Songs, a 12-CD collection that brings together Michael Nesmith's works for both RCA and Pacific Arts, is scheduled to be released by UK-based Edsel Records on April 5, 2019.
The box set, however, is not a complete representation of Michael's solo output as the following albums are not included: The Wichita Train Whistle Sings, Live at the Palais, The Michael Nesmith Radio Special, Timerider: The Adventure of Lyle Swann (soundtrack), Live at The Britt Festival, Rays, and The Ocean.
Four RCA-era bonus cuts are included in the track listings ("Rose City Chimes," "First National Dance," "Cantata & Fugue in C&W," "Smoke, Smoke, Smoke That Cigarette") and 7a Records co-founder Iain Lee has penned liner notes for the booklet.
In June 2018, Michael Nesmith's 1970s RCA albums were issued digitally with previously unheard bonus tracks.
Amazon provides the following description of the box set:
As a member of the first-ever manufactured group, Michael Nesmith needs little introduction. Aside from his ground-breaking projects in the field of music video and film production, he has enjoyed a solo career since he left the Monkees that has encompassed many styles of music, but has always been supported by his wonderful songwriting, alongside some very astute choices of songs he has covered. Nez signed to RCA in 1970 and in quick succession made three albums with The First National Band, which featured pedal steel guitarist extraordinaire O.J. 'Red' Rhodes. All three featured, in the main, his own compositions (including some he had tried out in Monkees sessions) plus some interesting covers, including both well-known country songs and songs by the likes of Harry Nilsson and Eric Clapton. Alongside the contemporary output of The Byrds and The Flying Burrito Brothers, these albums form the foundation of Country Rock. Nesmith continued in this vein with three more albums for RCA in 1972 and 1973, the ironically-titled "…And The Hits Just Keep on Comin'" containing his own version of "Different Drum," a huge hit for Linda Ronstadt back in 1967. He formed his own production company, Pacific Arts, in 1975, the first release being "The Prison," "a book with a soundtrack," with songs to compliment the reading experience. A second example of this, "The Garden," was issued in 1994. 1977 saw the release of "From A Radio Engine To The Photon Wing," which featured the hit single "Rio." The video for this was instrumental in the birth of MTV. Moving away from country rock, follow-up albums further showcased Nesmith's songwriting, accompanied by songs by Cole Porter and others. This box set is the first time that Michael Nesmith's solo albums from both his RCA and Pacific Arts periods have been brought together in one compendium. The albums are in CD-sized facsimiles of the original sleeves, along with a booklet that compiles all the credits and liner notes from those sleeves. There are also four bonus tracks across the RCA albums. Booklet notes by broadcaster Iain Lee.
Micky's early 1970s singles, originally released on the MGM label, were collected for the first time ever in 2015 courtesy of Iain Lee and Glenn Gretlund of 7a Records, both longtime Monkees fans and co-producers of Micky Dolenz - The MGM Singles Collection.
The set, originally available as a gatefold vinyl and digital download but later released on compact disc, featured the A and B-sides of Micky's tenure at MGM as well as his collaboration with Michael Lloyd (Starship) that yielded the 1972 single "Johnny B. Goode"/"It's Amazing to Me." The CD version contained a plethora of bonus tracks, including Micky's late '70s/early '80s singles and collaborations with Christian Nesmith and Circe Link.
Micky placed his stamp of approval on the project, and conducted several interviews in support of it. "It's really a great package," Dolenz told Examiner.com. "Over the years, I've had versions of those songs, one on a tape here, on a disc here, on a demo here," he said. "It's nice to have them all in one package."
The MGM Singles Collection is a stellar release that is highly recommended by the Live Almanac. Bolstered by the photography of Henry Diltz and superb liner notes (by Mark Kleiner Biggar) and mastering, the set is available on Amazon US and Amazon UK and is also downloadable on iTunes. You can take a look inside the compact disc package below, thanks to Ben Belmares, and read more about Micky's career at MGM in the archives of the Live Almanac.
Liner Notes by Mark Kleiner Biggar
Updated Liner Notes for Compact Disc Release by 7a co-owner Glenn Gretlund
The Compact Disc
A big thanks to (who else?!) Ben Belmares for sharing his scans of the Target version of The Monkees' new holiday album, Christmas Party.
Last week, the Japanese label Oldays Records reissued The Monkees' classic fourth album Pisces, Aquarius, Capricorn & Jones Ltd. on compact disc with bonus tracks. Read more about this release and take a look inside the package at Monkee45s:
On June 29, Rhino Records released An Introduction to The Monkees Volume 1 as a budget-priced compact disc with ten tracks:
And this week, Rhino issued An Introduction to The Monkees Volume 2:
Micky Dolenz & The Metropole Orchestra: Out of Nowhere is now available on both compact disc and as a limited edition 180 gram vinyl picture disc.
On April 15, 2017, Micky performed with the American Metropole Orchestra at Rice Auditorium in Salem, Oregon, as part of the Smith Fine Arts Series. The orchestra was led by conductor Keller Coker, and he was assisted by Wayne Avers (Monkees/Dolenz musical director and guitarist). The show was recorded by 7a in order to preserve this unique performance and commemorate it with a special live album release.
And now, thanks (as always) to Ben Belmares, you can take a look at the CD version of Out of Nowhere below, including 7a co-founder Iain Lee's liner notes. Thanks, Ben!
The year 2001 saw Micky, Davy, and Peter back on the concert stage for the first time since 1997. The tour certainly had its ups and downs, and by the end of that summer, Peter had returned to Shoe Suede Blues while Micky and Davy continued working together as a duo.
The Monkees' last performance as a trio on the 2001 tour was on August 31 at the Sun Theatre in Anaheim, California. The Anaheim concert just happened to be recorded and filmed. The subsequent release, Live Summer Tour, was made available on DVD and compact disc in stores and online. The CD, released on the King Biscuit label and still available today on Amazon, appears below:
In 2000, after issuing Michael Nesmith & The First National Band's first two RCA albums on compact disc, BMG/Camden continued to highlight Michael's solo career when they released both Nevada Fighter and Tantamount To Treason as a two-in-one CD package:
The BMG/Camden reissues of Michael's RCA albums are readily available on Amazon:
Magnetic South / Loose Salute
Nevada Fighter / Tantamount to Treason
And the Hits Just Keep on Comin' / Pretty Much Your Standard Ranch Stash
Michael Nesmith's 11th studio album, The Garden, was issued in 1994 by Rio Records and is meant to act as a companion release to 1974's The Prison. Both The Garden and The Prison are written to have the music complement a novel included with the release (written by Nez) and to read the novel simultaneously while listening to the recording. In their review, AllMusic delved into the inner workings of the album:
The Garden (1994) is Michael Nesmith's companion release to The Prison (1974). Both works are a departure from his more traditional releases, as the music is specifically designed to aurally complement an equally engaging written novella/short story -- included in the extended liner notes booklet. The idea is for consumers to commence reading Nesmith's prose while simultaneously listening to the recording. The concept may at first seem unusual, although the results are nothing short of profound. No special speed-reading skills are required. Rather, the most useful thing that a potential enthusiast can bring to the multimedia project is an open mind, sense of adventure, and respect for the infinite possibilities inherent within such an subtly demanding correlation . As Nesmith is quick to point out in his preface, The Garden is not a sequel in the strictest sense of the term -- meaning that there isn't a true continuation of the narrative which began in The Prison. Instead, they are correlated thematically and stylistically as both are presented in a linear and consecutive approach. Each of The Garden's seven chapters are also visually enhanced, if not somewhat inspired by a series of Claude Monet paintings. There is a much more subtle connection between the prose and these unqualified masterworks, yet he is able to relate them in a contextual sense. The music retains Nesmith's inimitable and signature sound, yet compared to his most concurrent effort, Tropical Campfires (1992), The Garden is exceedingly ethereal and more often than not instrumental. There are vocals that feature not only the artist, but also his children Jason -- who is likewise the central character in the short story -- Christian, and Jessica. The backing band also includes Christian Nesmith as well as most of the musicians the senior Nez had collaborated with on the aforementioned Tropical Campfires, most notably Desert Rose Band string man John Jorgenson (guitar/sax/bassoon/mandolin/oboe/bandurila/mandocello), Joe Chemay (bass), and John Hobbs (keyboards), as well as studio maven Sid Page (violin).
Earlier today, it was announced that The Garden is once again available on compact disc courtesy of Videoranch, packaged as a 2-CD set with accompanying booklet.
In 1994, Beachwood Recordings released Peter Tork's first ever solo album, Stranger Things Have Happened, featuring several notable guest musicians and friends including Micky Dolenz, Michael Nesmith, James Lee Stanley, Laurence Juber (Paul McCartney & Wings), Mackenzie Phillips, and Timothy B. Schmit (The Eagles).
Michael and Micky provided backing vocals on "Milkshake," and Nez can also be heard on "MGB-GT," which was initially performed by Micky, Peter, and Davy Jones during The Monkees' 20th Anniversary Reunion Tour. Apparently Davy was present at the recording session for "Milkshake" with his fellow Monkees, but never got around to putting his vocal on tape. Laurence Juber, who was a part of the final incarnation of Wings, provided the guitar solo on "Milkshake." His guitar work can also be heard on "That Was Then, This Is Now," a Top 20 hit for The Monkees in 1986.
Peter contributed six originals to the set ("Get What You Pay For," "Sea Change," "MGB-GT," "Miracle," "Gettin' In" and "Tender Is"), and was also assisted by guest writers, including his brother Nick ("Pirates") and Martin Briley ("Milkshake"). Covers included Gerry Goffin and Carole King's "Take a Giant Step," originally recorded by The Monkees in 1966, and "Higher and Higher," a song made famous by Jackie Wilson in 1967 that Peter reimagined as a banjo-driven piece. The title track was co-written by Michael Levine, who also contributed "Since You Went Away" to The Monkees' 1987 album, Pool It!, which also featured "Gettin' In" in its original incarnation, while "Sea Change" had been performed during The Monkees' 1989 North American/Japanese tour. Peter talked about each song in the liner notes:
Peter's post-Monkees recordings were scarce until Stranger Things Have Happened. After leaving The Monkees in late 1968, Peter formed a new group, Release, but nothing was ever formally recorded. After laying low throughout most of the 1970s, Peter reemerged in late 1980 with The New Monks, and on February 13, 1981 they recorded a single, "Steppin' Stone"/"Higher and Higher." The 45 was eventually issued on the Claude's Music Works label, named after Peter's then-manager Claude Hayn. In 1982, Peter contributed "I Truly Understand" to the long-running CooP series.
Stranger Things Have Happened was produced by Peter and James Lee Stanley, who collaborated with Peter in the 1990s and 2000s on albums like Two Man Band and Once Again. Peter made multiple television and personal appearances to support its release.
AllMusic delivered praise for Stranger Things Have Happened in its review of the album:
"Tork reveals himself as a solid rocker, starting from a folk idiom but working with lots of wattage on the instruments and no trace of wimpy singer/songwriter affectation in the playing. A few notable friends are aboard in addition to his direct collaborator and co-producer, James Lee Stanley - Micky Dolenz, Michael Nesmith, Mackenzie Phillips, and Timothy B. Schmit among them. There are songs drawn from across the spectrum of Tork's career, including a gorgeous, folk-style cover of 'Take a Giant Step' that made this reviewer smile so emphatically it was mixed with tears of joy; the exquisitely funny 'Milkshake,' a delightfully wry account of life on the road that includes Nesmith and Dolenz and some of the most charmingly silly choruses ever heard in a legitimate rock song; 'MGB-GT,' a very personal car song that may be particularly potent to middle-aged survivors of the 1960s; and 'Higher and Higher,' a folk/gospel song on which Tork mostly plays acoustic banjo, and which is so beguiling that one wishes he'd do an entire album in that idiom, style, and sound."
Ever since Michael Nesmith reconstituted the First National Band for a series of exclusive concerts last month, I have received many inquiries asking where to find the music of the First National Band, and in particular, which releases were best to seek out. For my money, the late 1990s/early 2000s compact discs by BMG/Camden are the superior representations of Michael's RCA work. The label released the albums as two-in-one reissues. Below are scans of the Magnetic South/Loose Salute CD from 1999.
The BMG/Camden reissues of Michael's RCA albums are readily available on Amazon:
In 1994, Rhino Records began issuing the original Monkees albums on compact disc, digitally remastered with bonus tracks. Overseen by Andrew Sandoval and Bill Inglot, The Birds, The Bees & The Monkees was part of the first wave of the campaign, released on September 20, 1994, along with The Monkees and Changes. The package featured informative liner notes written by Monkees archivist Sandoval, along with detailed session credits for each song.
In 2010, The Birds, The Bees & The Monkees was once again reissued, this time by Rhino Handmade as a phenomenal 3-CD super deluxe edition box set in another project overseen by Andrew Sandoval. You can read much more about the album and its various editions in the archives of the Live Almanac, including the LP's original track listing.
After much anticipation, Rhino Records has unveiled details surrounding the release of the super deluxe edition box set commemorating The Monkees' second album, More Of The Monkees. Pre-orders for this 3-CD collection, produced by Monkees archivist Andrew Sandoval and available on December 15, 2017, begin today at Monkees.com. (UPDATE 12/9/2017: Rhino is now showing a release date of December 22, 2017. UPDATE #2 on 12/18/2017: Rhino has alerted customers that the set will now ship on December 29, 2017. UPDATE #3 on 12/22/2017: Despite the previously announced setback in the release date, emails from The Monkees Webstore are now providing shipping notification and a tracking number for the More Of The Monkees super deluxe edition.)
Limited to 4,500 numbered copies and boasting 91 tracks (55 of them previously unreleased), including the original mono and stereo mixes, alternate takes, backing tracks, and remixes, the set also contains highlights from The Monkees' January 21, 1967 concert at Memorial Coliseum in Phoenix, Arizona. "This is the most exciting archival dig through The Monkees' vault since 2009's The Birds, The Bees & The Monkees deluxe edition," Sandoval told Monkees.com. "Every track is newly mastered for this set; the live material is the most historically significant of their career." (Sandoval confirmed on Facebook that the Phoenix live material has vocals and is in stereo.) A special 7" vinyl single, "I'm A Believer" (remix) / "(I’m Not Your) Steppin’ Stone” (vocals only), will also be included.
Here is the first look at the hardbound 7"x7" box:
And a big thank you to Rhino's John Hughes for sharing these exclusive photos of the packaging with the Live Almanac:
Over the last seven years, many of the classic Monkees albums have been afforded lavish treatment by Rhino's specialty Handmade division, beginning with The Birds, The Bees & The Monkees in 2010. A box for Head arrived later that year (both now sold-out), and Instant Replay (2011) and The Monkees Present (2013) followed. Due to the success of those projects, Rhino Handmade went back to the beginning of The Monkees' catalog, issuing The Monkees in 2014 (which is currently unavailable).
Originally released on January 10, 1967, More Of The Monkees became the biggest selling Monkees album (certified quintuple platinum by the RIAA) and was the longest to stay at #1 on the Billboard chart (an incredible 18 weeks). It contains the group's most successful single, "I'm a Believer," which spent 7 weeks at #1 throughout late 1966 and early 1967, along with songs that have long been associated with The Monkees ("Mary, Mary" and "Steppin' Stone," a Top 20 hit, to name two). The remainder of its tracks include selections that have been staples in the group's live show for decades, and it features contributions from songwriters like Michael Nesmith, Tommy Boyce & Bobby Hart, Gerry Goffin & Carole King, Neil Sedaka, Jack Keller & Diane Hildebrand, and Neil Diamond. But the album also has a well-documented backstory that included a power struggle for creative control over The Monkees' music, one that pitted the band against music publisher Don Kirshner.
Kirshner, known as "The Man With the Golden Ear," was brought into the Monkees project in the summer of 1966. Initial rehearsals by The Monkees to play their music on record and as a live act had progressed through the spring of 1966, but deadlines were fast approaching to meet the pending debut of The Monkees television series on NBC in September of that year. The group's grueling schedule of filming, recording, and rehearsing caused Kirshner to streamline the process. He refused to allow The Monkees to play their instruments on record, instead having them provide only vocal work in the studio, and it was Kirshner who selected the songs The Monkees were to perform. Kirshner went on to supervise the first two Monkees singles and albums, a situation that built resentment, particularly on behalf of Michael and Peter.
Legend holds that in early 1967, Micky, Davy, Michael, and Peter discovered that More Of The Monkees had been released without their consultation, and went to a record shop to pick up a copy. Disliking the cover image (featuring The Monkees in J.C. Penney fashions for a cross-promotional effort) along with Kirshner's self-congratulatory liner notes, the stage was now fully set for a showdown between the two camps. An unsettled Michael Nesmith made his unhappiness clear about how The Monkees' music was being created in a January 1967 interview with the Saturday Evening Post, just as the group had started to appear live in concert. "The music had nothing to do with us," he said. "It was totally dishonest. Do you know how debilitating it is to sit up and have to duplicate somebody else's records?"
The Monkees quickly joined forces in the ensuing battle against Kirshner. During a tense meeting with the band and Kirshner in a Beverly Hills hotel room that same month, the situation between the two sides escalated. "The incident when Mike Nesmith put his fist through the wall at the Beverly Hills Hotel is very vivid and near and dear to my heart," Kirshner told Monkees archivist Andrew Sandoval years later. "I had flown out to the Beverly Hills Hotel to give the boys a quarter of a million dollars apiece from some of the royalties on the first album. Mike had given me a lot of heat that he didn't like the records and he didn't like the albums. He wanted to do it his way. It was a little disconcerting to me because every album and single I put out was number one, but he had a right to his opinion." When Nesmith threatened to quit unless The Monkees were given some control over their musical output, Kirshner's attorney proceeded to remind Michael about his contract. Nez responded, by punching his fist through the wall, telling the attorney, "That could’ve been your face." "I was very impressed," Kirshner chuckled, "because I thought the Beverly Hills [Hotel] had pretty strong walls." Kirshner was later sacked and The Monkees soon began recording with a new producer, Chip Douglas, while also providing their own instrumental backing in the studio.
Looking back today, the "controversy" about who played what instrument on the earliest Monkees recordings seems trite as many of the top groups at that time (The Mamas & the Papas, The Beach Boys, The Byrds, etc.) also utilized ace studio musicians (The Wrecking Crew) just like The Monkees. But in 1967, along with the "manufactured" criticisms that had already befallen The Monkees, the infamous "they don't play their own instruments" story line became one that has, to this day, never fully dissipated.
But now, fifty years later and after the dust has settled, Rhino Records and Andrew Sandoval will afford us another opportunity to revisit the blockbuster More Of The Monkees album. Here is the complete track listing for the super deluxe edition, and you can listen to Sandoval go in-depth about the contents of the box on the latest episode of "Zilch."
1. She (Remastered) [Mono Mix] 2.40
2. When Love Comes Knockin' (At Your Door) [Remastered] [Mono Mix] 1.48
3. Mary, Mary (Remastered) [Mono Mix] 2.20
4. Hold On Girl (Remastered) [Mono Mix] 2.28
5. Your Auntie Grizelda (Remastered) [Mono Mix] 2.36
6. (I'm Not Your) Steppin' Stone [Remastered] [Mono Mix] 2.34
7. Look Out (Here Comes Tomorrow) [Remastered] [Mono Mix] 2.16
8. The Kind Of Girl I Could Love (Remastered) [Mono Mix] 1.54
9. The Day We Fall In Love (Remastered) [Mono Mix] 2.25
10. Sometime In The Morning (Remastered) [Mono Mix] 2.31
11. Laugh (Remastered) [Mono Mix] 2.29
12. I'm A Believer (Remastered) [Mono Mix] 2.49
13. She (Stereo Mix) [Remastered] 2.42
14. When Love Comes Knockin' (At Your Door) [Stereo Mix] [Remastered] 1.50
15. Mary, Mary (Stereo Mix) [Remastered] 2.19
16. Hold On Girl (Stereo Mix) [Remastered] 2.31
17. Your Auntie Grizelda (Stereo Mix) [Remastered] 2.32
18. (I'm Not Your) Steppin' Stone [Stereo Mix] [Remastered] 2.26
19. Look Out (Here Comes Tomorrow) [Stereo Mix] [Remastered] 2.18
20. The Kind Of Girl I Could Love (Stereo Mix) [Remastered] 1.54
21. The Day We Fall In Love (Stereo Mix) [Remastered] 2.27
22. Sometime In The Morning (Stereo Mix) [Remastered] 2.32
23. Laugh (Stereo Mix) [Remastered] 2.31
24. I'm A Believer (Stereo Mix) [Remastered] 2.49
25. I'll Be Back Up On My Feet (First Recorded Version) [Remastered] 2.38
26. Of You (Mono Mix) [Remastered] 1.58
27. I Don't Think You Know Me (Second Recorded Version - Mono Mix) [Remastered] 2.20
28. Words (First Recorded Version - Mono Mix) 2.51
29. Look Out (Here Comes Tomorrow) [Mono TV Mix] 2.56
30. Tear Drop City (1966 Mono Mix) [Remastered] 2.18
31. Sometime In The Morning (Alternate Mono Mix) 2.32
32. Valleri (First Recorded Version - Mono TV Mix) [Remastered] 2.32
1. Whatever's Right (Backing Track) 2.32
2. Valleri (First Recorded Version - Backing Track 1 & 2) 3.02
3 . (Theme From) The Monkees [Second Version - Backing Track - Take 1] 1.06
4. Words (First Recorded Version) [Mono TV Mix][Remastered] 2.49
5. She (Mono TV Mix) 2.36
6. I Love You Really (Version One) 0.13
7. I Love You Really (Version Three) 0.13
8. I Love You Really (Version Two) 0.12
9. Ladies Aid Society (Backing Track - Part One - Take 22) 2.40
10. Ladies Aid Society (Backing Track - Part Two - Take 1) 1.19
11. Ladies Aid Society (Original Mono Mix) [Remastered] 3.25
12. Kicking Stones (Backing Track - Take 11) 2.57
13. Kicking Stones (Original Mono Mix) 2.21
14. I Don't Think You Know Me (First Recorded Version - Mike's Vocal - 2017 Stereo Remix) 2.21
15. Mr. Webster (First Recorded Version - 2017 Stereo Remix) 2.52
16. Hold On Girl (First Recorded Version - 2017 Stereo Remix) 2.46
17. Through The Looking Glass (First Recorded Version - 2017 Stereo Remix) 2.34
18. Different Drum (TV Version) 0.39
19. Undecided 0.30
20. Sometime In The Morning (Backing Track - Take 1) 2.43
21. Sometime In The Morning (2017 Stereo Remix) 2.30
22. I Don't Think You Know Me (Backing Track - Take 4) 2.22
23. I Don't Think You Know Me (2017 Stereo Mix) 2.24
24. Your Auntie Grizelda (Session Excerpt) 0.54
25. Your Auntie Grizelda (Mono TV Mix) 2.37
26. Hold On Girl (Alternate Backing Track) 2.44
27. Hold On Girl (2017 Stereo Remix) 2.34
28. I'm A Believer (Backing Track - Take 4) 3.17
29. I'm A Believer (Alternate Vocal Take - 2017 Stereo Remix) 2.41
30. Look Out (Here Comes Tomorrow) [Backing Track - Take 3] 2.10
31. Look Out (Here Comes Tomorrow) [Unedited Version - 2017 Stereo Remix] 2.55
32. Mary, Mary (Vocal Overdub Session) 11.04
1. (I Prithee) Do Not Ask For Love [2017 Stereo Remix] 3.18
2. Tear Drop City (Original Speed - 2017 Stereo Remix) 2.22
3. Looking For The Good Times (Backing Track with Backing Vocals) 2.04
4. I'll Spend My Life With You (First Recorded Version - 2017 Stereo Remix) 2.32
5. Apples, Peaches, Bananas And Pears (2017 Stereo Remix) 2.18
6. Don't Listen To Linda (First Recorded Version - 2017 Stereo Remix) 2.29
7. I Never Thought It Peculiar (Mono TV Mix) 2.13
8. Laugh (Mono TV Mix) 2.33
9. The Day We Fall In Love (2017 Stereo Remix) 2.30
10. The Girl I Left Behind Me (Backing Track) 2.34
11. Mary, Mary (2017 Stereo Remix) 2.20
12. Valleri (First Recorded Version - 2017 Stereo Remix) 2.38
13. Words (First Recorded Version - 2017 Stereo Remix) 2.52
14. Your Auntie Grizelda (2017 Stereo Remix) 2.36
15. Look Out (Here Comes Tomorrow (With Peter's Narration - 2017 Stereo Remix) 2.50
16. I Never Thought It Peculiar (2017 Stereo Remix) 2.27
17. Laugh (2017 Stereo Remix) 2.46
18. She's So Far Out, She's In (Live In Arizona, 1967) 2.44
19. You Just May Be The One (Live In Arizona, 1967) 2.06
20. I Wanna Be Free (Live In Arizona, 1967) 2.54
21. Sweet Young Thing (Live In Arizona, 1967) 2.25
22. Papa Gene's Blues (Live In Arizona, 1967) 2.14
23. I Can't Get Her Off Of My Mind (Live In Arizona, 1967) 3.00
24. Cripple Creek (Live In Arizona, 1967) 3.08
25. You Can't Judge A Book By The Cover (Live In Arizona, 1967) 4.25
26. Gonna Build A Mountain (Live In Arizona, 1967) 3.17
27. I Got A Woman (Live In Arizona, 1967) 6.27
Michael Nesmith's memoir, Infinite Tuesday: An Autobiographical Riff, arrived earlier this year with a companion compact disc from Rhino Records, which featured highlights of Michael's musical career. As always, a big thanks to Ben Belmares for providing scans of the CD to the Live Almanac!
In 1994, Rhino Records began issuing the original Monkees albums on compact disc, digitally remastered with bonus tracks. The Monkees Present was part of the second wave of the campaign, released on November 15, 1994, along with More Of The Monkees and Head. The package featured liner notes written by Monkees archivist Andrew Sandoval.
The Monkees Present was originally intended to be a double album with color artwork, but for various reasons that plan was shelved. The '94 CD reissue featured a colorized cover, and a previous blog post examined why the color artwork was ultimately scrapped.
In 2013, The Monkees Present was once again reissued, this time by Rhino Handmade as a 3-CD box set.
7a Records co-founder Iain Lee has delivered the scoop to The Monkees Live Almanac regarding their first ever Michael Nesmith-related release!
Michael Nesmith at the BBC Paris Theatre will be issued as a limited edition 12" vinyl picture disc and as a CD digipak. The compact disc version will be accompanied by a 12-page booklet that includes a rare 1975 interview with Michael, an essay by Iain, and an interview with Dave Pegg from the Fairport Convention, who played with Nez in the past.
Recorded in London on November 27, 1975, the concert had been tucked away in the archives of the BBC until 7a licensed the master tapes, which have been digitally remastered. Nesmith has approved its release, too. The album features Nez performing alone with his guitar, singing First National Band-era songs along with cuts from his then upcoming LP, The Prison. Here is the complete track listing:
Silver Moon (5:11)
Some of Shelly's Blues (4:18)
Dance Between the Raindrops (8:35)
Marie's Theme (7:10)
Closing Theme (Lampost) (4:51)
At The BBC Theatre will arrive on September 15, 2017 in the United Kingdom and a week later in the United States. Pre-order links are available below.
A big thank you to Iain and his partner at 7a, Glenn Gretlund, for sharing these details with the Live Almanac. Don't forget to follow 7a Records on Facebook and Twitter. You can read more about 7a's past releases in the archives of The Monkees Live Almanac.
Last week, Ben Belmares was kind enough to share his scans of the recently released Summer of Love vinyl collection. Today he provided the Live Almanac with images from the CD package. Thanks again, Ben!
As previously reported, Summer of Love, advertised as a collection highlighting the psychedelic side of The Monkees, will be released on July 18, 2017. It will be available on both Red/White Splatter Vinyl and Compact Disc. Rhino Records issued an official press release to announce the compilation.
Here's the track listing for the LP and CD, both of which are slated (at least initially) to be a brick & mortar retail exclusive:
Reaction to the Summer of Love compilation from the Monkees fan community has been mixed, with a sizable portion taking issue with certain songs ("She" and "Saturday's Child," in particular) being selected to represent the group's "psychedelic" output in lieu of other options, such as "Daily Nightly," "The Door Into Summer," "Do I Have To Do This All Over Again," "Auntie's Municipal Court," etc. Rhino's John Hughes commented on Facebook about the track listing:
"This [the Summer of Love compilation] was meant to satisfy a few different masters - a marketing focus on 1967 specifically, leaning towards the psychedelic side to make it somewhat unique from other comps,
but it had to have enough 'familiar' songs for the casual fan. We did our best."
"The Mike & Micky Show" 2019 Tour