Here's a great photo of Micky with R.E.M.'s Peter Buck and Scott McCaughey of The Minus 5. Buck and McCaughey co-wrote the title track of The Monkees' forthcoming holiday album, Christmas Party.
On a personal note, I'm a longtime fan of R.E.M. and am thrilled that Peter is working with The Monkees. Scott is also closely aligned with R.E.M. as he was an auxiliary musician in the studio and on stage with the group from 1994 until their their breakup in 2011.
Scott's band The Minus 5 released Of Monkees and Men in 2016, described as "an imaginative tribute to the Monkees’ legacy in music and popular culture."
Thank you very much to John Hughes of Rhino Records for providing The Monkees Live Almanac with an exclusive behind-the-scenes peek in the studio when Peter Buck (R.E.M.) and Scott McCaughey (The Minus 5) joined Micky Dolenz to record the tracks "Christmas Party" and "Jesus Christ" for the upcoming Monkees holiday album, Christmas Party. John is the executive producer of this latest Monkees project.
Left to right are guitarist Jody Porter, producer Adam Schlesinger, John Hughes, Mark Pinkus (President, Rhino Records), Micky Dolenz, drummer Brian Young, Peter Buck, and Scott McCaughey:
In July 1968, The Monkees recorded "Ditty Diego," a parody of the theme song to their television show, for inclusion in the feature film, Head.
Click each photo below to listen to some interesting and informative discussions about The Monkees' 1966 recording sessions:
Part 5 is (hopefully) coming soon!
In its December 27, 1966 issue, Look magazine published a feature on The Monkees with quotes from each member of the group as well as Raybert co-founder Bert Schneider. The article also includes photos from an October 18, 1966 recording session at RCA Hollywood staged for reporter Betty Rollin. With Michael in the producer's chair flanked by Don Kirshner and Lester Sill, an attempt was made to add Micky, Davy, and Peter's backing vocals to Michael's song, "Mary, Mary," but things quickly unraveled. Andrew Sandoval documented this event in his book, The Monkees: The Day-by-Day Story of the '60s TV Pop Sensation, and audio from it will finally see the light of day on the upcoming super deluxe edition box set for the group's sophomore album, More Of The Monkees:
"The Monkees wisecrack their way through a series of rehearsals - labeled 1A-4A and noted on the box as 'no good' - and seven 'real' takes. The antics of Davy and Micky are legitimately funny, but after 20 taped minutes, Nesmith says, "Honest to God, no shit - let's cool it."
The overdub session would eventually come to a halt, and no group backing vocals for "Mary, Mary" would be included in the final take of the song.
Another picture from this RCA Hollywood session appears in Andrew Sandoval's book where he notes that it was probably taken during the recording of either "D.W. Washburn" or "Porpoise Song."
On July 18th, 1966 at RCA Hollywood, Michael Nesmith acted as producer during a recording session that resulted in several of my favorite Monkees songs. Beginning at 8pm that evening and working until midnight, Nez was assisted by engineer Hank Cicalo while leading members of the Wrecking Crew (including Glen Campbell) along with his fellow Monkee, Peter Tork, through multiple takes of "I Won't Be The Same Without Her," "Sweet Young Thing," and the first version of "You Just May Be The One."
Andrew Sandoval documented the session in his book, The Monkees: The Day-by-Day Story of the '60s TV Pop Sensation, and for this blog post, we'll place the spotlight on Gerry Goffin and Carole King's "I Won't Be The Same Without Her":
"Mike & Micky Show" in 2019