For more Monkees covers by Australian artists (including "Someday Man," "She," "Randy Scouse Git," "So Goes Love," and "Can You Dig It"), check out the article below:
A big thanks to Scott Catton for scanning this article for the Live Almanac!
The Monkees closed the North American portion of their 50th Anniversary Tour last night in Englewood, New Jersey at the Bergen Performing Arts Center. Here's some footage from the show, courtesy of Cindy Ferrier:
"Mary, Mary," "Circle Sky," "Porpoise Song," and "Long Title: Do I Have To Do This All Over Again":
The evening's set list:
Listen to the Band
Last Train to Clarksville
That Was Then, This Is Now
Your Auntie Grizelda
She Makes Me Laugh
A Little Bit Me, A Little Bit You
The Girl I Knew Somewhere
You Bring the Summer
Shades of Gray
Me & Magdalena
Papa Gene's Blues
Look Out (Here Comes Tomorrow)
Randy Scouse Git
For Pete's Sake
Sometime in the Morning
Higher and Higher
Let's Dance On
Porpoise Song (Theme From "Head")
Long Title: Do I Have to Do This All Over Again
What Am I Doing Hangin' 'Round?
Pleasant Valley Sunday
I'm a Believer
Here is the night's set list, courtesy of Scott Catton:
This afternoon, The Monkees polished off 1970's "Oh My My" during soundcheck in Englewood, New Jersey, site of the final US stop on the 50th Anniversary Tour. The song, which was the last original Monkees single, has not been performed live in concert since the group's 1997 US summer tour.
Singer-songwriter Diane Hildebrand co-wrote some of The Monkees' most well-known songs. "Early Morning Blues and Greens" and "Your Auntie Grizelda" were composed by both Diane and Jack Keller. "Goin' Down," largely considered a Monkees classic, is a collaboration between the band and Diane. She released an album for Elektra Records in 1967, and continued writing songs throughout the 1970s. In 1968, Hildebrand contributed to Monkees Monthly in an article entitled "The Monkees Never Relax."
In these late 1989 episodes of the Headquarters radio program, Diane speaks with hosts Paris Stachtiaris and John Di Maio about her career in music, her relationship with The Monkees and the songs she wrote for the group, and much more.
The Monkees' 50th Anniversary Tour, featuring Micky Dolenz and Peter Tork (along with special appearances by Michael Nesmith), opened on May 18 in Clearwater, Florida. After 51 concerts and many miles traveled, the tour will play its final two North American dates this weekend:
Saturday, November 19 - Lincoln, Rhode Island / Twin River Event Center
Sunday, November 20 - Englewood, New Jersey / Bergen Performing Arts Center
The Monkees Live Almanac would like to extend best wishes to Micky, Peter, and the band as they begin to close out what became a monumental year for The Monkees. But, hey, it's not over quite yet! Later this month, The Monkees will travel to Australia and New Zealand for the group's first concerts in the region since 1988. Stay tuned to the Live Almanac for full coverage!
In a recent email to its newsletter subscribers, 7a Records announced the following:
Get ready for a 7a email exclusive! The very limited edition (500 copies) 7" coloured vinyl single of Micky Dolenz Live In Japan 1982 that was given out for FREE at the 7a Records Launch is now available to pre-order worldwide!
This stunning single features Micky singing Sunny Girlfriend and Zor & Zam live on his brief Japanese tour in 1982, years before Monkeemania round 2 kicked in!
These two tracks come from a forthcoming CD release of the entire concert with bonus tracks, but once this single sells out, it will never be available in this format again!
US fans can order it from the following outlets:
UK fans will be able to get it from Amazon by using this link. It isn't available for pre-order there yet but will be soon. Keep checking it out!
After a flurry of activities in 2016 celebrating The Monkees' 50th Anniversary, things in Monkeeland have been quiet as of late. With just two US concerts remaining before Micky, Peter, and the band depart for Australia and New Zealand, it'll soon be time to look back on the monumental events of this year that have now become a part of the group's history.
That being said, The Monkees Live Almanac has received many great submissions from readers in the past, including rare audio, pictures, concert review clippings, articles, and more. Anyone care to liven up things by sharing something for publication here on the Live Almanac's blog? If that's you, please contact me.
This is the tenth in a series of guest articles that have been submitted to The Monkees Live Almanac in celebration of the group's 50th Anniversary
On September 16, 2016, a New Monkees fan (me!) made the two hour trek to witness the event of a lifetime, The Monkees’ concert at the Pantages Theatre in Los Angeles. The show had been previously announced as the final performance by Michael Nesmith with the group, on a tour that quite possibly could be their last.
So just what was I, a New Monkees fan, doing there, you might ask? I will answer that, but first, a little background. The New Monkees, for those of you unfamiliar with the group, were Marty Ross, Larry Saltis, Dino Kovas, and Jared Chandler. The New Monkees television series was the brainchild of Steve Blauner, a former partner of Monkees producers Bob Rafelson and Bert Schneider, and worked the same way as the original Monkees: the four members were hired to star in a TV series and release music in conjunction with the show. Every member of The New Monkees was an accomplished musician with the exception of Jared, who was a professional actor. The series premiered in syndication in the fall of 1987 (while the reunited Monkees were still riding the wave of their massive 1986 revival). Despite the show lasting only 13 episodes before it was cancelled, the group managed to release an eponymous LP.
Decades later, The New Monkees reunited in 2007 for a small meet and greet with their fans to celebrate the group's 20th Anniversary. I was lucky enough to attend this event, and as a result, a friendship with the four members flourished. I am currently writing their biography.
Now then, what was I doing at a Monkees concert? Well, I found that in writing a book on The New Monkees I needed to better understand the group that in a sense gave birth to them. I was curious to see what The Monkees, and their fans, were all about.
I got my answer as soon as I walked into L.A.’s sold-out Pantages Theatre. It was like crashing a huge family reunion. There were so many people that already knew each other, whether from various Monkees conventions through the years or through social media. The lobby was filled with folks running around hugging each other and taking pictures.
The concert was amazing. I didn't have the best seat in the house as I was way up in the mezzanine. However, I had a great view of the entire audience. The fans were just as entertaining as The Monkees themselves, and their excitement was palpable! Many fans remained standing throughout the entire concert, leaning on the stage, mere inches away from their favorite teen idols.
I watched as Micky Dolenz leaned down and handed the microphone to one of the fans, letting her finish a verse of "Goin’ Down" for him. Elated, she grabbed her friend in a tight embrace. I looked around and saw the audience filled with couples. Many of them, while hearing their favorite songs, would put their arms around each other and sing. One couple was even dressed as "Monkee Men"!
And then, of course, was the memory of Davy Jones and hearing his voice over the loudspeaker during the performances of both "Shades of Gray" and "Daydream Believer." There were tears from fans as they listened to his recorded vocals. As this was my first time attending a Monkees concert, I never had the pleasure of seeing Davy live in person. His voice was haunting as it rang throughout the theatre. It was almost as if Davy was simply behind the scenes and could walk on stage at any moment. During "Daydream Believer," everyone activated the flashlight features on their phones and waved them like lighters.
There were a lot of songs that got me out of my seat and cheering along with everyone else. The famous standards I was familiar with like "Last Train to Clarksville," "Daydream Believer," and "I'm a Believer," but there were two songs that stood out to me that night that I'd never heard before, and both were sung by Michael Nesmith: "You Just May Be the One" and "Tapioca Tundra," which brought tears to my eyes. Both of these songs, while seeming to highlight the relationship between The Monkees and their fans, spoke to me as well and brought to mind my friendship with The New Monkees.
I was so impressed, simply because I could relate to this type of closeness between fan and performer. Some folks were even crying, perhaps realizing that one moment in their lives was over, and now, what was next? I had those feelings, too, after I met The New Monkees, and I believe that planted the seed to start writing about them in 2013.
And speaking of The New Monkees, there was one New Monkee in the audience that night, Marty Ross. Marty and his wife Doreen had near front row seats, right in the center. He too, wanted to witness the historic moment of Nesmith's last performance with The Monkees. Marty was welcomed with open arms by fans who recognized him. All the negative publicity that The New Monkees had received over the years was not apparent at the Pantages.
Seeing The Monkees live in Los Angeles this past September was a great night for me. I loved it. The Monkees and their fans are such a neat group of people. And that is coming from a New Monkees fan! I hope all of you who were lucky enough to see The Monkees in concert this year had a great night, too!