Thanks a lot to Ed Reilly for sharing this comic that was syndicated nationwide in late 1987!
In the fall of 1969, The Monkees television series premiered in syndication on CBS. Post Foods quickly conducted a cross-promotional exercise through their various cereal products like Alpha-Bits, Honeycomb, and Frosted Rice Krinkles by releasing Monkees cardboard singles that were printed onto the outside of the cereals' boxes.
Sometime in 1970, Post began a special offer for The Monkees Golden Hits, which collected all of the cereal box singles onto one exclusive vinyl LP that was unavailable in record stores. A coupon inside their cereal boxes advertised the album, which could be purchased for $1.50 and 2 box tops from any of the Post cereals.
Thanks a lot to Monkees collector Ed Reilly for sharing scans of the coupon found inside an Alpha-Bits box below:
Issued by The Monkees' label Colgems Records, The Monkees Golden Hits is hard to find nowadays in mint condition and is a sought-after collectible:
(The Monkees Golden Hits images courtesy of Monkee45s.net)
Long Title: Looking For The Good Times; Examining the Monkees Songs, One By One by Michael A. Ventrella and Mark Arnold, is now available for pre-order. A release date is not yet confirmed, but you can follow their Facebook page for further updates.
In 2010, Head was included in a Criterion Collection box set, America Lost & Found: The BBS Story, which highlighted the films of Bob Rafelson & Bert Schneider and Steve Blauner. This poster was created to promote the DVD and Blu-ray releases, as well as a screening of Head at the All Tomorrow's Parties festival in New York.
(Image courtesy of Dinky Publishing)
This illustration is courtesy of Sandra Schock, who shared several pieces of her work with the Live Almanac late last year. Thanks, Sandra!
Here's some more artwork courtesy of Sandra Schock, who has shared several illustrations with the Live Almanac. Be sure to visit her on Facebook and Twitter. Nice job, Sandra!
Thank you to everyone for their continued support of this website, and for a wonderful 50th Anniversary celebration of The Monkees!
Sandra Schock recently shared some of her Monkees artwork with the Live Almanac. Here's a sketch of The Monkees inspired by their September 2016 performance at the Pantages Theatre in Los Angeles. For more of Sandra's artwork, be sure to visit her on Facebook and Twitter, and stay tuned to the Live Almanac for a page devoted exclusively to this show, Michael Nesmith's final performance with The Monkees.
Sandra Schock recently shared some of her Monkees artwork with the Live Almanac. Here's a great sketch of Micky Dolenz and Peter Tork with their touring band. For more of Sandra's artwork, be sure to visit her on Facebook and Twitter.
The Live Almanac would like to extend a warm thank you to Micky, Peter, and Michael Nesmith for all of the fun and excitement they brought to the road this year. I'd also like to recognize Andrew Sandoval, who produced the tour, along with the entire staff and crew that worked behind the scenes. Andrew was also kind enough to share photos of set lists from numerous shows on the tour with the Live Almanac, and that was much appreciated. If only Davy Jones had been around for it all.
With that being said, the 50th Anniversary concerts wouldn't have been the success they were without The Monkees' touring band: Wayne Avers (guitar/musical director), John Billings (bass), Rich Dart (drums), Dave Alexander (keyboards), and Coco Dolenz (vocals/percussion). Everyone involved with the tour should take a bow!
In the meantime, I'm going to begin work on my essay for the 50th Anniversary Tour page here on the Live Almanac, along with creating a page dedicated exclusively to Michael Nesmith's final concert with The Monkees at the Pantages Theatre this past September.
I would also like to take a minute to thank everyone for their constant support of this website and blog. I have been overwhelmed by your kind email notes and well-wishes. I continue to be astonished by the traffic flow the site receives!! I was also honored that The Monkees Live Almanac was mentioned this year in online articles published by industry websites like Billboard and others, and author Peter Mills gave a shout-out to the Live Almanac in his newly published book, The Monkees, Head, and the 60s (which I highly recommend):
John Wilson, Alan Adkins, Jim Catapano, Fred Velez, Patrick Zappi, Daniel Eckert, Mark James Melhi, Amy Collen, and Brian Marchese also deserve recognition. In honor of The Monkees' 50th Anniversary, they composed essays for the Live Almanac (and in Brian's instance produced a podcast) celebrating the group's history and impact, and their work has greatly enhanced this website.
Finally, a hearty thank you to John Hughes, Andrew Sandoval, Dan Wingate, and everyone at Rhino Records, who provided Monkees fans with two monumental releases this year. Good Times!, The Monkees' first studio album since 1996's Justus, shot to the upper echelons of the charts and captured the spirit of the group's '60s recordings, due in large part to Adam Schlesinger, who produced the LP. Rhino's Blu-ray set, which featured all of the Monkees episodes, Head, and 33 1/3 Revolutions Per Monkee restored from their original prints (along with a bevy of bonus features), allowed The Monkees' legacy on film to jump into the 21st century.
Now, stay tuned to The Monkees Live Almanac in 2017 for all it will bring to Monkees fans!
Thanks much to Sandra Schock who has shared her Monkees artwork with the Live Almanac. Here's the first of several images that will appear here on the blog in the coming days. Visit Sandra on Facebook and stay tuned for more of her work!
I posted this a couple of years ago, but thought it was worth revisiting. The photograph above, taken by Bernard Yeszin, inspired the cover art for the Pisces, Aquarius, Capricorn & Jones Ltd. album in 1967. Andrew Sandoval wrote the following in the liner notes of the Pisces deluxe edition in 2007:
When cover artist Bernard Yeszin came to illustrate The Monkees’ fourth album, Pisces, Aquarius, Capricorn & Jones Ltd., he took a brave step. The group would be drawn in silhouette only, with just their respective astrological signs hinting at their identities. “The Monkees were so popular and so hot at the time,” says Yeszin of the concept, “that I could do just about anything that reminded you of The Monkees. I could do an album cover and just show their outline and people would identify them. People would know they were The Monkees.