Fans of The Monkees' album Pool It! are sure to enjoy this lively and revealing discussion about the group's 1987 LP, led by Mark Kleiner (host of the Nesmith, Tork, Goffin & King podcast who has also penned superlative liner notes for various 7a Records releases) and his longtime friend and former Monkees pen pal, Lee Baber. Watch and listen as Mark and Lee welcome guests like producer Roger Bechirian (who expresses his desire to undertake a remix of the album), session guitarist Mark Christian, songwriters Michael Levine ("Since You Went Away") and Tom Teeley ("Don't Bring Me Down"), Monkees collector Ed Reilly, and graphic designer Delana Bettoli.
Thanks also goes to Mark Kleiner for sharing this photo of The Monkees taken by Rick Barham during filming of the music video for "Heart and Soul," the lead single from Pool It! Rick acted as the gaffer during the video's production.
In 1987, The Monkees released their first album of all new material since 1970. Pool It! arrived in August of that year from Rhino Records, preceded by the LP's first single and music video, "Heart and Soul," which made its mark on select channels and Nickelodeon (but famously not MTV).
The article below, "The Monkees: All New Tracks to Satisfy the Faithful," was originally published in Pulse!, a magazine that was available at Tower Records locations in the '80s. It includes comments from the album's producer, Roger Bechirian. Thanks to Keith Combs who shared the article on Facebook a while back, and I thought it would be nice to archive it in the Live Almanac's Pool It! category. Thanks, Keith!
This ad for Pool It! and "Heart and Soul" was included in the same issue of Pulse!:
While we're on the subject, here's a rare behind the scenes photo of Peter, Micky, and Davy during filming of the "Heart and Soul" video in Los Angeles in July 1987:
Finally, earlier this fall Henry Diltz shared this outtake from the Pool It! album cover photo session on his Facebook page:
Have you heard the latest episodes of Mark Kleiner's podcast Nesmith Tork Goffin & King??? Mark's series on The Monkees' 1987 album Pool It!, as highlighted in a previous post on the Live Almanac's blog, continues below, along with much more!
Listen: Monkee Wash, Donkey Rinse
Mark is in conversation with New York Times writer John Leland about The Monkees in the 1980s, and Keith Allison recalls writing and recording "Auntie's Municipal Court" and explains why he's often uncredited. This episode also features a rare Peter Tork live performance of "Lady's Baby" from 1979, as well as a live rendition of "Right Now" as performed by Dolenz, Jones, Boyce & Hart at the Cleveland Agora on June, 10, 1976. Finally, Mark talks to Matt Harris, who provided background vocals on Pool It!
In this episode, Mark continues his retrospective of Pool It! featuring exclusive interviews with producer Roger Béchirian and music supervisor Lou Maxfield, along with two integral musicians on the sessions, Mark Christian and Michael Egizi.
And, Rhino Records legend Bill Inglot offers insight into the podcast's ongoing inquiry of the "Anytime, Anyplace, Anywhere" remix mystery. You can also hear a rare live "50s Medley" as performed by Davy Jones and Peter Tork during their 1986 Sounds of the Monkees Australian Tour.
Enjoy the third installment of NTGK's profile on Pool It! featuring never-before-revealed studio moments from producer Roger Béchirian, music supervisor Lou Natkin, session musicians Mark Christian and Michael Egizi, plus the world premiere of the demo for "The Weight of Love," an original Bobby Hart/Dick Eastman composition submitted for consideration for inclusion on the Pool It! album.
1980s Arista Records executive Roy Lott shares a behind-the-scenes perspective on the alleged second single from Then & Now ... The Best of the Monkees ("Anytime, Anyplace, Anywhere") that threatens to rewrite the entire historical record, and culminates in a party at Quincy Jones' mansion for Whitney Houston.
If you are fan of The Monkees' 1987 album, Pool It! (and even if you are not), this edition of the Nesmith, Tork, Goffin & King podcast will be sure to please! Listen as host Mark Kleiner inquires about the seemingly long-lost second version of "Anytime, Anyplace, Anywhere" with the song's co-writer Dick Eastman and chats with '80s Monkees manager David Fishof about record label interest for Pool It! Mark also speaks with former Rhino Records graphic artist Lisa Sutton, who discusses the album cover photo session, and finally, there's a revealing interview with the LP's producer, Roger Bechirian.
But wait, there's more! Mark also debuts the previously unheard demo for "Heart and Soul," the first single issued from Pool It!
Japan experienced the first rebirth of The Monkees in the 1980s even before Davy Jones, Micky Dolenz, and Peter Tork reunited for the mega-successful 20th Anniversary Tour of North America in 1986. When "Daydream Believer" was used in a Kodak commercial in Japan in 1980, Monkeemania was rekindled as the group's television show returned to the airwaves and Monkees albums were reissued, causing them to chart in that country once again. Demand for The Monkees was so high in Japan that Davy, Micky, and Peter (with The New Monks) all toured there individually between 1981 and 1982, playing to extremely enthusiastic audiences.
Thanks to Iris at Iris' Little Monkees Corner for sharing these 1981 clippings of Davy and Peter in Japan!
A candid Micky Dolenz appeared on national radio talk program The Larry King Show with guest host Becky Bailey in February 1987. Micky talks about The Monkees' revival, his acting career, an upcoming guest appearance on The Mike Hammer Show, and much more. Thanks to Al Bigley of the Texas Prairie Chicken Home Companion Podcast for uploading this rarely heard radio interview!
From the late '80s to the early '90s, I was a member of The Monkees/Boyce & Hart Photo Fan Club, which was a long-running Monkees newsletter published at that time by Jodi Hammrich and Shari S. Cain. In their September/October 1987 issue, The Monkees' sold-out performance at Pier 84 in New York City on August 20, 1987 was reviewed by Elayne Wechsler. The detailed recap of the show also included a look at the 1987 North American tour's opening act, Weird Al Yankovic.
After reuniting in 1986 and undertaking worldwide tours through 1987, The Monkees were relatively out of the limelight in 1988. Peter Tork reemerged late that year with a short solo tour that included multiple shows at The Speakeasy in New York City. I vividly recall these concerts being advertised in fan club newsletters like The Monkees/Boyce & Hart Photo Fan Club and Monkee Business Fanzine, and later seeing Michael G. Bush's photos from the Speakeasy.
Beginning in the late 1970s and right up to The Monkees' phenomenal 1986 comeback, Peter had played numerous club dates in and around New York City as a solo artist and with his bands The New Monks and The Peter Tork Project, as documented in an essay on this blog by Fred Velez in 2017. Looking back, it's interesting to see how Peter seamlessly transitioned from playing stadiums, arenas, and amphitheaters in 1986 and 1987 while returning to the more intimate setting of New York City clubs in 1988. During these shows, he was backed by Jerry Renino (who was a member of The Peter Tork Project as well as The Monkees' backing band from 1989-2002), Michael Levine (electric fiddle), and Mal Stein (drums).
The March 1989 issue of Monkee Business Fanzine covered Peter's late 1988 concerts, which also included stops at The Town Crier in Pawling, New York and The Iron Horse in Northampton, Massachusetts:
As mentioned in the above article from Monkee Business Fanzine, Peter's shows at the Speakeasy were recorded for a live album that ultimately was never released. However, thanks to Scott Erickson, select samples of those live recordings were heard for the very first time in a recent post on the Live Almanac's blog.
Heather Sciacca recently uploaded her photos from one of Peter's shows at The Speakeasy in New York City on the Torkees Discussion Group on Facebook. Thanks, Heather!
Finally, here is video footage of Peter's appearance at The Speakeasy in New York City (which is now a comedy club) on November 26, 1988, courtesy of Jennifer Winkle:
Recap: Monkees Farewell Tour
Dolenz sings Nesmith