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The deadline is fast approaching to officially pre-order your copy of Andrew Sandoval's 740 page opus, The Monkees: The Day-By-Day Story. And don't forget: the various editions of Day-By-Day will be produced in limited combined quantities. There is no plan to keep this book in print perpetually and an electronic version will not be offered. Pre-order now via Beatland Books!! In the meantime, check out the latest news update from Andrew about Day-By-Day and much more, and then be sure to view the official unboxing video for the three distinct versions of the book, which also happens to feature a very interesting soundtrack! Andrew has also previously provided two other updates about Day-By-Day, accompanied by exclusive photographs, through the Beatland Books email list. These are must reads! 
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The Monkees' kicked off their 1969 concert tour, the first as a trio after Peter Tork left the group in late 1968, at the Pacific Coliseum in Vancouver, BC, Canada on March 29, 1969. These photos of Davy, Michael, and Micky are courtesy of Photos by Vlad:    The Monkees are photographed below during a break in filming "It's a Nice Place to Visit," which ultimately became the first episode of the second season of their Emmy award-winning television show.   Last month The Monkees Pad video podcast debuted and was a resounding success, welcoming its first-ever guest, Monkees historian and author Andrew Sandoval. Now host Joe Russo has returned in Episode 2, featuring none other than Chip Douglas! Long revered by Monkees fans, Douglas acted as producer of two of the group's most acclaimed albums, Headquarters and Pisces, Aquarius, Capricorn & Jones Ltd., along with some of their best single sides, including "Daydream Believer," "Goin' Down," "Pleasant Valley Sunday," "Words," and "The Girl I Knew Somewhere." Joe's brand new interview is all the more special since Chip has granted relatively few interviews in recent years. Highlights include an inside look at the recording sessions for Headquarters, original video, plus an exclusive airing of an unreleased vintage Davy Jones recording, "Bright Sunny Day." Listeners can look forward to a "Part 2" of the interview where Chip discusses his work on the Pisces album and much more. For now, enjoy Joe's conversation with Chip Douglas below, and don't forget to follow The Monkees Pad podcast on Facebook. You can also read more about Chip in the archives of The Monkees Live Almanac.  Micky Dolenz, likely during recording sessions for The Monkees' fourth album, "Pisces, Aquarius, Capricorn & Jones Ltd." (1967)  Peter Tork at RCA Hollywood, July 1968  The Monkees gather at RCA Hollywood for the "Ditty Diego" recording session, July 1968  Davy Jones in the studio for The Monkees' third album, "Headquarters" (1967)  Michael Nesmith in the studio playing his custom Gibson SG guitar (1968) The Monkees completed production for their first and only motion picture, Head, with the filming of the "Circle Sky" concert scene at the Valley Music Hall in Salt Lake City, Utah on May 17, 1968. They performed the Michael Nesmith original (seen below in video, complete with graphic images from the Vietnam War) several times for the cameras and the assembled crowd of four thousand fans.  (Photo by Henry Diltz)  (Click the photo above to watch The Monkees' 1967 performance of "Riu Chiu")  The final episode of the first season of The Monkees, "Monkees on Tour," was a documentary that chronicled the group's appearance at Memorial Coliseum in Phoenix, Arizona on January 21, 1967 during their earliest live performances: "The primary purpose of the SoCal Music Hall of Fame is to honor, promote and commemorate California's musical heritage. Micky Dolenz of The Monkees is more than worthy of this coveted recognition." 
This article, submitted by longtime friend of the Live Almanac Al Bigley (who is also co-host of the Texas Prairie Chicken Home Companion podcast), features a conversation with The Monkees during a West Coast promotional tour for their 1968 feature film, Head. Peggy King reports in the December 7, 1968 edition of the Oakland Tribune on The Monkees' feelings about the end of their NBC television series, including what King calls their "famous Flying Saucer episode," Michael Nesmith's ruminations of future Monkees activities, discussion of a double album (that never came to fruition), filming the TV special that became 33 1/3 Revolutions Per Monkee, and more. A highly recommended read for Monkees fans!
(Click the image to enlarge)
This photo of The Monkees, previously seen on social media and various online outlets, was seemingly taken during this Oakland Tribune interview:
And don't forget to listen to the latest episode of the Texas Prairie Chicken Home Companion!
Demixing project provides a fresh take on Monkees' 1968 Japanese bootleg concert tape (UPDATED X2)3/24/2020  On October 1, 1968, The Monkees were greeted rapturously as they arrived in Japan to perform a series of live concerts in that country for the very first time. One of these historic shows was filmed (most likely during the two day, three-concert stay at Budokan Hall in Tokyo on October 3 and 4, 1968) and later broadcast on Japanese television. The audio recording and video footage, however, has never been officially released. The audio (straight from the video) has long existed as a bootleg (complete with Japanese voice introductions before each song), but much to the chagrin of Monkees fans, the video footage is presumed lost or destroyed. Monkees archivist Andrew Sandoval has confirmed that multiple attempts have been made to find the missing video footage. "It was definitely broadcast and there has been communication with TBS [Tokyo Broadcasting System] in Japan to retrieve anything they had," he wrote on Facebook in 2017. "We asked many times and have been told they have nothing. Unless they made a film print of the video, it is unlikely it survived."  The Monkees live in Tokyo, Japan at Budokan Hall I first acquired a cassette tape of this particular concert in the late 1980s that ultimately relayed a sprightly and resolute performance by The Monkees, exhibiting just how far these four individuals with disparate musical backgrounds had come to achieving a "group" sound in a relatively short amount of time. For years, Monkees fans have clamored for some sort of official release of this concert, even if it was just the audio portion as it seems the video footage has seemingly been lost to time. In the latest twist of this long-sought after piece of Monkees history, Live Almanac contributor Justin Rakowski has commenced a project to restore the original Japanese concert bootleg. In an effort to present the cleanest audio possible while also removing the invasive voice introductions before every song, Justin has "demixed" the audio. For those that aren’t familiar with "demixing," Justin relayed some details to the Live Almanac. "It’s essentially the process of using specific programs that can run a algorithm on a mono track and separate out individual signals like vocals, guitars, bass, and drums," Justin said. "The inherent problem with the Japan concert is not only the mono mix but the narrator that talks over the beginning of each song."  The Monkees in Japan, October 1968 Justin talked more about the challenges of his project. "Obviously the parts where the announcer talks is the hardest area to fix. It's easier when the announcer is not talking over The Monkees' performances. Even when there is commentary over the instrumental beginning of each song, I can remove the announcer, but the music underneath sounds like someone is playing with the volume knob so the music cuts in and out, leaving some bars with no recoverable information. So what I’ve done is flown in other parts of the song in to fix those areas." And now, here are the initial results of Justin's experiment! While we're all doing our best to hunker down during this international health crisis, take a listen to Justin's work and keep your fingers crossed that the video of this concert finally emerges! UPDATE 4/16/2020: Justin has completed this project and has uploaded the entire 1968 Japanese concert. Thanks again, Justin! (Individual clips still appear below.) The Monkees Live in Japan 1968 - Complete Show (Stereo Demix)"Last Train to Clarksville" (Live in Japan 1968 - Stereo Demix)"I Wanna Be Free" (Live in Japan 1968 - Stereo Demix)"Johnny B. Goode" (Live in Japan 1968 - Stereo Demix)"D.W. Washburn" (Live in Japan 1968 - Stereo Demix)"It's Nice To Be With You" (Live in Japan 1968 - Stereo Demix)"I'm a Believer" (Live in Japan 1968 - Stereo Demix)"(I'm Not Your) Steppin' Stone" (Live in Japan 1968 - Stereo Demix)"Salesman" (Live in Japan 1968 - Stereo Demix)For "Salesman," Justin has offered up something special: "Enjoy this 'what if' video using my newly demixed track of 'Salesman' synced up with edits of the 8mm Australia tour footage posted by Iain Lee's RareMonkees YouTube page." Thanks a lot to Ronald Vazquez for sharing this photograph taken during The Monkees' appearance at Kiel Auditorium in St. Louis, Missouri on August 5, 1967. Check out Nez with a Rickenbacker!  Be sure to stop by and look around the fantastic Written In Our Hearts Facebook page where they recently shared this undated photograph of Davy Jones onstage in the 1960s:  And here's Davy posing with The Monkees' 1967 tour plane, courtesy of Along Came Jones Media:   (Banner designed by Al Bigley) Monkees fans are likely to recall the name Paris Stachtiaris, co-host of Headquarters ("The only radio show in America dedicated to The Monkees") that originally aired on 90.3 WBAU-FM, the radio station of Adelphi University in Long Island, New York, from 1987 to 1990. Cassette tapes of the program, which featured interviews with Monkees luminaries like Chip Douglas, Ward Sylvester, Jim Frawley, Coco Dolenz, Lester Sill, Monte Landis, Gerry Goffin, the individual Monkees themselves, and others, were frequently traded among fans in the late 1980s and early 1990s. Paris is back in 2019 with co-host Ben Brown, and the duo produced a special in honor of the 50th Anniversary of Woodstock that aired on Labor Day Weekend on HCS internet radio. Most recently, Paris and Ben spoke with Bobby Hart: Along with his songwriting partner Tommy Boyce, Bobby Hart is responsible for penning some of The Monkees' most enduring songs, including "Last Train to Clarksville," "Steppin' Stone," and "Valleri." Arriving with determination and drive to the nascent Monkees project, the duo wrote and produced the soundtrack to the pilot episode, including singing the lead vocals, which were later replaced once the show was formally cast with Micky, Davy, Michael, and Peter. Despite conflicts with Don Kirshner, the show's music supervisor, Boyce and Hart were retained, and with the help of their backing band, The Candy Store Prophets, Boyce & Hart went on to produce many of the early Monkees recording sessions. Their influence eventually waned once Kirshner was sacked and The Monkees gained control over their musical output in early 1967. However, each original Monkees album, with the exception of Head, contains Boyce & Hart tunes. Tommy and Bobby went on to have a successful recording career on their own, making guest appearances on television shows and contributing scores to movie soundtracks. In the mid-1970s, they teamed up with Micky Dolenz and Davy Jones, a project which led to concert tours, new music, and a television special. Boyce & Hart were celebrated with a full-length documentary in 2015 (co-produced by Monkees archivist Andrew Sandoval), and that same year, Bobby published his autobiography. Paris and Ben intend to have Bobby back on their program to discuss more about The Monkees, Boyce & Hart, the Dolenz, Jones, Boyce & Hart era, and much more. Thanks to Paris for keeping everyone informed about his latest projects, and be sure to check out the archives of the Headquarters radio program here at The Monkees Live Almanac!  Bobby Hart, Davy Jones, Micky Dolenz, Tommy Boyce, Michael Nesmith, and Peter Tork (From the October 1967 issue of Hullabaloo) |
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