On July 31, 1977, Peter Tork played a show at CBGB, the legendary Manhattan music club that featured rising stars of the punk and new wave genres in the late 1970s and early 1980s. Lester Bangs, who wrote for both Rolling Stone and Creem, delivered a wholly negative review of the show for the Village Voice:
Rolling Stone, of all publications, reported about Peter's appearance at CBGB in its September 22, 1977 issue:
Audio from the show has been bootlegged over the years:
In an interview with Rolling Stone associate editor Andy Greene published a short while ago on the magazine’s website, Michael Nesmith discussed his overwhelming pleasure concerning the revival of the First National Band's music in concert. He also reflected on his solo career in the early 1970s as country rock began to take form in bands like The Eagles while, much to his dismay, The First National Band crumbled. "I wanted it to be one of the great bands in the world playing some of the great music in the world with some of the great people in the world," Nez told Greene. "Nothing less than that. I thought, 'Well, why can't I play stadiums with the First National Band?'"
The article also confirms what has been rumored for the last several months that both Nesmith and Micky Dolenz are likely to conduct a tour as "The Monkees" at some point in 2018. “So the idea of us going out and doing something under the banner of the Monkees is under discussion," according to Michael. "The agents are standing there with a stack of offers. I think they are running through June, but we have not accepted anything." Nez had previously announced, albeit casually, that he was planning to work with Micky at some point this year. "This isn't Monkee Michael and Monkee Micky going out," he continued. "If we go out on another tour and we do it and use the Monkees logo and name to promote it, it will be very different than a Monkees show. I mean, it'll be Monkees music, but there's no pretense there about Micky and I being the Monkees. We're not. We're the remnants, but we'll have a good time if we do it." Greene also directly addresses questions surrounding Peter Tork’s position in The Monkees with a quote from Peter himself. “I’m shifting gears for now, but I wish the boys well,” Peter said, noting his desire to focus on current projects with Shoe Suede Blues. “And I’ve learned to never say never on things further down the line."
Follow the link at the top of this post for the entire Rolling Stone interview with Nez and more from Peter, or read it in full below. And stay tuned to the Live Almanac for further updates!
Inside the Stunning Resurrection of Michael Nesmith's First National Band
How a half-forgotten Seventies country-rock group led by the Monkee in the green wool hat returned from oblivion
By Andy Greene
Michael Nesmith couldn't believe what he was seeing when he walked onstage at the San Bernardino, California, club Pappy & Harriet's Palace earlier this month. It was his first gig with his early-Seventies country-rock group the First National Band since they split 46 years ago amid raging public disinterest, yet here was a capacity crowd euphorically singing along to songs drawn from a trio of albums that never went higher than Number 143 on the Billboard album chart.
"This is something I've dreamed about, but it's never actually happened to me," says Nesmith. "The audience, before I start singing each song, began singing them back to me. Usually I just get ignored and nobody plays attention to me. On this tour, audiences have actually been weeping and saying, 'This is the greatest music that never got heard.' It's getting me verklempt."
Of course, playing to rapturous audiences is nothing new to Michael Nesmith. As the Monkee in the green wool hat, he performed for throngs of shrieking teenage fans in the 1960s. In recent years, he's periodically toured with his surviving bandmates Micky Dolenz and Peter Tork. But to him, playing with the First National Band is a wildly different experience. "It's qualitatively different because Monkees crowds are there because of the television show," he says. "They are remembering that time that we did this funny thing in the haunted house with the hillbillies and Mr. Schneider. This is pure, unadulterated, romantic and spiritual love that happens when great music is sung. And I never expected it. Not in my life."
Nesmith formed the First National Band right around the time he walked away from the Monkees in 1970. Working with pedal-steel guitarist O.J. Rhodes, bassist John London and drummer John Ware, he fused country and rock in a way that had never been heard before. "It was an amalgam of something that happened in the countercultural revolution of the 1960s and 1970s," he says, "between television and phonograph records, live bands and live studio acts." Lead single "Joanne" reached Number 21 on the Hot 100, but the band's debut, 1970's Magnetic South, was a complete bomb. Follow-up efforts Loose Salute and Nevada Fighter did no better and the group split just two years after it all began.
It was a crushing experience for Nesmith, especially since he started the group with stratospheric dreams. "I wanted it to be one of the great bands in the world playing some of the great music in the world with some of the great people in the world," he says. "Nothing less than that. I thought, 'Well, why can't I play stadiums with the First National Band?'"
The agony grew worse just months after they split when Linda Ronstadt's live backing band named themselves the Eagles and began landing massive radio hits with country-rock songs like "Take It Easy" and "Peaceful Easy Feeling." "I was heartbroken beyond speech," says Nesmith. "I couldn't even utter the words 'the Eagles' and I loved Hotel California and I love the Eagles, the Flying Burrito Brothers and the Byrds' Sweetheart of the Rodeo, all that stuff. That was right in my wheelhouse and I was agonized, Van Gogh–agonized, not to compare myself to him, but I wanted to cut something off because I was like, 'Why is this happening?' The Eagles now have the biggest selling album of all time and mine is sitting in the closet of a closed record company?"
Through the rest of 1970s he continued to record solo albums that were somehow even less popular than his First National Band work – including the ironically titled And the Hits Just Keep on Comin' – but his attention gradually turned toward business ventures. (His mother invented Liquid Paper and left him a substantial fortune when she passed away in 1980.) A 1996 Monkees reunion fizzled out after a brief U.K. tour, but in 2012 he returned to the band for a series of highly successful tours. He eventually left the touring unit, but he participated in the group's 2016 comeback album Good Times! That year, he played with the group at the Pantages Theater in Los Angeles at a show that was billed as his final appearance with the band.
Around that time, urged on by his sons Christian and Jonathan along with some California-based concert promoters, he began thinking about resurrecting the First National Band. Despite selling virtually no records, the group slowly developed a passionate, cult following over the years as fans stumbled upon the old albums. A legitimate reunion was out of the question since Rhodes and London have passed away and Ware, at age 73, told Nesmith that he's simply too old to go back on the road. That allowed Christian Nesmith – an accomplished musician in his own right, who was recently part of the Monkees' touring band – to assemble a new lineup of the First National Band that includes bassist Jason Chesney, pedal-steel guitarist Pete Finney, drummer Christopher Allis, and vocalists Amy Spear and Circe Link. Christian Nesmith plays guitar and Jonathan Nesmith is on piano, guitar and vocals.
Completely unsure if there was an audience, they put a single show at the 500-seat Troubadour on sale and watched in amazement when it sold out in 42 minutes. "That sent a shockwave through the promotion company," says Nesmith. Four dates were added at clubs around California, which wrapped up January 28th at the the Chapel in San Francisco with special guest Ben Gibbard. The set list focuses on songs from the three First National Band albums but also features later tunes like 1977's "Rio" along with "Different Drum," a tune Nesmith wrote right before he joined the Monkees in 1965 that Linda Ronstadt turned into a big hit. There are no firm plans for other shows, but Nesmith says they are seriously looking into playing at least a few more gigs in markets outside California sometime later this year.
The only Monkees song in the First National Band repertoire is "Papa Gene's Blues," but that doesn't mean Nesmith has completely turned his back on his original band. He's deep into talks with promoters about a summer tour where he'd share the stage with Micky Dolenz. "Mick is a great performer," says Nesmith. "I love working with him. He's a wonderful guy. So the idea of us going out and doing something under the banner of the Monkees is under discussion. The agents are standing there with a stack of offers. I think they are running through June, but we have not accepted anything."
If such a tour does happen, it won't mean, at least to Nesmith, that he's going back on his 2016 pledge that Monkee Michael walked offstage forever at the 2016 Pantages Theater show. "This isn't Monkee Michael and Monkee Micky going out," he says. "If we go out on another tour and we do it and use the Monkees logo and name to promote it, it will be very different than a Monkees show. I mean, it'll be Monkees music, but there's no pretense there about Micky and I being the Monkees. We're not. We're the remnants, but we'll have a good time if we do it."
This proposed tour begs a very obvious question: Why isn't Peter Tork involved? Nez picked his words very carefully when we posed this to him. "Well, you'd have to ask Peter," he says. "I'm afraid I would betray a confidence if I said any more than, 'This is not a right time for him.' I don't think it would untoward for you to give him a call and just launch the question. He has his reasons. They are very private. If he's willing to share them with you, so be it."
We reached out to Peter Tork and got this response via email: "Nez's comment sounds oddly worded," he wrote. "Although he and I have not been in touch for more than a year (which is not unusual in our history), I have in general made no secret of the fact that all these recent years of Monkees-related projects, as fun as they’ve been, have taken up a lot of my time and energy. Moving forward I have blues projects that I want to give my attention to and focused on putting together some shows with my band, Shoe Suede Blues in support of our new CD Relax Your Mind, a Lead Belly tribute project that's very dear to my heart. So, I’m shifting gears for now, but I wish the boys well, and I’ve learned to never say never on things further down the line."
Whatever happens going forward, right now Nez is focused on the future of the First National Band and figuring out exactly why it's suddenly become so popular. "Dare I say it became hipster music?" he asked. "No. I don't say that. But dare I say that it's music whose time has come? I'm pretty confident in saying something like that. I never thought it would happen."
Michael G. Bush is well known to Monkees fans as he photographed the group's concert tours in the 1980s and 1990s. Michael has enjoyed a long career in photography since the late 1970s, and has shot superstars like The Rolling Stones, Elton John, Queen, The Who, The Bee Gees, Marvin Gaye, Bob Dylan, Rod Stewart, Stevie Wonder, Santana, James Brown, Paul McCartney, and David Bowie. He also organized the 1988 Monkees convention in Chicago, Illinois. On a personal note, I used to anticipate Michael's catalogs and flyers announcing his latest photos of The Monkees, most of which came with an update about the activities of the group at the time.
In this August 1988 interview with Paris Stachtiaris on the Headquarters radio program, Michael discusses his photography career, the schedule for the '88 Chicago convention, how he became involved with The Monkees, fellow photographer Henry Diltz, and more. Also during this episode, you'll hear some live audio from The Monkees' 1987 summer tour and great sound bites courtesy of Davy Jones.
Neil Sedaka, the Boston Red Sox and More Send Well Wishes to Neil Diamond Amid Parkinson's Diagnosis
Micky also saluted Neil Diamond on Twitter:
Davy Jones and Micky Dolenz appeared on Tomorrow with Tom Snyder on September 1, 1977. This is a must watch interview!
Ann Moses was the editor of Tiger Beat from 1966–1972, writing countless stories about The Monkees during their heyday. Ann also acted as Hollywood Correspondent to Britain's New Musical Express from 1968-1971. She has published a book which is now available on her website, and you can also purchase it on Amazon.
Here's a brand new interview with Nez ahead of this Sunday's debut of the First National Band Redux!