Late A&R head’s reissues of everyone from the Ramones to the Monkees combined a scholar’s authority with a fan’s zeal
Monkees archivist and producer Andrew Sandoval remembered his friend Gary on Facebook:
By Justin Rakowski
Salt Lake City – December 6, 1969. As The Monkees walked off stage, nothing would ever be the same. At least in terms of their original run as a quartet, that was unceremoniously reduced to a trio earlier in the year. Apart from a few contractual obligations, Michael Nesmith was no longer a Monkee. This left Micky Dolenz and Davy Jones to continue on in some capacity. In addition to making a few promotional appearances under the guise of The Monkees throughout 1970, Micky and Davy undertook what would be the final Monkees album of the original Colgems era. Released in June of 1970, Changes unfortunately did nothing to bolster their fading popularity. While the single "Oh My My" barely cracked the Billboard Hot 100, Changes failed to grab the attention of what remaining fans they had and did not chart in its initial production run.
As decades passed and different waves of Monkees reunions cropped up, leading to more positive reevaluations of their career and musical output, Changes still held a somewhat “black sheep” quality when compared to The Monkees' other Colgems records. Growing up in the 1990s, I was too young to remember the massive resurgence in popularity the group experienced during their 20th Anniversary in 1986. Luckily, I discovered the "Pre-Fab Four" through Nick at Nite reruns during the mid-90s, leading me to hunt down every album released through the Rhino Records reissues on CD. Even as a young Monkees fan, Changes carried a stigma like no other Monkees LP had and initially I barely gave it a listen. Over the course of the ensuing years, my appreciation of the album grew slightly, but it still never reached the level of importance as their other albums.
In 2012, I met the woman who I would fall in love with and ultimately marry a few short years later. On one of our first dates, I discovered that she was quite familiar with a good number of Monkees songs, albeit the ones that were featured on the show, as she too watched the Nick at Nite reruns. Naturally, I gave her copies of all their albums, excited to see which one she would hold dear to her heart. After making her way through everything, I was shocked to find that she adored Changes and had memorized the lyrics to every song featured on the album in only a few short days. Her love for the album was contagious and I now started to listen with a different set of ears and appreciate it for what it was – a solidly written and performed set of catchy bubblegum songs that acted as a perfect bookend to a period that started with an album (The Monkees) that was essentially a solidly written and performed set of catchy bubblegum songs.
Through all of this, as many Monkees fans know, the multitrack recordings for all of the Jeff Barry-produced songs from the 1970 sessions are missing. Unfortunately this also includes two tracks, "Which Way Do You Want It" and "Ride Baby Ride," that were recorded but ultimately left off the final pressing of Changes. Given all these facts, we’ve been told time and time again that a Super Deluxe set of the album would be impossible given the lack of content. Once a Super Deluxe set of Headquarters and Pisces, Aquarius, Capricorn & Jones, Ltd. is released in the coming years, the journey that Monkees archivist Andrew Sandoval started nearly a decade ago will have ended. As a fan of both The Monkees and Andrew, I am incredibly grateful for the amount of dedication from them to bring us such wonderful sets and can’t wait to have a shelf with all the Super Deluxe sets next to each other, providing us with perhaps the most complete auditory history of a band’s output. But, the set will feel quite lonely if Changes isn’t there in some capacity to bookend everything as it did almost 50 years ago when it was first issued.
With all of that in mind, I propose a solution. When the time comes to make a decision on the merits of a Super Deluxe set of Changes and the missing tracks that still have not been found, here is a track listing that could fill three CDs and properly tell the story of The Monkees' Colgems-era output, including Davy’s final contractual obligation for Colgems that resulted in his self-titled album released on Bell Records in 1971. With that being said, I present you with…
CHANGES (SUPER DELUXE EDITION)
23. Oh My My (Mono Promo Film Mix)
24. 99 Pounds (Stereo Remix)
25. Midnight Train (Demo)
26. I Never Thought It Peculiar (No Strings and Backing Vocals)
27. I Never Thought It Peculiar (Mono Mix without Overdubs)
28. I Never Thought It Peculiar (Mono Mix with Overdubs)
29. I Never Thought It Peculiar (Stereo Remix)
30. Time And Time Again (Take 1)
31. Time And Time Again (Mono Mix)
32. Time And Time Again (Stereo Mix)
33. Post Cereals "Monkees Cereal Box Records" Commercial
34. Kool-Aid "Nerf Ball" Commercial
35. Kool-Aid "Buzzer" & "Snake In A Can" Commercial
36. Together (Davy Jones With Sam & The Goodtimers - Live on Music Scene - December 22, 1969)
37. Interview With Davy Jones on Music Scene (December 22, 1969)
38. Oh My My (Live At The Palace Theater - Cleveland, Ohio - July 27, 1997)
39. Midnight Train (Live At The Mayo Performing Arts Center - Morristown, New Jersey - Aug. 27, 2015)
BONUS VINYL 45
"Acapulco Sun" EP by The Monkees
Oh My My
Do You Feel It Too?
Thank you very much to Justin Rakowski for submitting his essay to The Monkees Live Almanac! I would also like to acknowledge John McCutcheon's wonderful website Monkee45s for some of the scans seen above.
While prepping this piece for the Live Almanac's blog, I contacted longtime Monkees fan, collector, and author Ed Reilly to see if he could share some unique Changes-era pieces from his collection to complement Justin's work. The items below come from Ed's collection - thanks, Ed!
Bell Records released the original Monkees albums in Japan throughout 1973 and 1974:
Thanks a lot to Ben Belmares for sharing his scans of The Monkees Greatest Hits, the 1976 compilation that Rhino Records has just reissued on orange vinyl as part of their "Start Your Ear Off Right" promotional campaign. Thanks again, Ben!
By 1976, Arista Records had inherited The Monkees' music catalog from Colgems (later Bell Records) and proceeded to release The Monkees Greatest Hits. This Arista collection was in reality a repackaging of Re-Focus, an earlier Monkees compilation produced by Bell in 1972. Arista's Greatest Hits featured the same track listing as Re-Focus but with brand new cover art, and could be purchased as an LP, cassette, or 8-track.
As Monkees albums were hard to come by in the mid-1970s, and possibly due to other factors like the return of the group's TV show in syndication and the activities of Dolenz, Jones, Boyce & Hart, Greatest Hits sold well and peaked at #58 on the Billboard chart in 1976. It was later certified Gold in 1986 and Platinum in 1991, and remained in print through the 1980s when it first appeared on compact disc.
And now in 2019, The Monkees Greatest Hits is being treated to yet another release, this time by Rhino Records as part of their annual "Start Your Ear Off Right" campaign. Available exclusively at participating music shops beginning on January 8, Greatest Hits has been pressed on orange vinyl and is limited to 4,500 copies.
A big thanks to (who else?!) Ben Belmares for sharing his scans of the Target version of The Monkees' new holiday album, Christmas Party.
John Hughes speaks to Micky & Michael about "Christmas Party," future touring plans, and more on Rhino podcast
On October 12, Rhino Records will release Christmas Party, the first-ever collection of Christmas music by The Monkees. The album will feature newly recorded versions of classic Christmas songs including "Silver Bells," "The Christmas Song," and "Wonderful Christmastime" along with brand new songs written for the group by Weezer’s Rivers Cuomo ("What Would Santa Do"), Andy Partridge of XTC ("Unwrap You At Christmas"), as well as R.E.M.'s Peter Buck and Scott McCaughey of The Minus 5 ("Christmas Party"). Adam Schlesinger, who produced the LP (and 2016's Good Times!), collaborated with novelist Michael Chabon on "House of Broken Gingerbread." Covers of Wizzard's yuletide classic "I Wish It Could Be Christmas Every Day" and Big Star's "Jesus Christ" will also be heard on the album.
Christmas Party includes new vocals by Micky Dolenz, Michael Nesmith, and Peter Tork, plus the late Davy Jones’ voice - taken from vintage recordings - also appears on two songs. It will be available for purchase on compact disc and as a digital download this Friday. A vinyl edition is in the works but will not be issued until 2019.
Retail giant Target will carry an exclusive bonus tracks edition of Christmas Party beginning on October 19 (a week after the release of the standard edition), and it's currently available for pre-ordering. Target's compact disc will feature two additional songs: "Riu Chiu" and "Christmas Is My Time of Year."
While we wait for the video of the first single, "Unwrap You at Christmas," to arrive, take a moment to catch up on all things Christmas Party in the archives of the Live Almanac!
On June 29, Rhino Records released An Introduction to The Monkees Volume 1 as a budget-priced compact disc with ten tracks:
And this week, Rhino issued An Introduction to The Monkees Volume 2:
Thank you very much to John Hughes of Rhino Records for providing The Monkees Live Almanac with an exclusive behind-the-scenes peek in the studio when Peter Buck (R.E.M.) and Scott McCaughey (The Minus 5) joined Micky Dolenz to record the tracks "Christmas Party" and "Jesus Christ" for the upcoming Monkees holiday album, Christmas Party. John is the executive producer of this latest Monkees project.
Left to right are guitarist Jody Porter, producer Adam Schlesinger, John Hughes, Mark Pinkus (President, Rhino Records), Micky Dolenz, drummer Brian Young, Peter Buck, and Scott McCaughey:
Rolling Stone makes it official: The Monkees to release first holiday album, "Christmas Party," on October 12 (UPDATED X2)
Two years after the triumph of Good Times!, The Monkees are set to release Christmas Party, their first-ever collection of holiday music. The album, produced by Adam Schlesinger (who also oversaw Good Times!), will feature newly recorded versions of classic Christmas songs including "Silver Bells," "The Christmas Song," and "Wonderful Christmastime" along with brand new songs written for the group by Weezer’s Rivers Cuomo ("What Would Santa Do"), Andy Partridge of XTC ("Unwrap You At Christmas"), R.E.M.'s Peter Buck and Scott McCaughey of The Minus 5 ("Christmas Party"), and Schlesinger with novelist Michael Chabon ("House of Broken Gingerbread"). Covers of Wizzard's yuletide classic "I Wish It Could Be Christmas Every Day" and Big Star's "Jesus Christ" will also be heard on the album.
Christmas Party includes new vocals by Micky Dolenz, Michael Nesmith, and Peter Tork, plus the late Davy Jones’ voice - taken from vintage recordings - also appears on two songs. It will be available for purchase on compact disc and as a digital download on October 12. A vinyl edition is in the works but will not be issued until early 2019. The first single, set for an October release, will be Andy Partridge's "Unwrap You At Christmas," and a lyric video will be produced to promote the track.
Along with producer Schlesinger, Cuomo and Partridge are returning to the Monkees fold as they were the songwriters responsible for the two lead singles from Good Times!, "She Makes Me Laugh" and "You Bring the Summer." Two of Michael Nesmith's sons also acted as co-producers (Christian on "The Christmas Song" and Jonathan on "Snowfall").
Davy's tracks on Christmas Party were originally recorded in 1991 with former Monkees producer Chip Douglas. Schlesinger worked with the master tapes as given to him by Douglas, creating new instrumentation around Davy's vocals.
Target will carry an exclusive bonus tracks edition of Christmas Party on October 19 (a week after the release of the standard edition), featuring two additional songs:
1) "Ríu Chíu" (group version as heard on the 1967 "Christmas Show" episode with improved audio from its previous CD appearance on the 2007 deluxe edition of Pisces, Aquarius, Capricorn & Jones Ltd.)
2) "Christmas Is My Time Of Year" (the one-off 1976 Christmas single recorded by Micky Dolenz, Davy Jones, and Peter Tork and produced by Chip Douglas - this will mark its first official appearance on a Monkees album)
Here is the official track listing of Christmas Party, and you can listen to the LP's executive producer John Hughes (of Rhino Records) and Monkees archivist Andrew Sandoval breakdown each song on the latest episode of Zilch.
"Unwrap You At Christmas" (Lead vocal: Micky)
"What Would Santa Do" (Lead vocal: Micky)
"Mele Kalikimaka" (Lead vocal: Davy)
"House Of Broken Gingerbread" (Lead vocal: Micky)
"The Christmas Song" (Lead vocal: Michael)
"Christmas Party" (Lead vocal: Micky)
"Jesus Christ" (Lead vocal: Micky)
"I Wish It Could Be Christmas Every Day" (Lead vocal: Micky)
"Silver Bells" (Lead vocal: Davy)
"Wonderful Christmastime" (Lead vocal: Micky)
"Snowfall" (Lead vocal: Michael)
"Angels We Have Heard On High" (Lead vocal: Peter)
"Merry Christmas, Baby" (Lead vocal: Micky)
Stay tuned to The Monkees Live Almanac for all the latest news and information surrounding Christmas Party and more!
Last week, The Boston Globe, while interviewing Michael Nesmith, hinted that a Monkees Christmas album was forthcoming, even mentioning two songs that Nez had recorded for the project:
The surviving Monkees, Nesmith, Dolenz, and Peter Tork — Davy Jones died of a heart attack in 2012 — recorded a well-received comeback album, “Good Times!,” in 2016. True to form, Nesmith was not enthralled when the band asked him to take part in a follow-up, a Christmas album. But he relented, cutting two songs for the upcoming release, covers of “The Christmas Song” and “Snowfall,” the weird seasonal standard written by Claude Thornhill.
Speculation surrounding new Monkees recordings has abounded since June 2017 when Fountains of Wayne guitarist Jody Porter, who played on the 2016 Monkees album Good Times! (which was produced by his bandmate Adam Schlesinger), commented on Facebook that he would soon be in Los Angeles to work on a new Monkees LP.
Even before that, Glenn Tilbrook of Squeeze, the legendary new wave group responsible for songs like "Tempted and "Pulling Mussels (From the Shell), told Iain Lee on his UK radio show that he was writing songs for another Monkees album.
And now, Amazon has a listing for Christmas Party, set to be released by Rhino Records on October 12, 2018. Another website, Mascom, shows the album with the following track list (and low resolution artwork), advertising "new songs written by Rivers Cuomo (Weezer), Andy Partridge (XTC), and Peter Buck (REM)":
Stay tuned to The Monkees Live Almanac for all of the latest about this upcoming release!
On this edition of THE RHINO PODCAST, host Dennis is in the booth with the one and only Micky Dolenz and Monkees reissue producer Andrew Sandoval to talk playing concerts in supermarket parking lots, Don Kirshner, JC Penney, long hair, Look Magazine, and why only 12 tracks originally made it on to MORE OF THE MONKEES. Find out what was left on the cutting room floor and how you can now hear those songs when you tune in.
Shoppers at the official online Monkees store can no longer add The Monkees Present deluxe box set to their cart, which appears to signal that it's now sold out. Limited to 5,000 individually numbered boxes, the second post-Peter Tork Monkees album was newly remastered and expanded by Rhino Handmade in 2013. Produced by Andrew Sandoval and consisting of three CDs and 85 tracks (60 previously unreleased), the package also included an exclusive bonus 7" vinyl single for "Good Clean Fun (Alternate Mix)" b/w "Mommy and Daddy (July 1969 Stereo Mix)" in a picture sleeve.
A while back at the Monkees Store, the super deluxe box set for The Monkees remained available while asking shoppers to "subscribe to back in stock notification." That set, however, was never offered again at the store, and the same option is currently being shown for The Monkees Present. The page for The Monkees super deluxe has since been removed from the store's website, and it's likely just a matter of time that the same will occur for The Monkees Present. Box sets for The Birds, The Bees & The Monkees and Head have long been sold out.
Still available is the recent super deluxe edition of More Of The Monkees, along with the deluxe edition for 1969's Instant Replay. Grab them while you still can!
In 1994, Rhino Records began issuing the original Monkees albums on compact disc, digitally remastered with bonus tracks. Overseen by Andrew Sandoval and Bill Inglot, The Birds, The Bees & The Monkees was part of the first wave of the campaign, released on September 20, 1994, along with The Monkees and Changes. The package featured informative liner notes written by Monkees archivist Sandoval, along with detailed session credits for each song.
In 2010, The Birds, The Bees & The Monkees was once again reissued, this time by Rhino Handmade as a phenomenal 3-CD super deluxe edition box set in another project overseen by Andrew Sandoval. You can read much more about the album and its various editions in the archives of the Live Almanac, including the LP's original track listing.
I still have a soft spot for the very first Monkees box set ever issued by Rhino Records on September 24, 1991. Listen to the Band was a 4-CD collection that included a memorabilia poster and a detailed booklet written and compiled by Andrew Sandoval, and it featured many songs that had not been previously released on compact disc. The September 1991 issue of Monkee Business Fanzine, which celebrated The Monkees' 25th Anniversary, previewed the box with comments by Sandoval and more. Note the discussion about live tapes from the 1969 tour. You can read a more current take of those tapes on the '69 tour page here on the site.
The super deluxe edition of The Monkees' sophomore album, More Of The Monkees, is now available! Limited to 4,500 numbered copies and boasting 91 tracks (55 of them previously unreleased), including the original mono and stereo mixes, alternate takes, backing tracks, and remixes, the set also contains highlights from The Monkees' January 21, 1967 concert at Memorial Coliseum in Phoenix, Arizona.
Monkees archivist Andrew Sandoval, who produced the box for Rhino Records, was enthused about its release when speaking to Monkees.com last month. "This is the most exciting archival dig through The Monkees' vault since 2009's The Birds, The Bees & The Monkees deluxe edition. Every track is newly mastered for this set; the live material is the most historically significant of their career."
A special 7" vinyl single with accompanying picture sleeve, "I'm A Believer" (remix) / "(I’m Not Your) Steppin’ Stone” (vocals only), is also a part of the package and is shrink-wrapped inside the box.
Below you can see the front and back cover of the expansive booklet, featuring a newly written essay by Andrew Sandoval. You can order the More Of The Monkees super deluxe edition from Monkees.com.
As you can see, I received box #788:
In an email this evening, Rhino Customer Service alerted fans about the new release date for the More Of The Monkees super deluxe edition. The set was originally scheduled for December 15 but was later moved back a week, and it will now ship on December 29.
UPDATE 12/22/2017: Despite the previously announced setback in the release date, emails from The Monkees Webstore are now providing shipping notification and a tracking number for the More Of The Monkees super deluxe edition.
After much anticipation, Rhino Records has unveiled details surrounding the release of the super deluxe edition box set commemorating The Monkees' second album, More Of The Monkees. Pre-orders for this 3-CD collection, produced by Monkees archivist Andrew Sandoval and available on December 15, 2017, begin today at Monkees.com. (UPDATE 12/9/2017: Rhino is now showing a release date of December 22, 2017. UPDATE #2 on 12/18/2017: Rhino has alerted customers that the set will now ship on December 29, 2017. UPDATE #3 on 12/22/2017: Despite the previously announced setback in the release date, emails from The Monkees Webstore are now providing shipping notification and a tracking number for the More Of The Monkees super deluxe edition.)
Limited to 4,500 numbered copies and boasting 91 tracks (55 of them previously unreleased), including the original mono and stereo mixes, alternate takes, backing tracks, and remixes, the set also contains highlights from The Monkees' January 21, 1967 concert at Memorial Coliseum in Phoenix, Arizona. "This is the most exciting archival dig through The Monkees' vault since 2009's The Birds, The Bees & The Monkees deluxe edition," Sandoval told Monkees.com. "Every track is newly mastered for this set; the live material is the most historically significant of their career." (Sandoval confirmed on Facebook that the Phoenix live material has vocals and is in stereo.) A special 7" vinyl single, "I'm A Believer" (remix) / "(I’m Not Your) Steppin’ Stone” (vocals only), will also be included.
Here is the first look at the hardbound 7"x7" box:
And a big thank you to Rhino's John Hughes for sharing these exclusive photos of the packaging with the Live Almanac:
Over the last seven years, many of the classic Monkees albums have been afforded lavish treatment by Rhino's specialty Handmade division, beginning with The Birds, The Bees & The Monkees in 2010. A box for Head arrived later that year (both now sold-out), and Instant Replay (2011) and The Monkees Present (2013) followed. Due to the success of those projects, Rhino Handmade went back to the beginning of The Monkees' catalog, issuing The Monkees in 2014 (which is currently unavailable).
Originally released on January 10, 1967, More Of The Monkees became the biggest selling Monkees album (certified quintuple platinum by the RIAA) and was the longest to stay at #1 on the Billboard chart (an incredible 18 weeks). It contains the group's most successful single, "I'm a Believer," which spent 7 weeks at #1 throughout late 1966 and early 1967, along with songs that have long been associated with The Monkees ("Mary, Mary" and "Steppin' Stone," a Top 20 hit, to name two). The remainder of its tracks include selections that have been staples in the group's live show for decades, and it features contributions from songwriters like Michael Nesmith, Tommy Boyce & Bobby Hart, Gerry Goffin & Carole King, Neil Sedaka, Jack Keller & Diane Hildebrand, and Neil Diamond. But the album also has a well-documented backstory that included a power struggle for creative control over The Monkees' music, one that pitted the band against music publisher Don Kirshner.
Kirshner, known as "The Man With the Golden Ear," was brought into the Monkees project in the summer of 1966. Initial rehearsals by The Monkees to play their music on record and as a live act had progressed through the spring of 1966, but deadlines were fast approaching to meet the pending debut of The Monkees television series on NBC in September of that year. The group's grueling schedule of filming, recording, and rehearsing caused Kirshner to streamline the process. He refused to allow The Monkees to play their instruments on record, instead having them provide only vocal work in the studio, and it was Kirshner who selected the songs The Monkees were to perform. Kirshner went on to supervise the first two Monkees singles and albums, a situation that built resentment, particularly on behalf of Michael and Peter.
Legend holds that in early 1967, Micky, Davy, Michael, and Peter discovered that More Of The Monkees had been released without their consultation, and went to a record shop to pick up a copy. Disliking the cover image (featuring The Monkees in J.C. Penney fashions for a cross-promotional effort) along with Kirshner's self-congratulatory liner notes, the stage was now fully set for a showdown between the two camps. An unsettled Michael Nesmith made his unhappiness clear about how The Monkees' music was being created in a January 1967 interview with the Saturday Evening Post, just as the group had started to appear live in concert. "The music had nothing to do with us," he said. "It was totally dishonest. Do you know how debilitating it is to sit up and have to duplicate somebody else's records?"
The Monkees quickly joined forces in the ensuing battle against Kirshner. During a tense meeting with the band and Kirshner in a Beverly Hills hotel room that same month, the situation between the two sides escalated. "The incident when Mike Nesmith put his fist through the wall at the Beverly Hills Hotel is very vivid and near and dear to my heart," Kirshner told Monkees archivist Andrew Sandoval years later. "I had flown out to the Beverly Hills Hotel to give the boys a quarter of a million dollars apiece from some of the royalties on the first album. Mike had given me a lot of heat that he didn't like the records and he didn't like the albums. He wanted to do it his way. It was a little disconcerting to me because every album and single I put out was number one, but he had a right to his opinion." When Nesmith threatened to quit unless The Monkees were given some control over their musical output, Kirshner's attorney proceeded to remind Michael about his contract. Nez responded, by punching his fist through the wall, telling the attorney, "That could’ve been your face." "I was very impressed," Kirshner chuckled, "because I thought the Beverly Hills [Hotel] had pretty strong walls." Kirshner was later sacked and The Monkees soon began recording with a new producer, Chip Douglas, while also providing their own instrumental backing in the studio.
Looking back today, the "controversy" about who played what instrument on the earliest Monkees recordings seems trite as many of the top groups at that time (The Mamas & the Papas, The Beach Boys, The Byrds, etc.) also utilized ace studio musicians (The Wrecking Crew) just like The Monkees. But in 1967, along with the "manufactured" criticisms that had already befallen The Monkees, the infamous "they don't play their own instruments" story line became one that has, to this day, never fully dissipated.
But now, fifty years later and after the dust has settled, Rhino Records and Andrew Sandoval will afford us another opportunity to revisit the blockbuster More Of The Monkees album. Here is the complete track listing for the super deluxe edition, and you can listen to Sandoval go in-depth about the contents of the box on the latest episode of "Zilch."
1. She (Remastered) [Mono Mix] 2.40
2. When Love Comes Knockin' (At Your Door) [Remastered] [Mono Mix] 1.48
3. Mary, Mary (Remastered) [Mono Mix] 2.20
4. Hold On Girl (Remastered) [Mono Mix] 2.28
5. Your Auntie Grizelda (Remastered) [Mono Mix] 2.36
6. (I'm Not Your) Steppin' Stone [Remastered] [Mono Mix] 2.34
7. Look Out (Here Comes Tomorrow) [Remastered] [Mono Mix] 2.16
8. The Kind Of Girl I Could Love (Remastered) [Mono Mix] 1.54
9. The Day We Fall In Love (Remastered) [Mono Mix] 2.25
10. Sometime In The Morning (Remastered) [Mono Mix] 2.31
11. Laugh (Remastered) [Mono Mix] 2.29
12. I'm A Believer (Remastered) [Mono Mix] 2.49
13. She (Stereo Mix) [Remastered] 2.42
14. When Love Comes Knockin' (At Your Door) [Stereo Mix] [Remastered] 1.50
15. Mary, Mary (Stereo Mix) [Remastered] 2.19
16. Hold On Girl (Stereo Mix) [Remastered] 2.31
17. Your Auntie Grizelda (Stereo Mix) [Remastered] 2.32
18. (I'm Not Your) Steppin' Stone [Stereo Mix] [Remastered] 2.26
19. Look Out (Here Comes Tomorrow) [Stereo Mix] [Remastered] 2.18
20. The Kind Of Girl I Could Love (Stereo Mix) [Remastered] 1.54
21. The Day We Fall In Love (Stereo Mix) [Remastered] 2.27
22. Sometime In The Morning (Stereo Mix) [Remastered] 2.32
23. Laugh (Stereo Mix) [Remastered] 2.31
24. I'm A Believer (Stereo Mix) [Remastered] 2.49
25. I'll Be Back Up On My Feet (First Recorded Version) [Remastered] 2.38
26. Of You (Mono Mix) [Remastered] 1.58
27. I Don't Think You Know Me (Second Recorded Version - Mono Mix) [Remastered] 2.20
28. Words (First Recorded Version - Mono Mix) 2.51
29. Look Out (Here Comes Tomorrow) [Mono TV Mix] 2.56
30. Tear Drop City (1966 Mono Mix) [Remastered] 2.18
31. Sometime In The Morning (Alternate Mono Mix) 2.32
32. Valleri (First Recorded Version - Mono TV Mix) [Remastered] 2.32
1. Whatever's Right (Backing Track) 2.32
2. Valleri (First Recorded Version - Backing Track 1 & 2) 3.02
3 . (Theme From) The Monkees [Second Version - Backing Track - Take 1] 1.06
4. Words (First Recorded Version) [Mono TV Mix][Remastered] 2.49
5. She (Mono TV Mix) 2.36
6. I Love You Really (Version One) 0.13
7. I Love You Really (Version Three) 0.13
8. I Love You Really (Version Two) 0.12
9. Ladies Aid Society (Backing Track - Part One - Take 22) 2.40
10. Ladies Aid Society (Backing Track - Part Two - Take 1) 1.19
11. Ladies Aid Society (Original Mono Mix) [Remastered] 3.25
12. Kicking Stones (Backing Track - Take 11) 2.57
13. Kicking Stones (Original Mono Mix) 2.21
14. I Don't Think You Know Me (First Recorded Version - Mike's Vocal - 2017 Stereo Remix) 2.21
15. Mr. Webster (First Recorded Version - 2017 Stereo Remix) 2.52
16. Hold On Girl (First Recorded Version - 2017 Stereo Remix) 2.46
17. Through The Looking Glass (First Recorded Version - 2017 Stereo Remix) 2.34
18. Different Drum (TV Version) 0.39
19. Undecided 0.30
20. Sometime In The Morning (Backing Track - Take 1) 2.43
21. Sometime In The Morning (2017 Stereo Remix) 2.30
22. I Don't Think You Know Me (Backing Track - Take 4) 2.22
23. I Don't Think You Know Me (2017 Stereo Mix) 2.24
24. Your Auntie Grizelda (Session Excerpt) 0.54
25. Your Auntie Grizelda (Mono TV Mix) 2.37
26. Hold On Girl (Alternate Backing Track) 2.44
27. Hold On Girl (2017 Stereo Remix) 2.34
28. I'm A Believer (Backing Track - Take 4) 3.17
29. I'm A Believer (Alternate Vocal Take - 2017 Stereo Remix) 2.41
30. Look Out (Here Comes Tomorrow) [Backing Track - Take 3] 2.10
31. Look Out (Here Comes Tomorrow) [Unedited Version - 2017 Stereo Remix] 2.55
32. Mary, Mary (Vocal Overdub Session) 11.04
1. (I Prithee) Do Not Ask For Love [2017 Stereo Remix] 3.18
2. Tear Drop City (Original Speed - 2017 Stereo Remix) 2.22
3. Looking For The Good Times (Backing Track with Backing Vocals) 2.04
4. I'll Spend My Life With You (First Recorded Version - 2017 Stereo Remix) 2.32
5. Apples, Peaches, Bananas And Pears (2017 Stereo Remix) 2.18
6. Don't Listen To Linda (First Recorded Version - 2017 Stereo Remix) 2.29
7. I Never Thought It Peculiar (Mono TV Mix) 2.13
8. Laugh (Mono TV Mix) 2.33
9. The Day We Fall In Love (2017 Stereo Remix) 2.30
10. The Girl I Left Behind Me (Backing Track) 2.34
11. Mary, Mary (2017 Stereo Remix) 2.20
12. Valleri (First Recorded Version - 2017 Stereo Remix) 2.38
13. Words (First Recorded Version - 2017 Stereo Remix) 2.52
14. Your Auntie Grizelda (2017 Stereo Remix) 2.36
15. Look Out (Here Comes Tomorrow (With Peter's Narration - 2017 Stereo Remix) 2.50
16. I Never Thought It Peculiar (2017 Stereo Remix) 2.27
17. Laugh (2017 Stereo Remix) 2.46
18. She's So Far Out, She's In (Live In Arizona, 1967) 2.44
19. You Just May Be The One (Live In Arizona, 1967) 2.06
20. I Wanna Be Free (Live In Arizona, 1967) 2.54
21. Sweet Young Thing (Live In Arizona, 1967) 2.25
22. Papa Gene's Blues (Live In Arizona, 1967) 2.14
23. I Can't Get Her Off Of My Mind (Live In Arizona, 1967) 3.00
24. Cripple Creek (Live In Arizona, 1967) 3.08
25. You Can't Judge A Book By The Cover (Live In Arizona, 1967) 4.25
26. Gonna Build A Mountain (Live In Arizona, 1967) 3.17
27. I Got A Woman (Live In Arizona, 1967) 6.27
Michael Nesmith's memoir, Infinite Tuesday: An Autobiographical Riff, arrived earlier this year with a companion compact disc from Rhino Records, which featured highlights of Michael's musical career. As always, a big thanks to Ben Belmares for providing scans of the CD to the Live Almanac!