Thanks to Written in Our Hearts on Facebook for sharing this photo a while back, and check out the YouTube video below featuring a recent review of The Monkees' 1968 feature film Head by The Cinemologists:
Head was released on VHS, Beta, and Laserdisc on September 18, 1986 during The Monkees' 20th Anniversary Reunion Tour.
In the war scene from The Monkees' 1968 feature film Head, Peter Tork dodges heavy fire (and a photographer from Life) only to encounter another danger, football pro Ray Nitschke, who pummels Peter in the trenches.
If you are watching today, enjoy the Super Bowl!
Ann Moses was the editor of Tiger Beat from 1966–1972, writing countless stories about The Monkees during their heyday. Ann also acted as Hollywood Correspondent to Britain's New Musical Express from 1968-1971. She has published a book which is now available on her website, and you can also purchase it on Amazon.
Lady Bird is a comedy/drama film starring Saoirse Ronan, Laurie Metcalf, Tracy Letts, and Lucas Hedges. At the 75th Golden Globe Awards on January 7, Lady Bird won for Best Motion Picture – Musical or Comedy and Best Actress – Motion Picture Musical or Comedy (Ronan), and also received nominations for Best Supporting Actress (Metcalf) and Best Screenplay. The Monkees' "As We Go Along," originally issued on the soundtrack to the group's 1968 film, Head (and as the B-side to "Porpoise Song (Theme from Head"), was featured in the trailer for Lady Bird, but sadly was not included in the film itself. It does still appear, however, on its soundtrack, which is now available digitally and soon on compact disc.
Here is the official trailer for Lady Bird, featuring "As We Go Along":
Carole King referenced the song and its soundtrack appearance on Twitter:
In an August 2016 interview with Rolling Stone, Michael Nesmith spoke about his composition "Circle Sky," a key song from the soundtrack of The Monkees' 1968 feature film, Head:
"I also wrote this one when we were performing. I wanted to explore the power trio of us. In a strange way, we were actually pretty good. Micky was a real garage-band drummer. I was a real scream-and-shout guitar player and Peter was a very precise player. He could play interesting lines and fills on the bass. The power trio that existed between us was seldom explored. The lyrics are about television and the corporate man."
Micky Dolenz Live
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