 Micky Dolenz, likely during recording sessions for The Monkees' fourth album, "Pisces, Aquarius, Capricorn & Jones Ltd." (1967)  Peter Tork at RCA Hollywood, July 1968  The Monkees gather at RCA Hollywood for the "Ditty Diego" recording session, July 1968  Davy Jones in the studio for The Monkees' third album, "Headquarters" (1967)  Michael Nesmith in the studio playing his custom Gibson SG guitar (1968)
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The Monkees completed production for their first and only motion picture, Head, with the filming of the "Circle Sky" concert scene at the Valley Music Hall in Salt Lake City, Utah on May 17, 1968. They performed the Michael Nesmith original (seen below in video, complete with graphic images from the Vietnam War) several times for the cameras and the assembled crowd of four thousand fans.  (Photo by Henry Diltz) Micky Dolenz speaks with Forbes.com about Frank Zappa, playing drums, missing Davy & Peter, and more8/7/2020  (Photo by Sherri Hansen)  Have you heard the latest episodes of Mark Kleiner's podcast Nesmith Tork Goffin & King??? Mark's series on The Monkees' 1987 album Pool It!, as highlighted in a previous post on the Live Almanac's blog, continues below, along with much more! Listen: Monkee Wash, Donkey RinseMark is in conversation with New York Times writer John Leland about The Monkees in the 1980s, and Keith Allison recalls writing and recording "Auntie's Municipal Court" and explains why he's often uncredited. This episode also features a rare Peter Tork live performance of "Lady's Baby" from 1979, as well as a live rendition of "Right Now" as performed by Dolenz, Jones, Boyce & Hart at the Cleveland Agora on June, 10, 1976. Finally, Mark talks to Matt Harris, who provided background vocals on Pool It!  Micky Dolenz, Peter Tork, and Davy Jones at Cherokee Studios, Hollywood, in 1987 (Photo by Roger Bechirian) Listen: Love in a Space: The Making of ‘Pool It!’ (Part II)In this episode, Mark continues his retrospective of Pool It! featuring exclusive interviews with producer Roger Béchirian and music supervisor Lou Maxfield, along with two integral musicians on the sessions, Mark Christian and Michael Egizi. And, Rhino Records legend Bill Inglot offers insight into the podcast's ongoing inquiry of the "Anytime, Anyplace, Anywhere" remix mystery. You can also hear a rare live "50s Medley" as performed by Davy Jones and Peter Tork during their 1986 Sounds of the Monkees Australian Tour.  "Pool It!" session guitarist Mark Christian with Peter Tork at Cherokee Studios, Hollywood (Photo courtesy of Mark Kleiner) Listen: Love Without Even the Little Hint of a Trace: The Making of ‘Pool It!’(Part III)Enjoy the third installment of NTGK's profile on Pool It! featuring never-before-revealed studio moments from producer Roger Béchirian, music supervisor Lou Natkin, session musicians Mark Christian and Michael Egizi, plus the world premiere of the demo for "The Weight of Love," an original Bobby Hart/Dick Eastman composition submitted for consideration for inclusion on the Pool It! album.
Listen: I Was There (And I'm Told I Had Crab Cakes)1980s Arista Records executive Roy Lott shares a behind-the-scenes perspective on the alleged second single from Then & Now ... The Best of the Monkees ("Anytime, Anyplace, Anywhere") that threatens to rewrite the entire historical record, and culminates in a party at Quincy Jones' mansion for Whitney Houston.  "Then & Now ... The Best of The Monkees" cassette (Courtesy of Monkee45s.net) "I thank you. The banjo thanks you." - Peter Tork Milwaukee, Wisconsin at Shank Hall / May 4, 1997  (Photo by Sherri Hansen) "If it sometimes plays like a victory lap, it's one that's well-deserved, and while this isn't the stuff to win them new converts, The Mike & Micky Show proves no one was wrong for loving this band and their music, and longtime fans will certainly enjoy it."  (Photo by Sherri Hansen) Dolenz called a planned July return to touring for him and Nesmith "optimistic." "I think everybody's waiting for some sort of a drug … or vaccine. I'll be honest, I don't think I'm going to be too crazy about going out unless something of that nature happens."  (Photo by Sherri Hansen and courtesy of Rhino Records) Demixing project provides a fresh take on Monkees' 1968 Japanese bootleg concert tape (UPDATED X2)3/24/2020  On October 1, 1968, The Monkees were greeted rapturously as they arrived in Japan to perform a series of live concerts in that country for the very first time. One of these historic shows was filmed (most likely during the two day, three-concert stay at Budokan Hall in Tokyo on October 3 and 4, 1968) and later broadcast on Japanese television. The audio recording and video footage, however, has never been officially released. The audio (straight from the video) has long existed as a bootleg (complete with Japanese voice introductions before each song), but much to the chagrin of Monkees fans, the video footage is presumed lost or destroyed. Monkees archivist Andrew Sandoval has confirmed that multiple attempts have been made to find the missing video footage. "It was definitely broadcast and there has been communication with TBS [Tokyo Broadcasting System] in Japan to retrieve anything they had," he wrote on Facebook in 2017. "We asked many times and have been told they have nothing. Unless they made a film print of the video, it is unlikely it survived."  The Monkees live in Tokyo, Japan at Budokan Hall I first acquired a cassette tape of this particular concert in the late 1980s that ultimately relayed a sprightly and resolute performance by The Monkees, exhibiting just how far these four individuals with disparate musical backgrounds had come to achieving a "group" sound in a relatively short amount of time. For years, Monkees fans have clamored for some sort of official release of this concert, even if it was just the audio portion as it seems the video footage has seemingly been lost to time. In the latest twist of this long-sought after piece of Monkees history, Live Almanac contributor Justin Rakowski has commenced a project to restore the original Japanese concert bootleg. In an effort to present the cleanest audio possible while also removing the invasive voice introductions before every song, Justin has "demixed" the audio. For those that aren’t familiar with "demixing," Justin relayed some details to the Live Almanac. "It’s essentially the process of using specific programs that can run a algorithm on a mono track and separate out individual signals like vocals, guitars, bass, and drums," Justin said. "The inherent problem with the Japan concert is not only the mono mix but the narrator that talks over the beginning of each song."  The Monkees in Japan, October 1968 Justin talked more about the challenges of his project. "Obviously the parts where the announcer talks is the hardest area to fix. It's easier when the announcer is not talking over The Monkees' performances. Even when there is commentary over the instrumental beginning of each song, I can remove the announcer, but the music underneath sounds like someone is playing with the volume knob so the music cuts in and out, leaving some bars with no recoverable information. So what I’ve done is flown in other parts of the song in to fix those areas." And now, here are the initial results of Justin's experiment! While we're all doing our best to hunker down during this international health crisis, take a listen to Justin's work and keep your fingers crossed that the video of this concert finally emerges! UPDATE 4/16/2020: Justin has completed this project and has uploaded the entire 1968 Japanese concert. Thanks again, Justin! (Individual clips still appear below.) The Monkees Live in Japan 1968 - Complete Show (Stereo Demix)"Last Train to Clarksville" (Live in Japan 1968 - Stereo Demix)"I Wanna Be Free" (Live in Japan 1968 - Stereo Demix)"Johnny B. Goode" (Live in Japan 1968 - Stereo Demix)"D.W. Washburn" (Live in Japan 1968 - Stereo Demix)"It's Nice To Be With You" (Live in Japan 1968 - Stereo Demix)"I'm a Believer" (Live in Japan 1968 - Stereo Demix)"(I'm Not Your) Steppin' Stone" (Live in Japan 1968 - Stereo Demix)"Salesman" (Live in Japan 1968 - Stereo Demix)For "Salesman," Justin has offered up something special: "Enjoy this 'what if' video using my newly demixed track of 'Salesman' synced up with edits of the 8mm Australia tour footage posted by Iain Lee's RareMonkees YouTube page."  (Photo courtesy of Rolling Stone) Thanks a lot to Ronald Vazquez for sharing this photograph taken during The Monkees' appearance at Kiel Auditorium in St. Louis, Missouri on August 5, 1967. Check out Nez with a Rickenbacker!   To mark the one year anniversary of the passing of Peter Tork (and his birthday month), Liverpool Tours and Charles Rosenay announced today that "The Peter Tork Memorial Convention" will take place in New Haven, Connecticut on Saturday, February 8, 2020 from 1 p.m. to 8 p.m. The convention will include memorabilia vendors and dealers, a rare video show, memorial tributes, and special guests are slated to be announced in the future. Live music will be provided by John Sheridan, Loose Salute, Zilch, and The Blue Meanies. The site of the convention, Best Western Plus, is currently offering special room rates of $99 with the code "MONKEES" until January 1, 2020. For more information, you may call (203) 795-4737 or email MonkeesFanConvention@gmail.com. The convention organizers have also launched an official website and accompanying Facebook page. Please note that this event is being organized for fans by fans and is not officially endorsed by The Monkees or their families, or Rhino Records. Thanks to Charles Rosenay for passing along all of the details about "The Peter Tork Memorial Convention" to The Monkees Live Almanac!  The official charity of the convention, the Institute for the Musical Arts, was a favorite of Peter's. Click the image below for more information.  UPDATE 1/28/2020: James Lee Stanley, singer-songwriter and a longtime musical collaborator of Peter Tork's, will be a special guest at the upcoming Peter Tork Memorial Convention for Monkees Fans. Read more about James Lee in the archives of The Monkees Live Almanac!  James Lee Stanley & Peter Tork (Photo courtesy of Charles Rosenay)  Pete Finney and Michael Nesmith at Lobero Theatre, Santa Barbara, California (Photo by Paul Wellman) And here's some footage from the recent run of concerts by Nez and the First National Band Redux at the Fremont Theater in San Luis Obispo, California, thanks to Lisa Duclo:
Singer, songwriter, and pioneer, Michael Nesmith, will visit the GRAMMY Museum for an intimate discussion on his celebrated career and recent work, moderated by Scott Goldman. Following the discussion, Nesmith will perform live. Starting in the Texas folk scene in 1963, Nesmith quickly blossomed into a brilliant tunesmith during his time on the Emmy award-winning The Monkees. His melodic, country-tinged songs were regularly featured on the band’s multi-million selling albums and singles, but he heard a greater creative calling to find his own voice as a record maker. During 1968, Nesmith ventured to Nashville and formed the band the First National Band (pedal steel virtuoso Red Rhodes, bassist John London, and drummer John Ware). After being signed to RCA by A&R man Felton Jarvis, the band released a few critically acclaimed albums, including Magnetic South (1970), followed by Loose Salute (1970) and Nevada Fighter (1971), which spun off the chart hits “Joanne,” “Silver Moon,” “Nevada Fighter” and “I’ve Just Begun To Care (Propinquity).” In January 2018, Michael Nesmith sold out The Troubadour in West Hollywood, performing his First National music for the first time in four decades. Songs like “Different Drum” (a Top 20 hit for Linda Ronstadt & The Stone Poneys), “Some of Shelly’s Blues” (covered by the Nitty Gritty Dirt Band), and The Monkees’ classic, “Papa Gene’s Blues” filled the room with warmth and splendor. Nesmith will once again perform this music and share stories from his recent autobiography, Infinite Tuesday, while on tour in October 2019.
UPDATE 10/2/2019: Here is video of the performance portion from Michael's appearance last night at the Grammy Museum in Los Angeles. The set list included "Different Drum," "Joanne," "Some of Shelly's Blues," "Silver Moon," and "Papa Gene's Blues." Nez was backed by the First National Band Redux.
And earlier today, the Grammy Museum tweeted about Michael's appearance:
 (Photo courtesy of Roger Roland Di Lernia)  (Photo courtesy of Roger Roland Di Lernia)          |
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