In an email to subscribers, Videoranch provided an early glimpse and chance to order their latest piece of merchandise highlighting last month's revival of the First National Band on the concert stage. Prints can be ordered signed or unsigned, and Videoranch provided this description for the item:
"The official 8x10 First National Band Redux Tour poster features Nez in his Nudie suit looking up at the First National Band logo. His Nudie suit was the mascot for the January tour. Nez explained that the suit represented much of what he wanted to achieve through the art of First National Band. Nudie celebrates the high art element of Americana culture that Nez also finds in bluegrass and country music. The American flag theme is an effort to reclaim patriotism from conservative reaction. Similarly, Nez hoped to reclaim country and bluegrass styles by combining them with psychedelia -- pulling them further into that high space. "
New video footage of The Monkees live in New York City on their 2012 tour has surfaced on YouTube. The show took place at a sold out Beacon Theater on Broadway on December 2. It also just happened to be the final show of the tour, which featured the return of Michael Nesmith and moving tributes to Davy Jones, who had passed away on February 29, 2012.
Listen to this sample of Michael Nesmith performing at McCabes in Santa Monica, California in August 1973 that was shared on Facebook by Ed Heffelfinger. Red Rhodes accompanies Nez on pedal steel:
Ed was asked to clarify the date of the recording, and responded with the following:
A big thanks to David Marcone for alerting the Live Almanac about this posting!
UPDATE 2/12/2018: Monkees archivist Andrew Sandoval confirmed in a comment on the Live Almanac's Facebook page that a full recording of this 1973 performance does indeed exist:
In an interview with Rolling Stone associate editor Andy Greene published a short while ago on the magazine’s website, Michael Nesmith discussed his overwhelming pleasure concerning the revival of the First National Band's music in concert. He also reflected on his solo career in the early 1970s as country rock began to take form in bands like The Eagles while, much to his dismay, The First National Band crumbled. "I wanted it to be one of the great bands in the world playing some of the great music in the world with some of the great people in the world," Nez told Greene. "Nothing less than that. I thought, 'Well, why can't I play stadiums with the First National Band?'"
The article also confirms what has been rumored for the last several months that both Nesmith and Micky Dolenz are likely to conduct a tour as "The Monkees" at some point in 2018. “So the idea of us going out and doing something under the banner of the Monkees is under discussion," according to Michael. "The agents are standing there with a stack of offers. I think they are running through June, but we have not accepted anything." Nez had previously announced, albeit casually, that he was planning to work with Micky at some point this year. "This isn't Monkee Michael and Monkee Micky going out," he continued. "If we go out on another tour and we do it and use the Monkees logo and name to promote it, it will be very different than a Monkees show. I mean, it'll be Monkees music, but there's no pretense there about Micky and I being the Monkees. We're not. We're the remnants, but we'll have a good time if we do it." Greene also directly addresses questions surrounding Peter Tork’s position in The Monkees with a quote from Peter himself. “I’m shifting gears for now, but I wish the boys well,” Peter said, noting his desire to focus on current projects with Shoe Suede Blues. “And I’ve learned to never say never on things further down the line."
Follow the link at the top of this post for the entire Rolling Stone interview with Nez and more from Peter, or read it in full below. And stay tuned to the Live Almanac for further updates!
Inside the Stunning Resurrection of Michael Nesmith's First National Band
How a half-forgotten Seventies country-rock group led by the Monkee in the green wool hat returned from oblivion
By Andy Greene
Michael Nesmith couldn't believe what he was seeing when he walked onstage at the San Bernardino, California, club Pappy & Harriet's Palace earlier this month. It was his first gig with his early-Seventies country-rock group the First National Band since they split 46 years ago amid raging public disinterest, yet here was a capacity crowd euphorically singing along to songs drawn from a trio of albums that never went higher than Number 143 on the Billboard album chart.
"This is something I've dreamed about, but it's never actually happened to me," says Nesmith. "The audience, before I start singing each song, began singing them back to me. Usually I just get ignored and nobody plays attention to me. On this tour, audiences have actually been weeping and saying, 'This is the greatest music that never got heard.' It's getting me verklempt."
Of course, playing to rapturous audiences is nothing new to Michael Nesmith. As the Monkee in the green wool hat, he performed for throngs of shrieking teenage fans in the 1960s. In recent years, he's periodically toured with his surviving bandmates Micky Dolenz and Peter Tork. But to him, playing with the First National Band is a wildly different experience. "It's qualitatively different because Monkees crowds are there because of the television show," he says. "They are remembering that time that we did this funny thing in the haunted house with the hillbillies and Mr. Schneider. This is pure, unadulterated, romantic and spiritual love that happens when great music is sung. And I never expected it. Not in my life."
Nesmith formed the First National Band right around the time he walked away from the Monkees in 1970. Working with pedal-steel guitarist O.J. Rhodes, bassist John London and drummer John Ware, he fused country and rock in a way that had never been heard before. "It was an amalgam of something that happened in the countercultural revolution of the 1960s and 1970s," he says, "between television and phonograph records, live bands and live studio acts." Lead single "Joanne" reached Number 21 on the Hot 100, but the band's debut, 1970's Magnetic South, was a complete bomb. Follow-up efforts Loose Salute and Nevada Fighter did no better and the group split just two years after it all began.
It was a crushing experience for Nesmith, especially since he started the group with stratospheric dreams. "I wanted it to be one of the great bands in the world playing some of the great music in the world with some of the great people in the world," he says. "Nothing less than that. I thought, 'Well, why can't I play stadiums with the First National Band?'"
The agony grew worse just months after they split when Linda Ronstadt's live backing band named themselves the Eagles and began landing massive radio hits with country-rock songs like "Take It Easy" and "Peaceful Easy Feeling." "I was heartbroken beyond speech," says Nesmith. "I couldn't even utter the words 'the Eagles' and I loved Hotel California and I love the Eagles, the Flying Burrito Brothers and the Byrds' Sweetheart of the Rodeo, all that stuff. That was right in my wheelhouse and I was agonized, Van Gogh–agonized, not to compare myself to him, but I wanted to cut something off because I was like, 'Why is this happening?' The Eagles now have the biggest selling album of all time and mine is sitting in the closet of a closed record company?"
Through the rest of 1970s he continued to record solo albums that were somehow even less popular than his First National Band work – including the ironically titled And the Hits Just Keep on Comin' – but his attention gradually turned toward business ventures. (His mother invented Liquid Paper and left him a substantial fortune when she passed away in 1980.) A 1996 Monkees reunion fizzled out after a brief U.K. tour, but in 2012 he returned to the band for a series of highly successful tours. He eventually left the touring unit, but he participated in the group's 2016 comeback album Good Times! That year, he played with the group at the Pantages Theater in Los Angeles at a show that was billed as his final appearance with the band.
Around that time, urged on by his sons Christian and Jonathan along with some California-based concert promoters, he began thinking about resurrecting the First National Band. Despite selling virtually no records, the group slowly developed a passionate, cult following over the years as fans stumbled upon the old albums. A legitimate reunion was out of the question since Rhodes and London have passed away and Ware, at age 73, told Nesmith that he's simply too old to go back on the road. That allowed Christian Nesmith – an accomplished musician in his own right, who was recently part of the Monkees' touring band – to assemble a new lineup of the First National Band that includes bassist Jason Chesney, pedal-steel guitarist Pete Finney, drummer Christopher Allis, and vocalists Amy Spear and Circe Link. Christian Nesmith plays guitar and Jonathan Nesmith is on piano, guitar and vocals.
Completely unsure if there was an audience, they put a single show at the 500-seat Troubadour on sale and watched in amazement when it sold out in 42 minutes. "That sent a shockwave through the promotion company," says Nesmith. Four dates were added at clubs around California, which wrapped up January 28th at the the Chapel in San Francisco with special guest Ben Gibbard. The set list focuses on songs from the three First National Band albums but also features later tunes like 1977's "Rio" along with "Different Drum," a tune Nesmith wrote right before he joined the Monkees in 1965 that Linda Ronstadt turned into a big hit. There are no firm plans for other shows, but Nesmith says they are seriously looking into playing at least a few more gigs in markets outside California sometime later this year.
The only Monkees song in the First National Band repertoire is "Papa Gene's Blues," but that doesn't mean Nesmith has completely turned his back on his original band. He's deep into talks with promoters about a summer tour where he'd share the stage with Micky Dolenz. "Mick is a great performer," says Nesmith. "I love working with him. He's a wonderful guy. So the idea of us going out and doing something under the banner of the Monkees is under discussion. The agents are standing there with a stack of offers. I think they are running through June, but we have not accepted anything."
If such a tour does happen, it won't mean, at least to Nesmith, that he's going back on his 2016 pledge that Monkee Michael walked offstage forever at the 2016 Pantages Theater show. "This isn't Monkee Michael and Monkee Micky going out," he says. "If we go out on another tour and we do it and use the Monkees logo and name to promote it, it will be very different than a Monkees show. I mean, it'll be Monkees music, but there's no pretense there about Micky and I being the Monkees. We're not. We're the remnants, but we'll have a good time if we do it."
This proposed tour begs a very obvious question: Why isn't Peter Tork involved? Nez picked his words very carefully when we posed this to him. "Well, you'd have to ask Peter," he says. "I'm afraid I would betray a confidence if I said any more than, 'This is not a right time for him.' I don't think it would untoward for you to give him a call and just launch the question. He has his reasons. They are very private. If he's willing to share them with you, so be it."
We reached out to Peter Tork and got this response via email: "Nez's comment sounds oddly worded," he wrote. "Although he and I have not been in touch for more than a year (which is not unusual in our history), I have in general made no secret of the fact that all these recent years of Monkees-related projects, as fun as they’ve been, have taken up a lot of my time and energy. Moving forward I have blues projects that I want to give my attention to and focused on putting together some shows with my band, Shoe Suede Blues in support of our new CD Relax Your Mind, a Lead Belly tribute project that's very dear to my heart. So, I’m shifting gears for now, but I wish the boys well, and I’ve learned to never say never on things further down the line."
Whatever happens going forward, right now Nez is focused on the future of the First National Band and figuring out exactly why it's suddenly become so popular. "Dare I say it became hipster music?" he asked. "No. I don't say that. But dare I say that it's music whose time has come? I'm pretty confident in saying something like that. I never thought it would happen."
Michael Nesmith & The First National Band Redux concluded their recent round of shows last night with a performance at The Chapel in San Francisco, California. Nez and company were joined onstage by Ben Gibbard, lead vocalist and guitarist of Death Cab For Cutie. Ben is a longtime Monkees fan who contributed "Me & Magdalena" to The Monkees' 2016 album, Good Times! Here is the set list from the final show, courtesy of Andrew Sandoval:
Relax Your Mind, the latest studio effort by Peter Tork and Shoe Suede Blues, is now available to download on Amazon. The compact disc version can also be ordered from CDBaby, but it's currently sold out (with more copies on the way).
Last evening, the First National Band Redux performed at the Rio Theatre in Santa Cruz, California.
Earlier this week, The Monkees Live Almanac announced that Sundazed Music was reissuing all three studio efforts by Michael Nesmith & The First National Band on colored vinyl. Aside from offering each LP for sale individually, Sundazed has collected the trilogy in one package. Pre-order directly from their website.
The upcoming First National Band reissues are also available to pre-order at Amazon. The Live Almanac has had a lot of questions about who was responsible for the mastering of these releases. Amazon pre-order links and mastering information can be found in an update of the original blog post.
Last night in front of a sold out house (which included Micky Dolenz, Rodney Bingenheimer, Keith Allison, Henry Diltz, and others), Michael Nesmith took the stage at the legendary Troubadour in West Hollywood, a place where he performed in the pre-Monkees era and the site of the earliest live shows by the First National Band in 1970. Here is the evening's set list, courtesy of Andrew Sandoval:
Here's some footage from The Troubadour, courtesy of Sherri Hansen:
For the concert dates listed below, VIP meet and greet tickets are available at select venues.
Please note that these are the first announced solo shows for Micky in 2018. Keep checking back for updates!
March 10: Sharon L. Morse Performing Arts Center / The Villages, Florida (5pm show)
March 10: Sharon L. Morse Performing Arts Center / The Villages, Florida (8pm show)
March 16: Wolf Den @ Mohegan Sun / Uncasville, Connecticut
Thanks a lot to Sherri Hansen for sharing her videos from The Coach House:
Finally, here are Michael's mid-set acoustic renditions of "Propinquity," "Different Drum," and "Papa Gene's Blues."
The First National Band Redux performed at the Coach House in San Juan Capistrano, California last night, and special guest Micky Dolenz was in attendance.
Here is some footage from the show, courtesy of The Monkees Tour Facebook page: