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Exclusive photos! Rhino Records announces "More Of The Monkees" super deluxe edition (UPDATED)

11/6/2017

22 Comments

 
More Of The Monkees super deluxe edition packaging
After much anticipation, Rhino Records has unveiled details surrounding the release of the super deluxe edition box set commemorating The Monkees' second album, More Of The Monkees. Pre-orders for this 3-CD collection, produced by Monkees archivist Andrew Sandoval and available on December 15, 2017, begin today at Monkees.com. (UPDATE 12/9/2017: Rhino is now showing a release date of December 22, 2017. UPDATE #2 on 12/18/2017: Rhino has alerted customers that the set will now ship on December 29, 2017. UPDATE #3 on 12/22/2017: Despite the previously announced setback in the release date, emails from The Monkees Webstore are now providing shipping notification and a tracking number for the More Of The Monkees super deluxe edition.)

Limited to 4,500 numbered copies and boasting 91 tracks (55 of them previously unreleased), including the original mono and stereo mixes, alternate takes, backing tracks, and remixes, the set also contains highlights from The Monkees' January 21, 1967 concert at Memorial Coliseum in Phoenix, Arizona. "This is the most exciting archival dig through The Monkees' vault since 2009's The Birds, The Bees & The Monkees deluxe edition," Sandoval told Monkees.com. "Every track is newly mastered for this set; the live material is the most historically significant of their career." (Sandoval confirmed on Facebook that the Phoenix live material has vocals and is in stereo.) A special 7" vinyl single, "I'm A Believer" (remix) / "(I’m Not Your) Steppin’ Stone” (vocals only), will also be included.

Here is the first look at the hardbound 7"x7" box:
More of the Monkees super deluxe edition Rhino
And a big thank you to Rhino's John Hughes for sharing these exclusive photos of the packaging with the Live Almanac:
More Of The Monkees super deluxe box back
More of the Monkees super deluxe slip cases disc sleeves
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A look inside the booklet, featuring a newly written essay by Andrew Sandoval
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Back cover of the booklet
Over the last seven years, many of the classic Monkees albums have been afforded lavish treatment by Rhino's specialty Handmade division, beginning with The Birds, The Bees & The Monkees in 2010. A box for Head arrived later that year (both now sold-out), and Instant Replay (2011) and The Monkees Present (2013) followed. Due to the success of those projects, Rhino Handmade went back to the beginning of The Monkees' catalog, issuing The Monkees in 2014 (which is currently unavailable). ​
Originally released on January 10, 1967, More Of The Monkees became the biggest selling Monkees album (certified quintuple platinum by the RIAA) and was the longest to stay at #1 on the Billboard chart (an incredible 18 weeks). It contains the group's most successful single, "I'm a Believer," which spent 7 weeks at #1 throughout late 1966 and early 1967, along with songs that have long been associated with The Monkees ("Mary, Mary" and "Steppin' Stone," a Top 20 hit, to name two). The remainder of its tracks include selections that have been staples in the group's live show for decades, and it features contributions from songwriters like Michael Nesmith, Tommy Boyce & Bobby Hart, Gerry Goffin & Carole King, Neil Sedaka, Jack Keller & Diane Hildebrand, and Neil Diamond. But the album also has a well-documented backstory that included a power struggle for creative control over The Monkees' music, one that pitted the band against music publisher Don Kirshner.
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From the December 3, 1966 issue of Billboard - courtesy of Monkee45s.net
PictureDon Kirshner
Kirshner, known as "The Man With the Golden Ear," was brought into the Monkees project in the summer of 1966. Initial rehearsals by The Monkees to play their music on record and as a live act had progressed through the spring of 1966, but deadlines were fast approaching to meet the pending debut of The Monkees television series on NBC in September of that year. The group's grueling schedule of filming, recording, and rehearsing caused Kirshner to streamline the process. He refused to allow The Monkees to play their instruments on record, instead having them provide only vocal work in the studio, and it was Kirshner who selected the songs The Monkees were to perform. Kirshner went on to supervise the first two Monkees singles and albums, a situation that built resentment, particularly on behalf of Michael and Peter.

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Legend holds that in early 1967, Micky, Davy, Michael, and Peter discovered that More Of The Monkees had been released without their consultation, and went to a record shop to pick up a copy. Disliking the cover image (featuring The Monkees in J.C. Penney fashions for a cross-promotional effort) along with Kirshner's self-congratulatory liner notes, the stage was now fully set for a showdown between the two camps. An unsettled Michael Nesmith made his unhappiness clear about how The Monkees' music was being created in a January 1967 interview with the Saturday Evening Post, just as the group had started to appear live in concert. "The music had nothing to do with us," he said. "It was totally dishonest. Do you know how debilitating it is to sit up and have to duplicate somebody else's records?"

The Monkees quickly joined forces in the ensuing battle against Kirshner. During a tense meeting with the band and Kirshner in a Beverly Hills hotel room that same month, the situation between the two sides escalated. "The incident when Mike Nesmith put his fist through the wall at the Beverly Hills Hotel is very vivid and near and dear to my heart," Kirshner told Monkees archivist Andrew Sandoval years later. "I had flown out to the Beverly Hills Hotel to give the boys a quarter of a million dollars apiece from some of the royalties on the first album. Mike had given me a lot of heat that he didn't like the records and he didn't like the albums. He wanted to do it his way. It was a little disconcerting to me because every album and single I put out was number one, but he had a right to his opinion." When Nesmith threatened to quit unless The Monkees were given some control over their musical output, Kirshner's attorney proceeded to remind Michael about his contract. Nez responded, by punching his fist through the wall, telling the attorney, "That could’ve been your face." "I was very impressed," Kirshner chuckled, "because I thought the Beverly Hills [Hotel] had pretty strong walls." Kirshner was later sacked and The Monkees soon began recording with a new producer, Chip Douglas, while also providing their own instrumental backing in the studio.

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The back cover of "More of the Monkees," complete with Don Kirshner's victory lap
Looking back today, the "controversy" about who played what instrument on the earliest Monkees recordings seems trite as many of the top groups at that time (The Mamas & the Papas, The Beach Boys, The Byrds, etc.) also utilized ace studio musicians (The Wrecking Crew) just like The Monkees.  But in 1967, along with the "manufactured" criticisms that had already befallen The Monkees, the infamous "they don't play their own instruments" story line became one that has, to this day, never fully dissipated.
But now, fifty years later and after the dust has settled, Rhino Records and Andrew Sandoval will afford us another opportunity to revisit the blockbuster More Of The Monkees album. Here is the complete track listing for the super deluxe edition, and you can listen to Sandoval go in-depth about the contents of the box on the latest episode of "Zilch."
DISC 1:
1. She (Remastered) [Mono Mix] 2.40
2. When Love Comes Knockin' (At Your Door) [Remastered] [Mono Mix] 1.48
3. Mary, Mary (Remastered) [Mono Mix] 2.20
4. Hold On Girl (Remastered) [Mono Mix] 2.28
5. Your Auntie Grizelda (Remastered) [Mono Mix] 2.36
6. (I'm Not Your) Steppin' Stone [Remastered] [Mono Mix] 2.34
7. Look Out (Here Comes Tomorrow) [Remastered] [Mono Mix] 2.16
8. The Kind Of Girl I Could Love (Remastered) [Mono Mix] 1.54
9. The Day We Fall In Love (Remastered) [Mono Mix] 2.25
10. Sometime In The Morning (Remastered) [Mono Mix] 2.31
11. Laugh (Remastered) [Mono Mix] 2.29
12. I'm A Believer (Remastered) [Mono Mix] 2.49
13. She (Stereo Mix) [Remastered] 2.42
14. When Love Comes Knockin' (At Your Door) [Stereo Mix] [Remastered] 1.50
15. Mary, Mary (Stereo Mix) [Remastered] 2.19
16. Hold On Girl (Stereo Mix) [Remastered] 2.31
17. Your Auntie Grizelda (Stereo Mix) [Remastered] 2.32
18. (I'm Not Your) Steppin' Stone [Stereo Mix] [Remastered] 2.26
19. Look Out (Here Comes Tomorrow) [Stereo Mix] [Remastered] 2.18
20. The Kind Of Girl I Could Love (Stereo Mix) [Remastered] 1.54
21. The Day We Fall In Love (Stereo Mix) [Remastered] 2.27
22. Sometime In The Morning (Stereo Mix) [Remastered] 2.32
23. Laugh (Stereo Mix) [Remastered] 2.31
24. I'm A Believer (Stereo Mix) [Remastered] 2.49
25. I'll Be Back Up On My Feet (First Recorded Version) [Remastered] 2.38
26. Of You (Mono Mix) [Remastered] 1.58
27. I Don't Think You Know Me (Second Recorded Version - Mono Mix) [Remastered] 2.20
28. Words (First Recorded Version - Mono Mix) 2.51
29. Look Out (Here Comes Tomorrow) [Mono TV Mix] 2.56
30. Tear Drop City (1966 Mono Mix) [Remastered] 2.18
31. Sometime In The Morning (Alternate Mono Mix) 2.32
32. Valleri (First Recorded Version - Mono TV Mix) [Remastered] 2.32

DISC 2:
1. Whatever's Right (Backing Track) 2.32
2. Valleri (First Recorded Version - Backing Track 1 & 2) 3.02
3 . (Theme From) The Monkees [Second Version - Backing Track - Take 1] 1.06
4. Words (First Recorded Version) [Mono TV Mix][Remastered] 2.49
5. She (Mono TV Mix) 2.36
6. I Love You Really (Version One) 0.13
7. I Love You Really (Version Three) 0.13
8. I Love You Really (Version Two) 0.12
9. Ladies Aid Society (Backing Track - Part One - Take 22) 2.40
10. Ladies Aid Society (Backing Track - Part Two - Take 1) 1.19
11. Ladies Aid Society (Original Mono Mix) [Remastered] 3.25
12. Kicking Stones (Backing Track - Take 11) 2.57
13. Kicking Stones (Original Mono Mix) 2.21
14. I Don't Think You Know Me (First Recorded Version - Mike's Vocal - 2017 Stereo Remix) 2.21
15. Mr. Webster (First Recorded Version - 2017 Stereo Remix) 2.52
16. Hold On Girl (First Recorded Version - 2017 Stereo Remix) 2.46
17. Through The Looking Glass (First Recorded Version - 2017 Stereo Remix) 2.34
18. Different Drum (TV Version) 0.39
19. Undecided 0.30
20. Sometime In The Morning (Backing Track - Take 1) 2.43
21. Sometime In The Morning (2017 Stereo Remix) 2.30
22. I Don't Think You Know Me (Backing Track - Take 4) 2.22
23. I Don't Think You Know Me (2017 Stereo Mix) 2.24
24. Your Auntie Grizelda (Session Excerpt) 0.54
25. Your Auntie Grizelda (Mono TV Mix) 2.37
26. Hold On Girl (Alternate Backing Track) 2.44
27. Hold On Girl (2017 Stereo Remix) 2.34
28. I'm A Believer (Backing Track - Take 4) 3.17
29. I'm A Believer (Alternate Vocal Take - 2017 Stereo Remix) 2.41
30. Look Out (Here Comes Tomorrow) [Backing Track - Take 3] 2.10
31. Look Out (Here Comes Tomorrow) [Unedited Version - 2017 Stereo Remix] 2.55
32. Mary, Mary (Vocal Overdub Session) 11.04

DISC 3:
1. (I Prithee) Do Not Ask For Love [2017 Stereo Remix] 3.18
2. Tear Drop City (Original Speed - 2017 Stereo Remix) 2.22
3. Looking For The Good Times (Backing Track with Backing Vocals) 2.04
4. I'll Spend My Life With You (First Recorded Version - 2017 Stereo Remix) 2.32
5. Apples, Peaches, Bananas And Pears (2017 Stereo Remix) 2.18
6. Don't Listen To Linda (First Recorded Version - 2017 Stereo Remix) 2.29
7. I Never Thought It Peculiar (Mono TV Mix) 2.13
8. Laugh (Mono TV Mix) 2.33
9. The Day We Fall In Love (2017 Stereo Remix) 2.30
10. The Girl I Left Behind Me (Backing Track) 2.34
11. Mary, Mary (2017 Stereo Remix) 2.20
12. Valleri (First Recorded Version - 2017 Stereo Remix) 2.38
13. Words (First Recorded Version - 2017 Stereo Remix) 2.52
14. Your Auntie Grizelda (2017 Stereo Remix) 2.36
15. Look Out (Here Comes Tomorrow (With Peter's Narration - 2017 Stereo Remix) 2.50
16. I Never Thought It Peculiar (2017 Stereo Remix) 2.27
17. Laugh (2017 Stereo Remix) 2.46
18. She's So Far Out, She's In (Live In Arizona, 1967) 2.44
19. You Just May Be The One (Live In Arizona, 1967) 2.06
20. I Wanna Be Free (Live In Arizona, 1967) 2.54
21. Sweet Young Thing (Live In Arizona, 1967) 2.25
22. Papa Gene's Blues (Live In Arizona, 1967) 2.14
23. I Can't Get Her Off Of My Mind (Live In Arizona, 1967) 3.00
24. Cripple Creek (Live In Arizona, 1967) 3.08
25. You Can't Judge A Book By The Cover (Live In Arizona, 1967) 4.25
26. Gonna Build A Mountain (Live In Arizona, 1967) 3.17
27. I Got A Woman (Live In Arizona, 1967) 6.27 ​

Pre-order More Of The Monkees (Super Deluxe Edition) now!
22 Comments
Mark James Meli
11/6/2017 18:21:09

This will be the ideal collection for a younger Monkees fan who missed the MISSING LINKS series and the 1994-1995 issues. Song for song, we've got most of this already....or at least we should. If not - here it is!

Reply
Dan
11/6/2017 18:53:46

The Phoenix cuts in stereo & the "Mary, Mary" vocal overdub session & 55 previously unreleased tracks... amazing!!!! Couldn't be more excited about this one, order placed!!!

Reply
Ian
11/6/2017 19:30:50

Just ordered!

Reply
Rich C
11/6/2017 21:53:39

Am I missing something, or is a cop out to tout 55 "previously unreleased" tracks, most (if not all) have been released previously but now bear the tag of "newly remastered"? What doe that mean exactly. You tweak a previously released track, ever so slightly, and pass it off as "previously unreleased? Are these truly alternate versions or remixes?

Reply
Stephen
11/8/2017 10:21:22

It depends. How hardcore of a fan are you? How do you listen to music?

To a trained ear that pays precise detail to quality and sound dynamics these sets are an upgrade. Some remasters are more noticeable than others. The Head box set fixed an engineering error (channel imbalance) that plagued all previous releases. The Instant Replay remaster is the best I've ever heard the album sound. Some of these sets in the case of Present and Replay feature back original album mixes instead of remixes like on the Rhino 90s reissues.

Remastering is when you take the original album's master and balance the sound out better and sharpen other dynamics to perhaps make it sound even better than it did originally.

Remixing is when an entirely new mix is made via the original multi-tracks. The remixes for these sets are incredible and blow away all of the original mixes for the most part because they're coming directly from the original tapes and aren't being bounced around from overdubbing resulting in compression. Plus today engineers have a way better understanding of stereo than they did in the 60s when these were recorded.

Reply
Rich C
11/8/2017 22:36:36

First off, thank you for the response. Let me just say that "I hear you". Bottom line is that there was precious little "brand new" content to fill this three disc set, so the remastered songs were necessary to fill that void. I DID listen to Andrew's interview on the latest "Zilch" blog and admire his passion. As a hardcore fan, I will buy this set, despite you griping. Just voicing my frustration over the lack of "brand new" content. We have a apparently hit the bottom of the existing audio tracks for the MOTM sessions. So be it.

Steohen
11/8/2017 10:22:49

Plus on this set the mono mix "I'm A Believer" is sourced from tape and not vinyl like the previous reissue. So these sets capitalize on quality that hardcore fans appreciate.

Reply
Jan
11/9/2017 10:48:57

Same with me Rich. I mostly see previously released tracks praised now as "unreleased= remastered again" tracks. I was hoping for more alternate takes or unreleased backing tracks or whatever. A. Sandoval said he found new stereo tapes for the unreleased live concert (which circulates as a bootleg for some years now) but -even aimed at Monkees hardcore fans only- he only releases the tracks which feature voices? Why this decision?!

Reply
Stephen
11/10/2017 10:40:45

They're not counting already released tracks as "unreleased" but they are counting "backing tracks" or session material of maybe an already released song as "unreleased". Which I think is fair because that recording has ever been publicly heard before. No "remastered" tracks are being counted as "unreleased".

More of The Monkees has a lot of the original multi-tracks missing from it so backing tracks or remixes aren't even possible for a lot of the tracks. Some session material is also missing. This is unfortunately the case with at least some tracks on almost every original Monkees album.

Plus Andrew has always said that backing tracks are of a lesser priority than tracks with vocals.

JJ Lloyd
11/7/2017 10:39:34

Ordered!

Reply
Frank L.
11/7/2017 17:52:12

Like all of the previous collections, this one will be priced out of my reach.😟😟😟

Reply
Bill M
11/7/2017 19:04:21

Thanks for the great photographs. I have every incarnation of this record and look very forward to getting this box set.

Reply
Brian
11/7/2017 19:51:17

I love that Italian cover that they're using for the 2nd disc. I'm so excited to finally get this released! If people will hurry up and buy this, then the sooner we can get the final 2!

Reply
Ryan Correll link
11/9/2017 19:16:12

Got mine ordered! Will look real nice next to my Super Deluxe The Monkees, Birds Bees, Head, Instant Replay, Present boxed sets... and of course the blu ray...

Thinking this collection's getting to be rather valuable...

Reply
Glenn
12/1/2017 18:41:35

Since Rhino owns the rights to all of this stuff, there's nobody to tell them it's a bad idea. That's the reason why these are "limited editions." I mean, I am a huge Monkees' fan, but I can honestly say, I'd listen to this once, and then file it away, and go back to the way I'm used to for 50 years. Once word hits the street that there's only a couple of interesting moments on the whole set - this limited edition will already be sold out.

Reply
Jan
12/2/2017 05:11:14

They won't sell out quickly- interesting comment from "Michelle66" over at Steve Hoffman forums:

"[...]There is no way this set will sell out quickly. It will be available for years – just like every other set has been.

Only the first two super-deluxe sets are sold out in the USA, and the HEAD one was still available to buy in Japan until Warner Music Direct removed all music from its revamped site just last month (the new site only seems to be offering t-shirts...:sigh:).

Every time a super-deluxe set is announced, people are convinced it will sell out fast. However, history has proven this to be completely wrong.

Two years ago, many folks were sure the blu-ray set would have sold out during the pre-sale. It didn't. And even after seasonal sales at Rhino, it's still available...

Headquarters Sessions was available for at least a couple of years. The special 45 that you got if you bought the HQ/PAC&J deluxe CD sets directly from Rhino was available for at least 18 months. Even the most-popular of the super-deluxe sets (BB&M) was on sale for a long time. (Rhino even sent out "low stock" emails when BB&M was down to its last remaining units.)

History has shown that there is no rush whatsoever in getting these super-deluxe sets. [...]"

Reply
Peter
12/5/2017 15:43:34

Replying to Jan about deluxe editions not selling out, who cares, I got my copies

I. Zisman
12/9/2017 00:21:08

As usual, the shipping date has been moved up to the 22nd.... so far! Don't even know why I paid extra for Expedited Shipping when Rhino pulls this all the time! The record breaker was of course the BR set that was moved up 6 months!

Reply
Peter Denmark
12/11/2017 04:10:51

I agree. Rhino are constantly doing this. I was hoping that there was a slim chance I may have received it before Christmas, which was a longshot as I live in the UK, but now, it's unlikely anyone will receive theirs in time for Christmas.

Reply
Ryan Correll
12/10/2017 11:22:47

How great, a week added to the release date. What is up with them? They pushed it close to Christmas with the 15... now it's the 22ND?? Why not just take my money and add a month to it? They do it to me all the time. :-/

Reply
scott catton
12/13/2017 11:17:35

I ordered mine! Really looking forward to this one...yes,its just too bad that rhino changed the release date!....I was looking forward to getting it in time for christmas!

Reply
Jack
12/20/2017 18:37:06

Andrew Sandoval wrote this on Facebook about the latest shipping delay:

It is pretty embarrassing overall. I delivered it many months ago, but it is a huge organization and it goes through a whole group of people after the 4 people (including myself) create all of the elements for the box. I was told a dirty conveyer belt put black marks all over the run and they had to remanfacture all of the boxes and reassemble all of the parts inside the boxes, in new boxes.

Reply



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