By Justin Rakowski
Salt Lake City – December 6, 1969. As The Monkees walked off stage, nothing would ever be the same. At least in terms of their original run as a quartet, that was unceremoniously reduced to a trio earlier in the year. Apart from a few contractual obligations, Michael Nesmith was no longer a Monkee. This left Micky Dolenz and Davy Jones to continue on in some capacity. In addition to making a few promotional appearances under the guise of The Monkees throughout 1970, Micky and Davy undertook what would be the final Monkees album of the original Colgems era. Released in June of 1970, Changes unfortunately did nothing to bolster their fading popularity. While the single "Oh My My" barely cracked the Billboard Hot 100, Changes failed to grab the attention of what remaining fans they had and did not chart in its initial production run.
As decades passed and different waves of Monkees reunions cropped up, leading to more positive reevaluations of their career and musical output, Changes still held a somewhat “black sheep” quality when compared to The Monkees' other Colgems records. Growing up in the 1990s, I was too young to remember the massive resurgence in popularity the group experienced during their 20th Anniversary in 1986. Luckily, I discovered the "Pre-Fab Four" through Nick at Nite reruns during the mid-90s, leading me to hunt down every album released through the Rhino Records reissues on CD. Even as a young Monkees fan, Changes carried a stigma like no other Monkees LP had and initially I barely gave it a listen. Over the course of the ensuing years, my appreciation of the album grew slightly, but it still never reached the level of importance as their other albums.
In 2012, I met the woman who I would fall in love with and ultimately marry a few short years later. On one of our first dates, I discovered that she was quite familiar with a good number of Monkees songs, albeit the ones that were featured on the show, as she too watched the Nick at Nite reruns. Naturally, I gave her copies of all their albums, excited to see which one she would hold dear to her heart. After making her way through everything, I was shocked to find that she adored Changes and had memorized the lyrics to every song featured on the album in only a few short days. Her love for the album was contagious and I now started to listen with a different set of ears and appreciate it for what it was – a solidly written and performed set of catchy bubblegum songs that acted as a perfect bookend to a period that started with an album (The Monkees) that was essentially a solidly written and performed set of catchy bubblegum songs.
Through all of this, as many Monkees fans know, the multitrack recordings for all of the Jeff Barry-produced songs from the 1970 sessions are missing. Unfortunately this also includes two tracks, "Which Way Do You Want It" and "Ride Baby Ride," that were recorded but ultimately left off the final pressing of Changes. Given all these facts, we’ve been told time and time again that a Super Deluxe set of the album would be impossible given the lack of content. Once a Super Deluxe set of Headquarters and Pisces, Aquarius, Capricorn & Jones, Ltd. is released in the coming years, the journey that Monkees archivist Andrew Sandoval started nearly a decade ago will have ended. As a fan of both The Monkees and Andrew, I am incredibly grateful for the amount of dedication from them to bring us such wonderful sets and can’t wait to have a shelf with all the Super Deluxe sets next to each other, providing us with perhaps the most complete auditory history of a band’s output. But, the set will feel quite lonely if Changes isn’t there in some capacity to bookend everything as it did almost 50 years ago when it was first issued.
With all of that in mind, I propose a solution. When the time comes to make a decision on the merits of a Super Deluxe set of Changes and the missing tracks that still have not been found, here is a track listing that could fill three CDs and properly tell the story of The Monkees' Colgems-era output, including Davy’s final contractual obligation for Colgems that resulted in his self-titled album released on Bell Records in 1971. With that being said, I present you with…
CHANGES (SUPER DELUXE EDITION)
23. Oh My My (Mono Promo Film Mix)
24. 99 Pounds (Stereo Remix)
25. Midnight Train (Demo)
26. I Never Thought It Peculiar (No Strings and Backing Vocals)
27. I Never Thought It Peculiar (Mono Mix without Overdubs)
28. I Never Thought It Peculiar (Mono Mix with Overdubs)
29. I Never Thought It Peculiar (Stereo Remix)
30. Time And Time Again (Take 1)
31. Time And Time Again (Mono Mix)
32. Time And Time Again (Stereo Mix)
33. Post Cereals "Monkees Cereal Box Records" Commercial
34. Kool-Aid "Nerf Ball" Commercial
35. Kool-Aid "Buzzer" & "Snake In A Can" Commercial
36. Together (Davy Jones With Sam & The Goodtimers - Live on Music Scene - December 22, 1969)
37. Interview With Davy Jones on Music Scene (December 22, 1969)
38. Oh My My (Live At The Palace Theater - Cleveland, Ohio - July 27, 1997)
39. Midnight Train (Live At The Mayo Performing Arts Center - Morristown, New Jersey - Aug. 27, 2015)
BONUS VINYL 45
"Acapulco Sun" EP by The Monkees
Oh My My
Do You Feel It Too?
Thank you very much to Justin Rakowski for submitting his essay to The Monkees Live Almanac! I would also like to acknowledge John McCutcheon's wonderful website Monkee45s for some of the scans seen above.
While prepping this piece for the Live Almanac's blog, I contacted longtime Monkees fan, collector, and author Ed Reilly to see if he could share some unique Changes-era pieces from his collection to complement Justin's work. The items below come from Ed's collection - thanks, Ed!
Bell Records released the original Monkees albums in Japan throughout 1973 and 1974: