Micky, Mike, and Davy filmed a Kool-Aid commercial in February 1970 at a San Diego amusement park. Photos of Micky and Davy driving bumper cars will later appear on the back cover of Changes.
The Monkees' last original single, "Oh My My," was released in April 1970. The group's fanbase had shrunk considerably by this time, and the song received limited airplay and suffered even worse sales figures. Debuting on the Billboard chart on June 6, 1970 at #99, it peaked at #98 the following week.
This photo is making the rounds, and it's currently being auctioned on eBay. I've never seen this one before!
On June 13, 1970, Micky and Davy were guests on Upbeat, a syndicated musical variety show produced in Cleveland, Ohio. No other details are available regarding this television appearance. It is possible that the promotional clip for "Oh My My," featuring Micky and Davy riding motorcycles and horses, is screened during their time on the program. Thanks to Fred Velez for this submission!
Here's AllMusic's three star (out of five) review of Changes, which was released in June 1970:
Calling their final album Changes made sense for The Monkees. Mike Nesmith had just departed, leaving only Micky Dolenz and Davy Jones to hold down the fort. The other big change was that after years of struggling to have their voices as songwriters and musicians heard, the remaining duo basically gave up and let the producers take over. The musical reins were given to legendary producer Jeff Barry (who had just come from a huge success with the Archies) and he and his cronies like Bobby Bloom wrote and performed the songs. Apart from one track written by Dolenz (the goofy country rock novelty "Midnight Train"), The Monkees were on hand to provide vocals only. While this could be seen as some kind of defeat and the end of The Monkees as an actual rock band, Changes ends up being a very good bubblegum record. Barry’s production is light and frothy, the songs are hooky and fun, and both Dolenz and Jones perform admirably given the likely somewhat humiliating situation. There are songs that rock harder than you’d expect ("99 Pounds," "Oh My My"), very sweet ballads (the gospelly "Tell My Love" and "You’re So Good to Me"), silly novelty songs ("I Love You Better"), a fun tropical-themed love song ("Acapulco Sun"), and even a vaudeville-y a Boyce & Hart number tacked on the end of the album (the wickedly out of place "I Never Thought It Peculiar"). There are even a couple songs that might make a discerning fan’s homemade best-of comp, namely the achingly pretty Dolenz-sung ballad "Ticket on a Ferry Ride" and "Do You Feel It Too, " a heartfelt love song that shows Jones at his sincere best. It may not be an incredibly inspired album, but it is a lot of fun and if they had stuck together (and with Barry), they could have had a nice little run of albums. Sadly, though, the record tanked completely and the Monkees name was retired soon after its release. [Rhino's 1994 reissue of the album added three very good bonus tracks, two of which ("Do It in the Name of Love" and "Lady Jane") were taken from the duo’s final sessions with Barry (and were eventually released under Dolenz and Jones’ own names on Bell Records in 1971. The other track ("Time and Time Again") is a Jones co-write that was supposed to be on the record but was cut. Possibly because its hazy folk-jazz feel was too out of place. It is one of Jones' stronger efforts and shows that had he stayed serious about making music, he could have done some interesting things.]
This picture, taken at the Troubadour in Hollywood in 1970, has been a part of the multimedia show during Micky and Peter's concerts this year. Micky shared the name of this impromptu group (with his sister Coco joining along) as DDT - Dolenz, Dolenz & Tork.
Andrew Sandoval documented this event in his book, The Monkees: The Day-by-Day Story of the '60s TV Pop Sensation, writing that Fave magazine reported on the unannounced performance, saying it was "experimental" and "unique."
For years, the rarely shown promotional video for "Oh My My" (directed by Micky) could only be found on YouTube and before that, via tape trading, in near horrendous quality. Andrew Sandoval screened a cleaner version during the pre-show of recent Monkees tours, and now this print of the video has surfaced on YouTube. Enjoy!
Micky Dolenz and Davy Jones traveled to New York City in February 1970 to begin recording what became the last original Monkees album, Changes. "By that time it was pretty obvious that The Monkees were over," Micky was quoted in the liner notes of the 1990s compact disc release of the album. "Davy and I were still getting along, but we were mainly fulfilling a contractual obligation to the record company – that's what Changes is all about. I was quite happy to do it as long as somebody wanted to record me."
Years later, Davy expressed frustration with the sessions, producer Jeff Barry (who was also responsible for "I'm a Believer"), and generally refused to comment on what he called his least favorite Monkees album. The first and only single released from it, "Oh My My," limped to #98 on Billboard, and when the album was issued in June, it became the first Monkees LP to miss the charts completely. With the cover showing just two members of the group remaining, Peter Tork years later recalled an anecdote from that time period. "I read this joke in the trades someplace...They thought that either Micky or Davy was going to quit, and the other was going to go on as The Monkee."
Two tracks recorded during the sessions for Changes remain long lost outtakes. No tapes or session credits have survived for "Ride Baby Ride." "Which Way Do You Want It?," a song that was replaced on the album by Micky's "Midnight Train," is also a mystery.
On June 2, 1970, Micky made his stage debut in Remains To Be Seen at the Pheasant Run Playhouse in St. Charles, Illinois, playing a jazz drummer.
Last summer, JD at Monkee45s.net alerted me that a 1970 program for Atlantic City's legendary Steel Pier was being auctioned on eBay. In it, The Monkees are advertised to appear in person on September 5, 6, and 7. Thanks to Kevin Schmid, I was able to obtain high quality scans of the program. The picture of The Monkees used inside of it, however, shows all four members in a late 1965 publicity photo. As we know, only Micky and Davy were working under the Monkees banner in 1970, so the whole thing immediately peaked my interest.
I searched Google to see if I could find anything about this event. (Andrew Sandoval's book does not make mention of this potential appearance.) I turned up a few internet posts that reference The Monkees at the Steel Pier, and one that mentions just Davy.
I also found a scan of a Pennsylvania newspaper from August 19, 1970 that is archived online (with an article titled "Monkee Business Paying Off"), but the print was too small to read and further attempts to obtain a superior copy were unsuccessful. I wondered if the article was promoting an upcoming appearance in nearby New Jersey at that time.
I gathered all of these items and submitted them to Andrew Sandoval, and he was able to shed a little light on this event. Andrew doesn't believe The Monkees performed at Atlantic City's Steel Pier that summer, and he thinks instead that it was a solo appearance made by Davy alone.
The search for other live appearances made by The Monkees in 1970 goes on!
As 1970 drew to a close, Micky and Davy conducted one more recording session in September with producer Jeff Barry. The bubblegum-esque single "Do It In The Name of Love" (backed with "Lady Jane") would be officially credited to Dolenz & Jones and not to The Monkees. Issued in April 1971 on Bell Records (which had absorbed Colgems, The Monkees' now defunct record label), the single failed to make a dent in the charts. Below is the Japanese picture sleeve for "Do It In The Name of Love" (courtesy of Monkee45s.net). The single was released under the Monkees banner in Japan.