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Last week, Micky Dolenz performed a series of sold-out performances at Avalon Theatre at Fallsview Casino Resort in Niagara Falls, Ontario, Canada. Check out a report from the show along with some photos: You can view Micky's set list from these shows here and here, thanks to Scott Catton. You'll note that Micky performed "Kicks," a track The Monkees covered during their 1986 recording sessions for Then & Now...The Best of The Monkees. Micky added the song to his solo show in 2018. Michael Nesmith, along with Pete Finney on pedal steel, continue their mini-tour tomorrow evening at the famed Troubadour in West Hollywood, California as they highlight Michael's 1972 album, And The Hits Just Keep On Comin'. Here's a review of opening night in Seattle: And don't forget about Michael's recent conversation with the Los Angeles Times: Finally, thanks to Tracy Robison for sharing his video footage of Nez and Pete from the second stop of their tour in Grants Pass, Oregon at the Rogue Theater:  (Photo courtesy of Rebecca / Jodi Ritzen)
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 By Justin RakowskiSalt Lake City – December 6, 1969. As The Monkees walked off stage, nothing would ever be the same. At least in terms of their original run as a quartet, that was unceremoniously reduced to a trio earlier in the year. Apart from a few contractual obligations, Michael Nesmith was no longer a Monkee. This left Micky Dolenz and Davy Jones to continue on in some capacity. In addition to making a few promotional appearances under the guise of The Monkees throughout 1970, Micky and Davy undertook what would be the final Monkees album of the original Colgems era. Released in June of 1970, Changes unfortunately did nothing to bolster their fading popularity. While the single "Oh My My" barely cracked the Billboard Hot 100, Changes failed to grab the attention of what remaining fans they had and did not chart in its initial production run. As decades passed and different waves of Monkees reunions cropped up, leading to more positive reevaluations of their career and musical output, Changes still held a somewhat “black sheep” quality when compared to The Monkees' other Colgems records. Growing up in the 1990s, I was too young to remember the massive resurgence in popularity the group experienced during their 20th Anniversary in 1986. Luckily, I discovered the "Pre-Fab Four" through Nick at Nite reruns during the mid-90s, leading me to hunt down every album released through the Rhino Records reissues on CD. Even as a young Monkees fan, Changes carried a stigma like no other Monkees LP had and initially I barely gave it a listen. Over the course of the ensuing years, my appreciation of the album grew slightly, but it still never reached the level of importance as their other albums.  In 2012, I met the woman who I would fall in love with and ultimately marry a few short years later. On one of our first dates, I discovered that she was quite familiar with a good number of Monkees songs, albeit the ones that were featured on the show, as she too watched the Nick at Nite reruns. Naturally, I gave her copies of all their albums, excited to see which one she would hold dear to her heart. After making her way through everything, I was shocked to find that she adored Changes and had memorized the lyrics to every song featured on the album in only a few short days. Her love for the album was contagious and I now started to listen with a different set of ears and appreciate it for what it was – a solidly written and performed set of catchy bubblegum songs that acted as a perfect bookend to a period that started with an album (The Monkees) that was essentially a solidly written and performed set of catchy bubblegum songs.  (From the June 13, 1970 issue of Billboard) Through all of this, as many Monkees fans know, the multitrack recordings for all of the Jeff Barry-produced songs from the 1970 sessions are missing. Unfortunately this also includes two tracks, "Which Way Do You Want It" and "Ride Baby Ride," that were recorded but ultimately left off the final pressing of Changes. Given all these facts, we’ve been told time and time again that a Super Deluxe set of the album would be impossible given the lack of content. Once a Super Deluxe set of Headquarters and Pisces, Aquarius, Capricorn & Jones, Ltd. is released in the coming years, the journey that Monkees archivist Andrew Sandoval started nearly a decade ago will have ended. As a fan of both The Monkees and Andrew, I am incredibly grateful for the amount of dedication from them to bring us such wonderful sets and can’t wait to have a shelf with all the Super Deluxe sets next to each other, providing us with perhaps the most complete auditory history of a band’s output. But, the set will feel quite lonely if Changes isn’t there in some capacity to bookend everything as it did almost 50 years ago when it was first issued. With all of that in mind, I propose a solution. When the time comes to make a decision on the merits of a Super Deluxe set of Changes and the missing tracks that still have not been found, here is a track listing that could fill three CDs and properly tell the story of The Monkees' Colgems-era output, including Davy’s final contractual obligation for Colgems that resulted in his self-titled album released on Bell Records in 1971. With that being said, I present you with… CHANGES (SUPER DELUXE EDITION)
RARITIES 23. Oh My My (Mono Promo Film Mix) 24. 99 Pounds (Stereo Remix) 25. Midnight Train (Demo) 26. I Never Thought It Peculiar (No Strings and Backing Vocals) 27. I Never Thought It Peculiar (Mono Mix without Overdubs) 28. I Never Thought It Peculiar (Mono Mix with Overdubs) 29. I Never Thought It Peculiar (Stereo Remix) OUTTAKES 30. Time And Time Again (Take 1) 31. Time And Time Again (Mono Mix) 32. Time And Time Again (Stereo Mix) COMMERCIALS 33. Post Cereals "Monkees Cereal Box Records" Commercial 34. Kool-Aid "Nerf Ball" Commercial 35. Kool-Aid "Buzzer" & "Snake In A Can" Commercial LIVE 36. Together (Davy Jones With Sam & The Goodtimers - Live on Music Scene - December 22, 1969) 37. Interview With Davy Jones on Music Scene (December 22, 1969) 38. Oh My My (Live At The Palace Theater - Cleveland, Ohio - July 27, 1997) 39. Midnight Train (Live At The Mayo Performing Arts Center - Morristown, New Jersey - Aug. 27, 2015) NON-ALBUM SINGLES
BONUS VINYL 45 "Acapulco Sun" EP by The Monkees RCA #MKE-1310 1970 (Mexico) Oh My My Do You Feel It Too? Acapulco Sun Midnight Train  (Courtesy of Monkee45s.net)  Thank you very much to Justin Rakowski for submitting his essay to The Monkees Live Almanac! I would also like to acknowledge John McCutcheon's wonderful website Monkee45s for some of the scans seen above. While prepping this piece for the Live Almanac's blog, I contacted longtime Monkees fan, collector, and author Ed Reilly to see if he could share some unique Changes-era pieces from his collection to complement Justin's work. The items below come from Ed's collection - thanks, Ed!  Cashbox magazine - June 1970  "Oh My My" picture sleeve - Turkey (Click for label)  Japanese issue of "Changes" on RCA Records (Click for Side 1 label)  Colgems cassette and 8-track  "Oh My My" picture sleeve - Australia (Click for label) Bell Records released the original Monkees albums in Japan throughout 1973 and 1974:
 "Oh My My" picture sleeve - Germany (Click for label)  "Oh My My" picture sleeve - France (Click for label) Congratulations to Renny Simno on getting married last evening, and take a look at the groom's cake!  This past Thursday night in Seattle, Washington, Michael Nesmith, along with pedal steel guitarist Pete Finney and special guest Ben Gibbard, performed the first in a series of shows highlighting his classic 1972 album, And The Hits Just Keep On Comin'. Here is the set list, thanks to Andrew Sandoval: Two Different Roads Tomorrow & Me Some of Shelly's Blues Keys To The Car Listening The Upside Of Goodbye With Special Guest Ben Gibbard Papa Gene's Blues Joanne The Crippled Lion Keep On The Candidate Propinquity Encore Different Drum Nine Times Blue Marie's Theme Silver Moon  This past November, the 50th anniversary of Head was commemorated at the Egyptian Theatre in Hollywood and featured special guests Micky Dolenz and Michael Nesmith. Monkees archivist and producer Andrew Sandoval hosted a Q&A session with Micky and Michael after the sold-out screening, which also included a slideshow created by Andrew that showcased photographs taken by legendary rock photographer Henry Diltz. The slideshow revealed many never before seen photos from The Monkees' appearance at Valley Music Hall in Salt Lake City, Utah while filming the "Circle Sky" sequence for the movie Head, screenshots which can be seen below. (The slideshow can be viewed in its entirety at Michael Nesmith's Videoranch Facebook page.)  (All photos by Henry Diltz)   Micky's early 1970s singles, originally released on the MGM label, were collected for the first time ever in 2015 courtesy of Iain Lee and Glenn Gretlund of 7a Records, both longtime Monkees fans and co-producers of Micky Dolenz - The MGM Singles Collection. The set, originally available as a gatefold vinyl and digital download but later released on compact disc, featured the A and B-sides of Micky's tenure at MGM as well as his collaboration with Michael Lloyd (Starship) that yielded the 1972 single "Johnny B. Goode"/"It's Amazing to Me." The CD version contained a plethora of bonus tracks, including Micky's late '70s/early '80s singles and collaborations with Christian Nesmith and Circe Link. Micky placed his stamp of approval on the project, and conducted several interviews in support of it. "It's really a great package," Dolenz told Examiner.com. "Over the years, I've had versions of those songs, one on a tape here, on a disc here, on a demo here," he said. "It's nice to have them all in one package." The MGM Singles Collection is a stellar release that is highly recommended by the Live Almanac. Bolstered by the photography of Henry Diltz and superb liner notes (by Mark Kleiner Biggar) and mastering, the set is available on Amazon US and Amazon UK and is also downloadable on iTunes. You can take a look inside the compact disc package below, thanks to Ben Belmares, and read more about Micky's career at MGM in the archives of the Live Almanac. Gatefold Sleeve      Liner Notes by Mark Kleiner Biggar  (Click on liner notes to enlarge)                   Updated Liner Notes for Compact Disc Release by 7a co-owner Glenn Gretlund    The Compact Disc Michael Nesmith speaks to REBEAT about his solo albums, The Monkees, First National Band, and more1/11/2019 Thanks a lot to Ben Belmares for sharing his scans of The Monkees Greatest Hits, the 1976 compilation that Rhino Records has just reissued on orange vinyl as part of their "Start Your Ear Off Right" promotional campaign. Thanks again, Ben!         By 1976, Arista Records had inherited The Monkees' music catalog from Colgems (later Bell Records) and proceeded to release The Monkees Greatest Hits. This Arista collection was in reality a repackaging of Re-Focus, an earlier Monkees compilation produced by Bell in 1972. Arista's Greatest Hits featured the same track listing as Re-Focus but with brand new cover art, and could be purchased as an LP, cassette, or 8-track. As Monkees albums were hard to come by in the mid-1970s, and possibly due to other factors like the return of the group's TV show in syndication and the activities of Dolenz, Jones, Boyce & Hart, Greatest Hits sold well and peaked at #58 on the Billboard chart in 1976. It was later certified Gold in 1986 and Platinum in 1991, and remained in print through the 1980s when it first appeared on compact disc. And now in 2019, The Monkees Greatest Hits is being treated to yet another release, this time by Rhino Records as part of their annual "Start Your Ear Off Right" campaign. Available exclusively at participating music shops beginning on January 8, Greatest Hits has been pressed on orange vinyl and is limited to 4,500 copies. Recently on Facebook, Michael Nesmith talked about his upcoming tour with pedal steel guitarist Pete Finney that will highlight his 1972 album, And The Hits Just Keep On Comin', and more:  (Photo courtesy of Videoranch) Here is a message from the stream. The show you are about to see is a show Red Rhodes and I put together in 1974 based loosely on the “Hits” album (And the Hits Just Keep On Comin’, 1972) we had just made. The record was different from the live show by a difference so subtle I hadn’t noticed, until night after night of playing, on one of those nights, we got airborne. For me this music is the most fun to play especially when Red would hit the secret switch. Magic. Untethered to space and time. Riding the space unconfined. Then, sadly Red was gone, and with him, his little secret switch. So it appeared that after the few shows we did in England, and a few in the States, the career of the First National Band would end. To say I wandered a few years is an embarrassing understatement -- but I did, always waiting for the little switch. I found it after playing a short tour with Pete Finney. I found out he had the switch, too. Turns out, all steel-players do --- some use it, some don’t. The switch comes bound to the steel-player and then includes whatever instrument they are playing so the sound is unique to their musical swirl. Come ride those swirls with Pete Finney and me and let him slide us away to this land and time where we all play. Best, Nez Don't miss Nez and Pete this January! And in the event you haven't heard, Ben Gibbard & Scott McCaughey will be the duo's special guests on opening night in Seattle! Ben is the lead vocalist and guitarist of Death Cab For Cutie who also wrote "Me & Magdalena" for The Monkees' 2016 album, Good Times! Scott is a respected singer/singwriter whose band The Minus 5 released Of Monkees and Men in 2016, described as "an imaginative tribute to the Monkees’ legacy in music and popular culture." Scott also co-wrote the title track with Peter Buck (R.E.M.) from The Monkees' new holiday album, Christmas Party, and was closely aligned with R.E.M. as an auxiliary musician in the studio and on stage with the group from 1994 until their their breakup in 2011. Here's a complete list of tour dates and ticket links for Michael Nesmith and Pete Finney in January 2019: January 17: Neptune Theatre / Seattle, Washington January 19: The Rogue Theater / Grants Pass, Oregon January 20: Sofia Center For The Arts / Sacramento, California January 22: Troubadour / West Hollywood, California January 24: The Coach House / San Juan Capistrano, California January 26: Sweetwater Music Hall / Mill Valley, California  As part of the current NPR series, "1968: How We Got Here," author Petra Mayer examines The Monkees' one and only feature film as it celebrates its 50th anniversary:  On May 17, 1968, The Monkees finished their first and only motion picture, Head, with the filming of the "Circle Sky" concert scene in front of four thousand fans at the Valley Music Hall in Salt Lake City, Utah. They performed "Circle Sky" several times for the cameras and also did a handful of other special requests. Patio Gardens, a venue housed inside the Farmington, Utah amusement resort Lagoon, was the original location for the filming of "Circle Sky." The venue was changed at the last minute to the Valley Music Hall in Salt Lake City for logistical reasons, despite fans already waiting in line at Patio Gardens. To make amends, The Monkees delivered a 30-minute set later that evening in front of a crowd of five thousand at Patio Gardens. This particular show was not filmed or recorded, and a setlist has yet to surface. The two Utah-based concerts in May 1968 would constitute the last live performances by all four Monkees in the United States until 1986. This past November, the 50th anniversary of Head was commemorated at the Egyptian Theatre in Hollywood and featured special guests Micky Dolenz and Michael Nesmith. Monkees archivist and producer Andrew Sandoval hosted a Q&A session with Micky and Michael after the sold-out screening, which also included a slideshow created by Andrew that showcased photographs taken by legendary rock photographer Henry Diltz. The final part of the slideshow revealed many never before seen photos from The Monkees' performance at Lagoon's Patio Gardens, screenshots which can be seen below. (The slideshow can be viewed in its entirety at Michael Nesmith's Videoranch Facebook page.) A special thanks goes to the Live Almanac's friends at Written In Our Hearts for inspiring this post based on screenshots they had previously shared from the Diltz slideshow!                    Jack Nicholson, center, co-wrote and co-produced The Monkees' feature film "Head" and was in attendance at Lagoon (All photos by Henry Diltz)  (Banner designed by Al Bigley) I would like to wish everyone Merry Christmas and Happy Holidays, and say thank you for your continued support of The Monkees Live Almanac! The banner seen above, created by Al Bigley of The Texas Prairie Chicken Home Companion podcast, features a photo of The Monkees that appeared in a late 1967 issue of Ladies Home Journal.  This particular photo was utilized on a 5" x 7" fold-open Christmas card in 1967. Inside the card was the inscription "Let there be Peace on Earth and let it begin with me." According to Marty Eck's book, The Monkees Collectibles Price Guide, this card is believed not to have been mailed en masse and was only sent to a small group of people. Have a great holiday, everyone!   July 8, 1967 (Photo courtesy of the Florida Times-Union Archives) The Monkees and their band performed "I'm a Believer" on The Tonight Show with Jay Leno on June 17, 1996. Davy, Micky, and Peter spoke with Leno afterwards and announced the release of Justus, and promoted the start of their 30th Anniversary Tour.  (Photo courtesy of Written In Our Hearts on Facebook - click image to visit)  (From a Japanese Monkees photo book)  (From the January 1968 issue of Teen Screen) |
"Mike & Micky Show" in 2019
"And The Hits Just Keep On Comin'" Tour
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