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This summer, Rhino Records has been celebrating the 50th Anniversary of Woodstock. To commemorate that moment in popular music history, Rhino launched their "Summer of '69 - Peace, Love and Music" retail campaign on July 9 with a series of limited-edition vinyl releases available exclusively at participating brick and mortar retail outlets. On July 23, the soundtrack to The Monkees' 1968 feature film, Head, was issued on silver vinyl as part of Rhino's celebrations. Thanks a lot to Live Almanac contributor Ben Belmares for sharing his scans of this latest issue of the Head soundtrack.      
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 OFFICIAL PRESS RELEASE FROM MONKEES.COM:Yes, we’re a little late for Christmas in July, but hey, we’re early for Christmas in general! The Monkees’ first-ever Christmas album, CHRISTMAS PARTY, is coming to 180-gram vinyl for the very first time on September 13 in a few different formats: Good ol’ black 180-gram vinyl at most retailers A limited-edition red or green version exclusive to independent record stores A red and white “candy cane” exclusive, available only at Monkees.com! Our Monkees.com red and white “candy cane” version is strictly limited to just 1,000 copies, so don’t wait for Santa to snag it for you. CHRISTMAS PARTY is pressed on 180-gram vinyl tucked into a beautiful gatefold sleeve by comics legend Michael Allred. It includes all the new holiday favorites from last year’s collection, with the addition of The Monkees’ shining moment “Riu Chiu (TV Version)” as performed live acapella on the Christmas episode of their show.  (All photos courtesy of Rhino Records)   PRE-ORDER THE LIMITED EDITION RED/WHITE VINYL BY CLICKING THE IMAGE BELOW: BUNDLE SET ALSO AVAILABLE TO PRE-ORDER: 7a Records announces "Davy Jones Live in Japan" in multiple formats with bonus tracks (UPDATED)6/8/2019  (Courtesy of 7a Records) Iain Lee and Glenn Gretlund, co-founders of 7a Records, have revealed the details surrounding their latest upcoming release. Davy Jones Live in Japan will highlight two of Davy Jones' early 1980s Japanese live albums, Live in Japan (1981) and Hello Davy (1982), while also providing fans with a bevy of bonus materials, including Davy's Japanese singles from this era on CD and vinyl and a DVD of one his concerts filmed in Japan in August 1981. Japan experienced the first rebirth of The Monkees in the 1980s even before Davy, Micky Dolenz, and Peter Tork reunited for the mega-successful 20th Anniversary Tour of North America in 1986. When "Daydream Believer" was used in a Kodak commercial in Japan in 1980, Monkeemania was rekindled as the group's television show returned to the airwaves and Monkees albums were reissued, causing them to chart in that country once again. Demand for The Monkees was so high in Japan that Davy, Micky, and Peter (with The New Monks) all toured there individually between 1981 and 1982, playing to extremely enthusiastic audiences. Davy also released several solo singles in Japan during this time period, including "Dance Gypsy" and "It's Now."  1981 LP cover for "Davy Jones Live in Japan" (Courtesy of Monkee45s.net)  1982 LP cover for "Hello Davy" (Courtesy of Monkee45s.net) 7a's Davy Jones Live in Japan arrives on August 9, 2019 (a week earlier in the United Kingdom) in two different formats, all of which will contain bonus materials. First, a triple vinyl LP set will include both of Davy's early '80s Japanese live albums along with a 28 page booklet that replicates an original Davy Jones Japanese tour program. Pressed on individually colored vinyl (red, white, and blue), the third LP is dedicated solely to bonus tracks (alternate mixes and single sides, including all of Davy's Japanese 45s). There will also be a 2CD + DVD set consisting of both live albums, 22 bonus tracks of alternate mixes and single sides, and a 24 page color booklet with liner notes by Iain Lee and Mark Kleiner. This set also exclusively features a DVD of the Hello Davy concert which has been transferred from a LaserDisc issued in Japan in 1982. Stay tuned to The Monkees Live Almanac for further previews of this release, and be sure to pre-order below! UPDATE 6/17/2019: The complete track listing is now available:
 (Photos courtesy of 7a Records)  
Recorded during The Monkees' 30th Anniversary Tour in the summer of 1996, Two Man Band featured Peter Tork and his longtime friend, singer/songwriter/musician James Lee Stanley, performing selected covers and songs by Tork, Stanley, and The Monkees.
Peter and James first met in 1964 when Peter was a member of the Phoenix Singers during Peter's Greenwich Village days. In 1994, James Lee's Beachwood Records issued Peter's first solo album, Stranger Things Have Happened, and the duo began to perform together in the aftermath of its release. The intimate, acoustic nature of their shows inspired them to replicate that formula inside the recording studio, and Two Man Band was born. In 2001, Peter and James released Once Again, which was followed by Live/Backstage at the Coffee Gallery in 2006. Two Man Band is an excellent album that the Live Almanac highly recommends. Listen to an insightful interview with James Lee Stanley where he talks extensively about the album on the Texas Prairie Chicken Home Companion podcast: 
AllMusic delivered praise for Two Man Band in its review of the album:
"Following the artistic success of his debut solo CD, Stranger Things Have Happened, Peter Tork teamed up with Beachwood labelmate James Lee Stanley. This pairing allowed Tork to further explore his acoustic, blues, and easy listening side. And, as with his first release, this is an excellent album. Both artists compliment each other and the music is very accessible. Tork has a wonderfully pleasing and distinctive voice, and Stanley's voice is a perfect blend. The two alternate lead vocals and composition credits and this, too, works. Stanley contributes more original tunes to the collection, while Tork is content to write a couple and choose suitable covers (such as the brilliant 'Milkshake,' a clear standout of the CD). 'Pleasant Valley Sunday' is outstanding and rivals the Monkees' version. One wonders what direction the Monkees would have taken had Tork had more control. That said, this album is a treasure. A perfect album for late summer nights while relaxing."
Two Man Band can be purchased on compact disc today through Amazon or CD Baby. The album is also available for downloading on iTunes and can be streamed on Spotify.
Thanks very much to Ben Belmares for sharing his scans of Two Man Band with The Monkees Live Almanac!
This May, Friday Music will release two different vinyl editions of Greatest Hits, the very first compilation of Monkees music originally issued by Colgems Records in June 1969. Here are the details, courtesy of Friday Music, and thanks to Scott Nelson for the heads-up! In 1969, Colgems Records honored their hugely successful recording act The Monkees with their first smash hits album simply titled "The Monkees Greatest Hits." The 14 track masterpiece is loaded with hit singles like "Daydream Believer," "Last Train To Clarksville," "I'm A Believer," "Pleasant Valley Sunday," & "Valleri." The amazing LP was only in print for a very short time, making it an instant collector's item five decades ago. Now, Friday Music is pleased to announce 50th Anniversary super limited edition 180 gram orange audiophile vinyl release of "The Monkees Greatest Hits." Impeccably mastered by Joe Reagoso (The Monkees) from the Colgems Records tapes, the masterwork is also packaged in the original artwork design that was seen in record shops back in 1969. More hit tracks like "(I'm Not Your) Steppin' Stone," "Valleri," "She," and "Shades Of Gray" are included as well as a super rare stereo mix of "A Little Bit Me, A Little Bit You" to further enhance your Monkees listening experience. The Monkees - Greatest Hits (180 Gram Audiophile Translucent Gold Vinyl/Limited Anniversary Edition)  Songs, a 12-CD collection that brings together Michael Nesmith's works for both RCA and Pacific Arts, is scheduled to be released by UK-based Edsel Records on April 5, 2019. The box set, however, is not a complete representation of Michael's solo output as the following albums are not included: The Wichita Train Whistle Sings, Live at the Palais, The Michael Nesmith Radio Special, Timerider: The Adventure of Lyle Swann (soundtrack), Live at The Britt Festival, Rays, and The Ocean. Four RCA-era bonus cuts are included in the track listings ("Rose City Chimes," "First National Dance," "Cantata & Fugue in C&W," "Smoke, Smoke, Smoke That Cigarette") and 7a Records co-founder Iain Lee has penned liner notes for the booklet. In June 2018, Michael Nesmith's 1970s RCA albums were issued digitally with previously unheard bonus tracks.  Amazon provides the following description of the box set: As a member of the first-ever manufactured group, Michael Nesmith needs little introduction. Aside from his ground-breaking projects in the field of music video and film production, he has enjoyed a solo career since he left the Monkees that has encompassed many styles of music, but has always been supported by his wonderful songwriting, alongside some very astute choices of songs he has covered. Nez signed to RCA in 1970 and in quick succession made three albums with The First National Band, which featured pedal steel guitarist extraordinaire O.J. 'Red' Rhodes. All three featured, in the main, his own compositions (including some he had tried out in Monkees sessions) plus some interesting covers, including both well-known country songs and songs by the likes of Harry Nilsson and Eric Clapton. Alongside the contemporary output of The Byrds and The Flying Burrito Brothers, these albums form the foundation of Country Rock. Nesmith continued in this vein with three more albums for RCA in 1972 and 1973, the ironically-titled "…And The Hits Just Keep on Comin'" containing his own version of "Different Drum," a huge hit for Linda Ronstadt back in 1967. He formed his own production company, Pacific Arts, in 1975, the first release being "The Prison," "a book with a soundtrack," with songs to compliment the reading experience. A second example of this, "The Garden," was issued in 1994. 1977 saw the release of "From A Radio Engine To The Photon Wing," which featured the hit single "Rio." The video for this was instrumental in the birth of MTV. Moving away from country rock, follow-up albums further showcased Nesmith's songwriting, accompanied by songs by Cole Porter and others. This box set is the first time that Michael Nesmith's solo albums from both his RCA and Pacific Arts periods have been brought together in one compendium. The albums are in CD-sized facsimiles of the original sleeves, along with a booklet that compiles all the credits and liner notes from those sleeves. There are also four bonus tracks across the RCA albums. Booklet notes by broadcaster Iain Lee.  Instant Replay, The Monkees' seventh album and the first to be released in the post-Peter Tork era, was issued by Colgems Records on February 15, 1969:   (Rear cover and labels courtesy of Ben Belmares)    (Altered album cover by SirQ / Photo by Bernard Yeszin) Thanks a lot to Ben Belmares for sharing his scans of The Monkees Greatest Hits, the 1976 compilation that Rhino Records has just reissued on orange vinyl as part of their "Start Your Ear Off Right" promotional campaign. Thanks again, Ben!         By 1976, Arista Records had inherited The Monkees' music catalog from Colgems (later Bell Records) and proceeded to release The Monkees Greatest Hits. This Arista collection was in reality a repackaging of Re-Focus, an earlier Monkees compilation produced by Bell in 1972. Arista's Greatest Hits featured the same track listing as Re-Focus but with brand new cover art, and could be purchased as an LP, cassette, or 8-track. As Monkees albums were hard to come by in the mid-1970s, and possibly due to other factors like the return of the group's TV show in syndication and the activities of Dolenz, Jones, Boyce & Hart, Greatest Hits sold well and peaked at #58 on the Billboard chart in 1976. It was later certified Gold in 1986 and Platinum in 1991, and remained in print through the 1980s when it first appeared on compact disc. And now in 2019, The Monkees Greatest Hits is being treated to yet another release, this time by Rhino Records as part of their annual "Start Your Ear Off Right" campaign. Available exclusively at participating music shops beginning on January 8, Greatest Hits has been pressed on orange vinyl and is limited to 4,500 copies. This August, the ever-prolific 7a Records issued Live at The Troubadour by Michael Nesmith & The First National Band Redux as a limited edition 2LP gatefold on 180g opaque gold vinyl. The set also happens to feature a special bonus performance of the song "Rio." A compact disc version was also released. And now, thanks (as always) to Ben Belmares, you can take a look at the LP version of Live at The Troubadour below. Thanks, Ben! Before you do, don't forget to order your copy of Live at The Troubadour on Amazon US or Amazon UK!   (Click images to enlarge)         Target will carry an exclusive bonus tracks edition of The Monkees' forthcoming holiday album, Christmas Party, beginning on October 19 (a week after the release of the standard edition). Target's compact disc will feature two additional songs: 1) "Ríu Chíu" (group version as heard on the 1967 "Christmas Show" episode with improved audio from its previous CD appearance on the 2007 deluxe edition of Pisces, Aquarius, Capricorn & Jones Ltd.) 2) "Christmas Is My Time Of Year" (the one-off 1976 Christmas single recorded by Micky Dolenz, Davy Jones, and Peter Tork and produced by Chip Douglas - this will mark its first official appearance on a Monkees album)  UPDATE 9/22/2018: Target's website shows that pre-orders for the bonus tracks edition of Christmas Party are now sold out. John Hughes of Rhino Records, however, has stated on Facebook that they are looking to replenish Target's stock to allow for additional pre-order sales. In the meantime, keep checking Target's site as well as this space for additional updates and information.  UPDATE #2 on 9/27/2018: Online pre-orders are once again being taken by Target for the exclusive bonus tracks edition of Christmas Party. UPDATE #3 on 9/28/2018: Online pre-orders via Target, for the second time, are sold out! UPDATE #4 on 10/2/2018: Online pre-orders have returned as of 5pm!
 (Album cover art by Michael Allred) Two years after the triumph of Good Times!, The Monkees are set to release Christmas Party, their first-ever collection of holiday music. The album, produced by Adam Schlesinger (who also oversaw Good Times!), will feature newly recorded versions of classic Christmas songs including "Silver Bells," "The Christmas Song," and "Wonderful Christmastime" along with brand new songs written for the group by Weezer’s Rivers Cuomo ("What Would Santa Do"), Andy Partridge of XTC ("Unwrap You At Christmas"), R.E.M.'s Peter Buck and Scott McCaughey of The Minus 5 ("Christmas Party"), and Schlesinger with novelist Michael Chabon ("House of Broken Gingerbread"). Covers of Wizzard's yuletide classic "I Wish It Could Be Christmas Every Day" and Big Star's "Jesus Christ" will also be heard on the album. Christmas Party includes new vocals by Micky Dolenz, Michael Nesmith, and Peter Tork, plus the late Davy Jones’ voice - taken from vintage recordings - also appears on two songs. It will be available for purchase on compact disc and as a digital download on October 12. A vinyl edition is in the works but will not be issued until early 2019. The first single, set for an October release, will be Andy Partridge's "Unwrap You At Christmas," and a lyric video will be produced to promote the track. Along with producer Schlesinger, Cuomo and Partridge are returning to the Monkees fold as they were the songwriters responsible for the two lead singles from Good Times!, "She Makes Me Laugh" and "You Bring the Summer." Two of Michael Nesmith's sons also acted as co-producers (Christian on "The Christmas Song" and Jonathan on "Snowfall"). Davy's tracks on Christmas Party were originally recorded in 1991 with former Monkees producer Chip Douglas. Schlesinger worked with the master tapes as given to him by Douglas, creating new instrumentation around Davy's vocals. Target will carry an exclusive bonus tracks edition of Christmas Party on October 19 (a week after the release of the standard edition), featuring two additional songs: 1) "Ríu Chíu" (group version as heard on the 1967 "Christmas Show" episode with improved audio from its previous CD appearance on the 2007 deluxe edition of Pisces, Aquarius, Capricorn & Jones Ltd.) 2) "Christmas Is My Time Of Year" (the one-off 1976 Christmas single recorded by Micky Dolenz, Davy Jones, and Peter Tork and produced by Chip Douglas - this will mark its first official appearance on a Monkees album) Here is the official track listing of Christmas Party, and you can listen to the LP's executive producer John Hughes (of Rhino Records) and Monkees archivist Andrew Sandoval breakdown each song on the latest episode of Zilch. "Unwrap You At Christmas" (Lead vocal: Micky) "What Would Santa Do" (Lead vocal: Micky) "Mele Kalikimaka" (Lead vocal: Davy) "House Of Broken Gingerbread" (Lead vocal: Micky) "The Christmas Song" (Lead vocal: Michael) "Christmas Party" (Lead vocal: Micky) "Jesus Christ" (Lead vocal: Micky) "I Wish It Could Be Christmas Every Day" (Lead vocal: Micky) "Silver Bells" (Lead vocal: Davy) "Wonderful Christmastime" (Lead vocal: Micky) "Snowfall" (Lead vocal: Michael) "Angels We Have Heard On High" (Lead vocal: Peter) "Merry Christmas, Baby" (Lead vocal: Micky) Stay tuned to The Monkees Live Almanac for all the latest news and information surrounding Christmas Party and more!  In October 1971, Bell Records released Davy Jones' second solo album. The eponymous effort arrived during a challenging period in Davy's career. The Monkees last LP, Changes, had failed to chart a year before, and the group's television series (despite being a hit in syndication in the early 1970s), had been canceled in 1968. With a considerably lower profile, Davy struggled to find an audience in the immediate post-Monkees years. Produced by Jackie Mills and arranged by Al Capps, the album yielded a couple of singles (and two more additional non-LP singles would follow on Bell). "Rainy Jane" was issued in May 1971 and backed with "Welcome to My Love." The lead single ended up achieving moderate success, peaking at #52 on Billboard, #32 on Cash Box, and #31 on Record World. The second single taken from the album, "I Really Love You"/"Sitting In The Apple Tree," was less successful, peaking at #107 on Billboard, #96 on Cash Box, and #106 on Record World. The B-side was written by Doug Trevor of The Cherokees, the group that opened for The Monkees in Australia in 1968. Outside of Neil Sedaka and Howard Greenfield's "Rainy Jane," the album featured songs written by largely unknown songwriters, an exception being the brooding "Look at Me," composed by David Gates of the 1970s band Bread. (Gates also wrote "Saturday's Child" for The Monkees in 1966.)  The back cover (Click to enlarge) The opening track, "Road to Love," easily qualifies as a highlight from the album. It was later selected as the B-side of the non-LP single "I'll Believe In You," released by Bell in early 1972. The single failed to chart. It's well known that Davy did not enjoy his association with Bell Records. He often vocalized his disdain for the Bell experience, claiming his talents were misused and that he was never given the opportunity to grow as an artist while under their auspices. He ultimately left Bell and later recorded for MGM Records throughout 1972. In Davy's 1987 autobiography, They Made a Monkee Out of Me, he says next to nothing about the Davy Jones album, leaving co-author Alan Green to discuss this era of Davy's career. After assessing Changes (another effort Davy always publicly disowned), Green summarized the 1971 Bell album this way: "Davy still had one more disaster to go before he finally broke with Screen Gems in 1971. They got him a deal to do one album on Bell, with Screen Gems publishing. He was teamed up with Jackie Mills, Bobby Sherman's producer, who still saw Davy as a bubblegum singer. He wouldn't allow him to break out of that mold into something a little more challenging, in the way that he was attempting to do with his live shows. The result was one more unoriginal piece of vinyl, from which four singles were released. Only the first, 'Rainy Jane,' made any impression on the charts. "Davy was very upset with the way the whole thing was handled. He didn't have a manager at the time and was therefore at the mercy of the record company executives. He asked for just his picture and name to be on the cover, but he obviously didn't ask loudly enough. They put out a cheap-looking thing that had the song titles and company logo on the front cover. Davy complained, but to no avail." The Davy Jones Bell album was eclipsed in time by Davy's iconic appearance later in 1971 on The Brady Bunch, where he sang the song "Girl." Despite being promoted by Davy's guest spot and in the movie The Star-Spangled Girl, as a single it failed to chart. But the song's legend has grown to iconic status through the years thanks to countless reruns of the "Getting Davy Jones" episode and its inclusion in Monkees concert set lists in the 1990s and early 2000s. Davy also appeared in the 1995 cinematic version of The Brady Bunch where he sang "Girl," albeit in a new, grunge-like version. In 2012, Friday Music released The Bell Recordings on compact disc, which collected the original 1971 Bell album and the singles recorded during that era. It is currently available to download on iTunes and can be streamed on Apple Music. Thank you very much to Ben Belmares for the scans of Davy's Bell album!  (Above and below: vinyl labels for the "Davy Jones" Bell album)  The influential trilogy of First National Band albums are now available on colored vinyl from Sundazed Music. As always, I'd like to say thank you to Ben Belmares for his fantastic scans that can't be beat. Great job, Ben! Magnetic South   (Click to enlarge)     Loose Salute   (Click to enlarge)     Nevada Fighter   (Click to enlarge)     Those who became fans during The Monkees' resurgence in 1986 (like myself) will no doubt have fond memories of the Arista Records compilation Then & Now...The Best of The Monkees. Released in June that year, the album contained the group's greatest hits, along with three new tracks recorded just in time for The Monkees' 20th Anniversary Reunion Tour: "That Was Then, This Is Now," "Anytime, Anyplace, Anywhere," and "Kicks." Then & Now peaked at #21 and became a million seller, aided by the "That Was Then, This Is Now" single, which peaked at #20 while its accompanying music video received heavy airplay on MTV. Arista, however, had originally planned to release a 2-LP set entitled The Best Of The Monkees to celebrate The Monkees' 20th Anniversary, but plans were changed when it was decided to record new tracks. With the double LP already pressed, it was instead made available via mail order and was distributed by Silver Eagle Records:  The Silver Eagle release featured 24 tracks but unlike the Then & Now issue, there was no gatefold cover and the liner notes were not included.  The Silver Eagle version of the album was also issued on cassette. A combination of both the Silver Eagle Best Of and Arista's Then & Now was released on compact disc in August 1986 and became the first Monkees CD to be made available in the United States. This commercial aired in 1986 and 1987 advertising the 2-LP Silver Eagle set: In the fall of 1969, The Monkees television series premiered in syndication on CBS. Post Foods quickly conducted a cross-promotional exercise through their various cereal products like Alpha-Bits, Honeycomb, and Frosted Rice Krinkles by releasing Monkees cardboard singles that were printed onto the outside of the cereals' boxes. Sometime in 1970, Post began a special offer for The Monkees Golden Hits, which collected all of the cereal box singles onto one exclusive vinyl LP that was unavailable in record stores. A coupon inside their cereal boxes advertised the album, which could be purchased for $1.50 and 2 box tops from any of the Post cereals. Thanks a lot to Monkees collector Ed Reilly for sharing scans of the coupon found inside an Alpha-Bits box below:   Issued by The Monkees' label Colgems Records, The Monkees Golden Hits is hard to find nowadays in mint condition and is a sought-after collectible:  (The Monkees Golden Hits images courtesy of Monkee45s.net)   In 1994, James Lee Stanley's Beachwood Records released Peter Tork's first ever solo album, Stranger Things Have Happened, featuring several notable guest musicians and friends including Stanley, Micky Dolenz, Michael Nesmith, Laurence Juber (Paul McCartney & Wings), Mackenzie Phillips, and Timothy B. Schmit (The Eagles). Michael and Micky provided backing vocals on "Milkshake," and Nez can also be heard on "MGB-GT," which was initially performed by Micky, Peter, and Davy Jones during The Monkees' 20th Anniversary Reunion Tour. Davy was present at the recording session for "Milkshake" with his fellow Monkees, but never got around to putting his vocal on tape. (James Lee Stanley recalled the comedic circumstances that caused Davy to leave the session during this interview at 27:30.) Laurence Juber, who was a part of the final incarnation of Wings, provided the stellar guitar solo on "Milkshake." His guitar work can also be heard on "That Was Then, This Is Now," a Top 20 hit for The Monkees in 1986. Peter contributed six originals to the set ("Get What You Pay For," "Sea Change," "MGB-GT," "Miracle," "Gettin' In" and "Tender Is"), and was also assisted by guest writers, including his brother Nick ("Pirates") and Martin Briley ("Milkshake"). Covers included Gerry Goffin and Carole King's "Take a Giant Step," originally recorded by The Monkees in 1966, and "Higher and Higher," a song made famous by Jackie Wilson in 1967 that Peter reimagined as a banjo-driven piece. The title track was co-written by Michael Levine, who contributed "Since You Went Away" to The Monkees' 1987 album, Pool It!, which also featured "Gettin' In" in its original incarnation, while "Sea Change" had been performed during The Monkees' 1989 North American/Japanese tour. Peter talked about each song in the liner notes:  (Liner notes - click to enlarge)
Peter's post-Monkees recordings were scarce until Stranger Things Have Happened. After leaving The Monkees in late 1968, Peter formed a new group, Release, but nothing was ever formally recorded. After laying low throughout most of the 1970s, Peter reemerged in late 1980 with The New Monks, and on February 13, 1981 they recorded a single, "Steppin' Stone"/"Higher and Higher." The 45 was eventually issued on the Claude's Music Works label, named after Peter's then-manager Claude Hayn. In 1982, Peter contributed "I Truly Understand" to the long-running CooP series.  (Back cover of "Stranger Things Have Happened" CD booklet) Stranger Things Have Happened was produced by Peter and his longtime friend James Lee Stanley, who also collaborated with Peter in the 1990s and 2000s on albums like Two Man Band and Once Again. Peter made multiple television and personal appearances to support its release.  James Lee Stanley and Peter at Tower Records in Costa Mesa, California promoting "Stranger Things Have Happened" on December 2, 1995 (Photos by Pat Smith)  (The compact disc)  (Back cover of compact disc) AllMusic delivered praise for Stranger Things Have Happened in its review of the album: "Tork reveals himself as a solid rocker, starting from a folk idiom but working with lots of wattage on the instruments and no trace of wimpy singer/songwriter affectation in the playing. A few notable friends are aboard in addition to his direct collaborator and co-producer, James Lee Stanley - Micky Dolenz, Michael Nesmith, Mackenzie Phillips, and Timothy B. Schmit among them. There are songs drawn from across the spectrum of Tork's career, including a gorgeous, folk-style cover of 'Take a Giant Step' that made this reviewer smile so emphatically it was mixed with tears of joy; the exquisitely funny 'Milkshake,' a delightfully wry account of life on the road that includes Nesmith and Dolenz and some of the most charmingly silly choruses ever heard in a legitimate rock song; 'MGB-GT,' a very personal car song that may be particularly potent to middle-aged survivors of the 1960s; and 'Higher and Higher,' a folk/gospel song on which Tork mostly plays acoustic banjo, and which is so beguiling that one wishes he'd do an entire album in that idiom, style, and sound." |
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