A big thanks to Live Almanac reader Dave Marcone for sending in this picture of an advertisement for a September 23, 2018 concert by Michael Nesmith & The First National Band at the Ridgefield Playhouse in Ridgefield, Connecticut. This is the first confirmation that Nez will indeed be expanding his January mini-tour that showcased the First National Band era of his career with a string of shows in California.
No dates have been officially announced and this show is not yet advertised on the Ridgefield Playhouse website, but it certainly looks like we can expect more FNB concerts in the fall! Stay tuned to the Live Almanac for future updates.
Earlier this evening, Michael Nesmith was live on Facebook with his son, Christian, as Nez signed copies of the recently released paperback version of his 2017 book, Infinite Tuesday: An Autobiographical Riff.
During the airing, Christian confirmed that Nez and Micky Dolenz have rehearsed Michael's "St. Matthew" for this upcoming June's concerts, and Christian said there was a good chance it could make the set list for the show. "St. Matthew" was recorded during Michael's famous 1968 Nashville sessions but remained in the Monkees vault until 1990, when it appeared on Missing Links Volume 2.
A little later on, Michael's assistant at Videoranch answered a question from a fan about whether or not the First National Band's albums will ever be remastered. She responded by saying "I think that Sony is doing that as we speak."
For years, fans have been clamoring for the First National Band trilogy to be remastered and repackaged, and it's possible (though unconfirmed) that this project is closer to becoming a reality. Sundazed Music is currently taking pre-orders for the FNB albums on colored vinyl, but orders are on hold due to manufacturing delays.
Keep in mind that Michael's assistant could in fact be referring to the Sundazed vinyl releases as they are advertised as being remastered by Bob Irwin. Stay tuned to the Live Almanac for any new information!
In 2000, after issuing Michael Nesmith & The First National Band's first two RCA albums on compact disc, BMG/Camden continued to highlight Michael's solo career when they released both Nevada Fighter and Tantamount To Treason as a two-in-one CD package:
The BMG/Camden reissues of Michael's RCA albums are readily available on Amazon:
Magnetic South / Loose Salute
Nevada Fighter / Tantamount to Treason
And the Hits Just Keep on Comin' / Pretty Much Your Standard Ranch Stash
In the latest Live Almanac poll, fans have selected Magnetic South as their favorite album by the First National Band.
Sessions for the album began on February 10, 1970 at RCA Hollywood. Felton Jarvis (Elvis Presley, etc.) was credited as producer, but in reality he rarely attended the sessions, which lasted through late March. Jarvis, however, did sign Michael to RCA Records, and Magnetic South became a showcase for Michael's unique blending of country and rock. Magnetic South was the first in a trilogy of albums by the First National Band. Loose Salute (1970) and Nevada Fighter (1971) would follow.
Thanks for voting!
This past January during a 5-concert jaunt throughout California, Michael Nesmith brought new life to his initial post-Monkees outfit, The First National Band. Originally consisting of Nez, Red Rhodes, John London, and John Ware, the group released three albums between 1970 and 1971, but their live performance history was fairly limited. Ignored and almost shunned by audiences and peers during their heyday, the music of the First National Band has since been cited by critics and contemporaries as a pioneering influence in the country rock genre.
In one of the more unexpected moves of Michael Nesmith's career, a reconstituted First National Band hit the road in early 2018 with Christian Nesmith (guitar), Jonathan Nesmith (piano/guitar/vocals), Circe Link (vocals), Christopher Allis (drums), Jason Chesney (bass), Amy Spear (vocals), and Pete Finney (pedal steel). Sadly, original members Rhodes and London have passed away, but Ware gave his blessing to the project and wished everyone well.
The concerts by the First National Band Redux, as they were dubbed, were ultimately a critical and commercial triumph. And now, The Monkees Live Almanac is proud to be the first to share the details about a forthcoming live album from 7a Records that will document this unique event in Nesmith/First National Band history.
Since 2015, 7a Records and its proprietors Glenn Gretlund and Iain Lee have been producing Monkees-related releases, including a collection of Micky Dolenz's 1970s MGM singles, Bobby Hart's first solo album, various limited edition vinyl 45s (Dolenz/Davy Jones/Dolenz with Circe Link & Christian Nesmith), and more recently, vintage and new live recordings by both Nesmith and Dolenz. And now 7a has made an agreement with Michael Nesmith and the members of the First National Band to release a live album documenting their January 2018 performances.
"We are extremely proud and excited to be able to work with Michael Nesmith and the First National Band on this album," Glenn told the Live Almanac. "What I have heard so far literally gave me goose bumps. It's that good. By all accounts this will be a superb album and one of 7a Records' biggest releases to date."
Iain was just as enthused. "If you’d have told 15 year old me I’d be releasing a brand new First National Band live album on my own record label I’d have laughed in your face. This is a dream come true and is the culmination of years of hard work and dreaming from both myself and my business partner Glenn. We make it our business to only release records that we would buy and man, I’d buy a dozen copies of this. It’s a thrill and an honor to be working with Michael and the band on this. And you wait until you hear what Christian [Nesmith] has done with the production. Stunning."
As Iain said, Christian Nesmith is currently in the process of mixing and mastering the recordings, but at this moment, it has not yet been decided whether the album will consist of one full show or a compilation of the best performances from the various stops on the tour. Nez will have the final vote once everything has been mixed.
The following songs are very likely to be included on the album:
Be sure to check back with The Monkees Live Almanac as Glenn and Iain have promised more details about the upcoming First National Band live album release as they become available.
I would also like to take a moment to thank both Glenn Gretlund and Iain Lee for sharing this news with the Live Almanac and its readers, and for their constant support of the site.
UPDATE 4/22/2018: Iain Lee is reporting on Facebook that 7a hopes to release the First National Band live album in July 2018. It will be available on compact disc and as a 2-LP set.
Ever since Michael Nesmith reconstituted the First National Band for a series of exclusive concerts last month, I have received many inquiries asking where to find the music of the First National Band, and in particular, which releases were best to seek out. For my money, the late 1990s/early 2000s compact discs by BMG/Camden are the superior representations of Michael's RCA work. The label released the albums as two-in-one reissues. Below are scans of the Magnetic South/Loose Salute CD from 1999.
The BMG/Camden reissues of Michael's RCA albums are readily available on Amazon:
In an email to subscribers, Videoranch provided an early glimpse and chance to order their latest piece of merchandise highlighting last month's revival of the First National Band on the concert stage. Prints can be ordered signed or unsigned, and Videoranch provided this description for the item:
"The official 8x10 First National Band Redux Tour poster features Nez in his Nudie suit looking up at the First National Band logo. His Nudie suit was the mascot for the January tour. Nez explained that the suit represented much of what he wanted to achieve through the art of First National Band. Nudie celebrates the high art element of Americana culture that Nez also finds in bluegrass and country music. The American flag theme is an effort to reclaim patriotism from conservative reaction. Similarly, Nez hoped to reclaim country and bluegrass styles by combining them with psychedelia -- pulling them further into that high space. "
Here's some great footage of Nez along with his two sons, Jonathan and Christian, working out "Tomorrow and Me" in preparation for last month's First National Band Redux tour:
In an interview with Rolling Stone associate editor Andy Greene published a short while ago on the magazine’s website, Michael Nesmith discussed his overwhelming pleasure concerning the revival of the First National Band's music in concert. He also reflected on his solo career in the early 1970s as country rock began to take form in bands like The Eagles while, much to his dismay, The First National Band crumbled. "I wanted it to be one of the great bands in the world playing some of the great music in the world with some of the great people in the world," Nez told Greene. "Nothing less than that. I thought, 'Well, why can't I play stadiums with the First National Band?'"
The article also confirms what has been rumored for the last several months that both Nesmith and Micky Dolenz are likely to conduct a tour as "The Monkees" at some point in 2018. “So the idea of us going out and doing something under the banner of the Monkees is under discussion," according to Michael. "The agents are standing there with a stack of offers. I think they are running through June, but we have not accepted anything." Nez had previously announced, albeit casually, that he was planning to work with Micky at some point this year. "This isn't Monkee Michael and Monkee Micky going out," he continued. "If we go out on another tour and we do it and use the Monkees logo and name to promote it, it will be very different than a Monkees show. I mean, it'll be Monkees music, but there's no pretense there about Micky and I being the Monkees. We're not. We're the remnants, but we'll have a good time if we do it." Greene also directly addresses questions surrounding Peter Tork’s position in The Monkees with a quote from Peter himself. “I’m shifting gears for now, but I wish the boys well,” Peter said, noting his desire to focus on current projects with Shoe Suede Blues. “And I’ve learned to never say never on things further down the line."
Follow the link at the top of this post for the entire Rolling Stone interview with Nez and more from Peter, or read it in full below. And stay tuned to the Live Almanac for further updates!
Inside the Stunning Resurrection of Michael Nesmith's First National Band
How a half-forgotten Seventies country-rock group led by the Monkee in the green wool hat returned from oblivion
By Andy Greene
Michael Nesmith couldn't believe what he was seeing when he walked onstage at the San Bernardino, California, club Pappy & Harriet's Palace earlier this month. It was his first gig with his early-Seventies country-rock group the First National Band since they split 46 years ago amid raging public disinterest, yet here was a capacity crowd euphorically singing along to songs drawn from a trio of albums that never went higher than Number 143 on the Billboard album chart.
"This is something I've dreamed about, but it's never actually happened to me," says Nesmith. "The audience, before I start singing each song, began singing them back to me. Usually I just get ignored and nobody plays attention to me. On this tour, audiences have actually been weeping and saying, 'This is the greatest music that never got heard.' It's getting me verklempt."
Of course, playing to rapturous audiences is nothing new to Michael Nesmith. As the Monkee in the green wool hat, he performed for throngs of shrieking teenage fans in the 1960s. In recent years, he's periodically toured with his surviving bandmates Micky Dolenz and Peter Tork. But to him, playing with the First National Band is a wildly different experience. "It's qualitatively different because Monkees crowds are there because of the television show," he says. "They are remembering that time that we did this funny thing in the haunted house with the hillbillies and Mr. Schneider. This is pure, unadulterated, romantic and spiritual love that happens when great music is sung. And I never expected it. Not in my life."
Nesmith formed the First National Band right around the time he walked away from the Monkees in 1970. Working with pedal-steel guitarist O.J. Rhodes, bassist John London and drummer John Ware, he fused country and rock in a way that had never been heard before. "It was an amalgam of something that happened in the countercultural revolution of the 1960s and 1970s," he says, "between television and phonograph records, live bands and live studio acts." Lead single "Joanne" reached Number 21 on the Hot 100, but the band's debut, 1970's Magnetic South, was a complete bomb. Follow-up efforts Loose Salute and Nevada Fighter did no better and the group split just two years after it all began.
It was a crushing experience for Nesmith, especially since he started the group with stratospheric dreams. "I wanted it to be one of the great bands in the world playing some of the great music in the world with some of the great people in the world," he says. "Nothing less than that. I thought, 'Well, why can't I play stadiums with the First National Band?'"
The agony grew worse just months after they split when Linda Ronstadt's live backing band named themselves the Eagles and began landing massive radio hits with country-rock songs like "Take It Easy" and "Peaceful Easy Feeling." "I was heartbroken beyond speech," says Nesmith. "I couldn't even utter the words 'the Eagles' and I loved Hotel California and I love the Eagles, the Flying Burrito Brothers and the Byrds' Sweetheart of the Rodeo, all that stuff. That was right in my wheelhouse and I was agonized, Van Gogh–agonized, not to compare myself to him, but I wanted to cut something off because I was like, 'Why is this happening?' The Eagles now have the biggest selling album of all time and mine is sitting in the closet of a closed record company?"
Through the rest of 1970s he continued to record solo albums that were somehow even less popular than his First National Band work – including the ironically titled And the Hits Just Keep on Comin' – but his attention gradually turned toward business ventures. (His mother invented Liquid Paper and left him a substantial fortune when she passed away in 1980.) A 1996 Monkees reunion fizzled out after a brief U.K. tour, but in 2012 he returned to the band for a series of highly successful tours. He eventually left the touring unit, but he participated in the group's 2016 comeback album Good Times! That year, he played with the group at the Pantages Theater in Los Angeles at a show that was billed as his final appearance with the band.
Around that time, urged on by his sons Christian and Jonathan along with some California-based concert promoters, he began thinking about resurrecting the First National Band. Despite selling virtually no records, the group slowly developed a passionate, cult following over the years as fans stumbled upon the old albums. A legitimate reunion was out of the question since Rhodes and London have passed away and Ware, at age 73, told Nesmith that he's simply too old to go back on the road. That allowed Christian Nesmith – an accomplished musician in his own right, who was recently part of the Monkees' touring band – to assemble a new lineup of the First National Band that includes bassist Jason Chesney, pedal-steel guitarist Pete Finney, drummer Christopher Allis, and vocalists Amy Spear and Circe Link. Christian Nesmith plays guitar and Jonathan Nesmith is on piano, guitar and vocals.
Completely unsure if there was an audience, they put a single show at the 500-seat Troubadour on sale and watched in amazement when it sold out in 42 minutes. "That sent a shockwave through the promotion company," says Nesmith. Four dates were added at clubs around California, which wrapped up January 28th at the the Chapel in San Francisco with special guest Ben Gibbard. The set list focuses on songs from the three First National Band albums but also features later tunes like 1977's "Rio" along with "Different Drum," a tune Nesmith wrote right before he joined the Monkees in 1965 that Linda Ronstadt turned into a big hit. There are no firm plans for other shows, but Nesmith says they are seriously looking into playing at least a few more gigs in markets outside California sometime later this year.
The only Monkees song in the First National Band repertoire is "Papa Gene's Blues," but that doesn't mean Nesmith has completely turned his back on his original band. He's deep into talks with promoters about a summer tour where he'd share the stage with Micky Dolenz. "Mick is a great performer," says Nesmith. "I love working with him. He's a wonderful guy. So the idea of us going out and doing something under the banner of the Monkees is under discussion. The agents are standing there with a stack of offers. I think they are running through June, but we have not accepted anything."
If such a tour does happen, it won't mean, at least to Nesmith, that he's going back on his 2016 pledge that Monkee Michael walked offstage forever at the 2016 Pantages Theater show. "This isn't Monkee Michael and Monkee Micky going out," he says. "If we go out on another tour and we do it and use the Monkees logo and name to promote it, it will be very different than a Monkees show. I mean, it'll be Monkees music, but there's no pretense there about Micky and I being the Monkees. We're not. We're the remnants, but we'll have a good time if we do it."
This proposed tour begs a very obvious question: Why isn't Peter Tork involved? Nez picked his words very carefully when we posed this to him. "Well, you'd have to ask Peter," he says. "I'm afraid I would betray a confidence if I said any more than, 'This is not a right time for him.' I don't think it would untoward for you to give him a call and just launch the question. He has his reasons. They are very private. If he's willing to share them with you, so be it."
We reached out to Peter Tork and got this response via email: "Nez's comment sounds oddly worded," he wrote. "Although he and I have not been in touch for more than a year (which is not unusual in our history), I have in general made no secret of the fact that all these recent years of Monkees-related projects, as fun as they’ve been, have taken up a lot of my time and energy. Moving forward I have blues projects that I want to give my attention to and focused on putting together some shows with my band, Shoe Suede Blues in support of our new CD Relax Your Mind, a Lead Belly tribute project that's very dear to my heart. So, I’m shifting gears for now, but I wish the boys well, and I’ve learned to never say never on things further down the line."
Whatever happens going forward, right now Nez is focused on the future of the First National Band and figuring out exactly why it's suddenly become so popular. "Dare I say it became hipster music?" he asked. "No. I don't say that. But dare I say that it's music whose time has come? I'm pretty confident in saying something like that. I never thought it would happen."
Michael Nesmith & The First National Band Redux concluded their recent round of shows last night with a performance at The Chapel in San Francisco, California. Nez and company were joined onstage by Ben Gibbard, lead vocalist and guitarist of Death Cab For Cutie. Ben is a longtime Monkees fan who contributed "Me & Magdalena" to The Monkees' 2016 album, Good Times! Here is the set list from the final show, courtesy of Andrew Sandoval:
Last evening, the First National Band Redux performed at the Rio Theatre in Santa Cruz, California.
Earlier this week, The Monkees Live Almanac announced that Sundazed Music was reissuing all three studio efforts by Michael Nesmith & The First National Band on colored vinyl. Aside from offering each LP for sale individually, Sundazed has collected the trilogy in one package. Pre-order directly from their website.
The upcoming First National Band reissues are also available to pre-order at Amazon. The Live Almanac has had a lot of questions about who was responsible for the mastering of these releases. Amazon pre-order links and mastering information can be found in an update of the original blog post.
Last night in front of a sold out house (which included Micky Dolenz, Rodney Bingenheimer, Keith Allison, Henry Diltz, and others), Michael Nesmith took the stage at the legendary Troubadour in West Hollywood, a place where he performed in the pre-Monkees era and the site of the earliest live shows by the First National Band in 1970. Here is the evening's set list, courtesy of Andrew Sandoval:
Here's some footage from The Troubadour, courtesy of Sherri Hansen:
Poll # 1: Vote!
Poll #2: Vote!