon of The Monkees television series. The reaction was overwhelming and it helped to create a second wave of Monkeemania just as the group was set to reunite. After the initial success of the "Pleasant Valley Sunday" marathon in February, MTV started to air the series twice a day, seven days a week. By April, the show was being screened three times a day.

Throughout this period, MTV also produced a series of weekday segments called "I Was a Teenage Monkee." The clips lasted about two minutes each and featured interviews with Micky Dolenz, Peter Tork, Jim Frawley, Tommy Boyce, Monte Landis, Jeff Barry, David Winters, Eric Lefcowitz, and others. After Micky and Peter acted as guest VJs on May 3 and 4, 1986, a one-hour special aired (hosted by original VJ Alan Hunter) that collected the previous segments.

1986 was an incredible year for Monkees fans with the record breaking 20th Anniversary Reunion Tour featuring Micky Dolenz, Davy Jones, and Peter Tork, fueled by a major promotion by MTV and the single "That Was Then, This Is Now," and topped off by Michael Nesmith appearing with the group at the Greek Theatre and in that year's MTV Christmas video. For many fans that had discovered The Monkees through MTV or oldies radio, and the original fans that followed the group from the beginning, it was a momentous time. But for some fans like me, the 1986 reunion on a grander scale felt like déjà vu, going back to the years 1975 to 1977 when the "first" Monkees reunion took place.

Things didn't look so rosy after 1970 for Monkees fans, with both Peter Tork and later Michael Nesmith quitting the group, leaving Micky and Davy to carry on as The Monkees with a contractually obligated final album, Changes, which never charted during its original release. A very brief promotional tour that included a video for the single "Oh My My" (which barely made a chart dent), and a final single, "Do It In The Name Of Love/Lady Jane," wrapped up all things Monkees as Micky and Davy called it a day. Michael Nesmith and Davy Jones were the two most visible Monkees during the immediate post-Monkees period. Davy made the rounds on TV shows like The Brady Bunch and released an album and some singles through Bell Records. Nesmith found some solo success with the First National Band and the singles "Joanne" and "Silver Moon," along with some critically acclaimed albums. Micky Dolenz returned to acting, appearing in films like Night Of The Strangler and Keep Off My Grass and recording some singles for MGM, which never charted. Peter Tork largely fell off the radar, briefly working with his post-Monkees band Release. In the meantime, The Monkees TV series was given a new lease on life with Saturday morning reruns. By the time the Saturday reruns ended in 1972, The Monkees were pretty much considered a spent force.

Or so it appeared. While there was little news on The Monkees' activities being covered in the teen magazines that used to feature them prominently on their front covers, active Monkees fan clubs did their best to keep a small but still loyal fan base up to date. One bit of news that alerted fans was a report that Micky Dolenz and Davy Jones appeared together at a celebrity tennis match in Japan in which thousands of fans flocked to see them in person. Micky and Davy were so thrilled and overwhelmed by the reaction that they both concluded that there was still some life in The Monkees. 

On their return to the United States they held a meeting at Micky’s house with Michael Nesmith and Peter Tork about the possibility of a Monkees reunion. Nesmith, who was still very busy with his solo career, declined to participate, as did Tork. Micky and Davy proceeded with Plan B and contacted the songwriting team of Tommy Boyce & Bobby Hart (who were responsible for a plethora of Monkees hits, including "Last Train to Clarksville," "Steppin' Stone," and "Valleri") about conducting a joint tour as The Guys Who Wrote 'Em and The Guys Who Sang 'Em.  Tommy and Bobby were the perfect choice since they produced the earliest Monkees recording sessions and were instrumental in developing the group's sound. For legal reasons they couldn't call themselves "The Monkees" so they decided to go the Crosby, Stills, Nash & Young route and named their new group Dolenz, Jones, Boyce & Hart. A band was formed with ex-Raider Keith Allison on lead guitar, who also acted as musical director. In 1975, their debut concert at Six Flags Old Glory Amphitheater drew an excited crowd of 20,000 fans. Dolenz, Jones, Boyce & Hart toured, playing to enthusiastic crowds that consisted of not only original fans from the 1960s but also newer fans who had discovered them through the syndicated reruns of The Monkees television show. On top of that, Arista Records, which had inherited The Monkees' recordings from Colgems and later Bell Records, had reissued the 1972 Bell Re-Focus album as The Monkees Greatest Hits in 1976. As the original Monkees albums were long discontinued, this album helped to introduce many newer fans to The Monkees' music. (The Monkees Greatest Hits became a best-seller, certified gold in 1986 and platinum in 1991, and remained available through the 1990s with cassette and compact disc editions also appearing.)

Thanks to the success of their live concerts, Dolenz, Jones, Boyce & Hart were able to negotiate a contract with Capitol Records and recorded a new single called "I Remember The Feeling" (written by Boyce & Hart), backed with the Dolenz & Jones composition "You and I" (their first collaboration together). Though it received little airplay the single did help to spark excitement in the group, who soon recorded a full album that was released to coincide with the 1976 leg of their tour. 

"The Riverboat Club had a General Admission policy and my sister Cookie was definitely determined that we get a good seat. On the day of the show we left extra early so we could get to the Riverboat Club before everyone else. When we arrived there were just a couple of fans on line so we quickly got into place behind them and waited. Soon, more fans arrived and lined up behind us. It wasn't too long before the line started to wrap around the block. In order to alleviate some of the street congestion the line was causing, the Riverboat management allowed some of us to move up into the club. We lined up at the top of the winding staircase that you had to walk down to get to the stage area which was below street level. My sister Cookie made sure that she was one of the first in line, and she turned to me and said 'You stay close, I’ll make sure we get good seats!' With Cookie's determination, I wasn’t going to argue!"

"It was getting closer to show time and there was quite a long line snaking out the Riverboat door into the street at the foot of the Empire State Building. The management allowed those towards the front of the line to go down to the bottom of the staircase where a velvet rope kept us in place. Finally, a gentleman came forward and started to remove the rope and told us not to rush for the seats that were waiting for us at the front of the stage. As soon as the rope was removed, my sister and I along with some of the fans who were waiting with us made a dash for the seats. It was in the rush that Cookie fell, twisting her ankle. I suddenly had a tough choice to make, continue to the front seats or help my sister. I struggled with that decision for just a few seconds, but then I opted for the latter, Cookie would clobber me otherwise! I reached down, took her hand and lifted her up off the floor and assisted her as she hobbled towards the stage. We didn’t get the front row like we wanted, but we did get seats in the second row, which were just as good. My sister sat in her seat, and kept shifting her foot to ease the pain a little, and although we were both a little disappointed we didn't get the front row, we were happy that we at least got as close to the stage as we could."

Seeing Micky Dolenz and Davy Jones in concert for the first time, performing alongside Tommy Boyce and Bobby Hart with Keith Allison, was an incredible experience for me as a Monkees fan. After the Riverboat show Micky signed my "Oh My My" picture sleeve.

The highlight of the 1976 tour took place on July 4th at Disneyland in California when Peter Tork joined Dolenz, Jones, Boyce & Hart onstage, playing bass guitar on "Last Train to Clarksville" and (Theme from) The Monkees." 

After Dolenz, Jones, Boyce & Hart disbanded, Micky and Davy toured together in 1977 along with Micky’s sister, Coco, backed by the Laughing Dogs. Peter eventually joined Micky, Davy, and Coco in Hollywood for an acoustic set that included the Dolenz and Jones composition "You and I." Davy Jones even commented during this moment that "We need Mike Nesmith up here," to the full agreement of the cheering fans in attendance. After the duo's 1977 tour ended, Micky and Davy traveled to England to perform in the stage version of Harry Nilsson's The Point before once again going their separate ways. Micky stayed in England to begin a new career as a television director and Davy dabbled in theater. ​

The parallels between the 1975-77 DJB&H/Micky & Davy tours with the 1986 Monkees 20th Anniversary Tour are quite interesting. In both cases, the reruns of the TV series and advance fan anticipation were major factors. Fans were well-informed about the reunion tours through fan magazines like Monkee Business and The Purple Flower Gang. MTV's airing of The Monkees series in 1986 helped to steep the fan's interest and introduce a brand new generation to the group. To add to the growing excitement Micky and Peter recorded several new tracks to be included on a new compilation entitled Then & Now...The Best of The Monkees. The first single, "That Was Then, This Is Now," received extensive radio airplay and the video was placed in heavy rotation on MTV, allowing the song to hit the Top 20, the first time The Monkees made the upper echelons of the singles charts since the 1960s. Numerous dates on the tour instantly sold out to the surprise of many in the entertainment industry who had written off The Monkees as "old news."  The Monkees' reunion became the hottest tour of 1986.

Micky Dolenz was the inaugural guest on Tom Petty's new SiriusXM radio program, "Tom Talks to Cool People." Here's a recap of the 90 minute interview:

In this interview with Salon, XTC's Andy Partridge talked about writing songs for the brand new Monkees album, Good Times!, including the album's first single "You Bring The Summer."

Here's what Andy had to say:

"And I was contacted on Twitter by the man who manages the Monkees, Andrew Sandoval. The Monkees are going to make one more album, one last hurrah, and they want to do it in the style of ’66, ’67 Monkees. [Sandoval] knew I was a fan of the Monkees as a kid, and said would I write something for them? I thought fantastic, so I wrote them a bunch of things, wrote them a few new ones, and sent a couple that I thought they might like. And their first single is going to be one of those songs."

It’s "You Bring The Summer," right?

"Yeah. So I was channeling my inner Neil Diamond there.  Which is easier to do, really, than my inner Carole King."

Last evening, Micky, Peter, and the band played a private show in Uncasville, Connecticut at Mohegan Sun Arena. Tickets were made available as a package deal with the hotel and casino there. A big thanks to Andrew Sandoval for sharing the night's set list:

Here's a photo from the show courtesy of John Billings, bass player in The Monkees' touring band, which he shared on Twitter:

This article, written by Monkee Business Fanzine editor Maggie McManus and published in the September 1997 issue, focuses on Micky's artwork that was showcased on both The Monkees' 1996 and 1997 summer tours.